#187 Beat Girl

Watched: July 11 2018

Director: Edmond T. Gréville

Starring: Gillian Hills, David Farrar, Noëlle Adam, Christopher Lee, Adam Faith, Oliver Reed

Year: 1960

Runtime: 1h 29min

beat

Source

Jennifer (Hills) is a poor little rich girl with daddy issues and a need to distinguish herself and find her identity. She spends her time with sort-of boyfriend Dave (Faith), a musician with a magical guitar that can play all instruments, and his beatnik friends in a bar in Soho.

beat2
As all teenagers, they are the only ones who have found the real answer to life. Skipping school and living for kicks, unlike those other squares!

Source

When her rich architect dad Paul (Farrar) brings home his new French wife Nichole (Adam), Jennifer is less than impressed. She rejects all of Nichole’s attempts at forming a relationship, even though her new stepmom might just be the only one who really tries to understand the girl.

beat3
It helps that the daughter and the new wife are practically the same age

Source

Paul is more interested in his vision of a future city he wants to build than he is in his daughter, which drives Jennifer to increasingly risky behaviour to get his attention. When a local stripper recognizes Nichole, Jennifer makes it her mission to dig up dirt from her stepmother’s past, which puts her on the radar of dangerous strip club owner Kenny (Lee).

beat4
“I am Dracu… I mean, I am Kenny! Dammit.”

Source

We really enjoyed Beat Girl despite our sympathy for Jennifer being a bit limited. Maybe we’re too old to empathise completely with a spoiled girl playing at being special and shocking, although we can understand her motivation and we like that she shows some spunk and self-preservation, especially in her dealings with Kenny.

beat5
Pictured: not the father figure you’re looking for.

Source

Still, she’s a bit of a pretentious bitch. However, we loved the opening scene, the music (by John Barry), the now dated slang used by the teenagers, and the very salacious strip tease.

beat6
FYI, if you like women who know their way around a sheet, this is the film for you!

Source

It’s a well-scored and interesting perspective on the disenfranchised post-war generation and well worth watching.

What we learned: Play with fire and you’ll get burnt. Also, we need Dave’s magical guitar!

Next time: Black Sunday (1960)

Advertisements

Update

Good afternoon, or morning, or night, depending on where in the world you find yourselves today. Mr Wright has added more stuff to the list again, which will influence the numbering from the next post. Just so you know that we haven’t skipped any due to laziness.

For more info on numbering, read this.

Happy summer, good people of the internet! We’re off to galavant around London for a few days, hopefully to buy some hard to come by DVDs!

Bonus: The Mouse that Roared

Watched: July 7 2018

Director: Jack Arnold

Starring: Peter Sellers, Peter Sellers, Peter Sellers, Jean Seberg, William Hartnell, David Kossoff

Year: 1959

Runtime: 1h 23min

mouse

Source

The tiny Duchy of Grand Fenwick is in a financial crisis after their sole export, Pinot Grand Fenwick wine, is priced out of the market by a cheap American imitation. Their solution: declare war on the United States, lose, and collect aid from their former “enemy.”

mouse2
And with a well-equipped and modern army such as this, how could an invasion go wrong?

Source

Unfortunately, through a series of unlikely events they end up winning, and Prime Minister Count Mountjoy (Sellers), Grand Duchess Gloriana (Sellers), and Field Marshall Tully Bascomb (Sellers) must find a way out of their newfound power and notoriety.

mouse3
“Good lord! Only a true megalomaniac would want to rule to world! Or the USA…”

 

Source

The Mouse that Roared is no longer on the list, but we post this in our we-already-bought-the-fucking-DVD-so-we’re-watching-it-dammit category. It’s a very silly and very enjoyable comedy with an excellent Peter Sellers. We loved all the characters, especially the Duchess; the narration, the fox, the army uniforms, and the peace treaty. While no longer deemed good enough to occupy a precious space on the list, it’s still very much worth watching. Such fun!

mouse4
For those interested, this is how we usually dress up for a movie night. Furs, flags and all!

Source

What we learned: Do not wage war unless you’re prepared to win.

Next time: Beat Girl (1960)

#183 The 400 Blows/Les quatre cents coups

Watched: July 4 2018

Director: François Truffaut

Starring: Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Patrick Auffay

Year: 1959

Runtime: 1h 39min

400

Source

Antoine Doinel (Léaud) is a pretty average kid. He lives with his self-centred mother (Maurier) and nice enough, but very strict, stepfather (Rémy) in a small apartment in Paris. He doesn’t do too well in school and occasionally gets in trouble, although his best friend René (Auffay) seems to be the instigator at least some of the time.

4001
“I’m thinking we should hire some hookers and then kill some puppies?” “Yeah, I was thinking more like skip school and go to the fair..?”

Source

After he’s caught skipping school and lying about his mother’s death to cover for it, Antoine runs away from home. It only lasts for a day or so though, but when his teacher later accuses him of plagiarising Balzac, Antoine runs away again. This time for a while, and with more serious consequences.

 

4002
“Copied” sounds so harsh. I prefer “inspired by.”

Source

Antoine is misunderstood and/or ignored throughout the film. None of the adults in his life take the time to listen to him, and his actions are very often misinterpreted and harshly punished, such as his homage to Balzac and his return of the stolen typewriter (which, granted, he did steal earlier).

4003
Considering the irony of being caught returning stolen goods…

Source

We loved The 400 Blows. While it’s a fairly tragic tale of a talented but misunderstood young boy who gets into all sorts of (quite serious) trouble, it’s not all bleak. We loved the P.E. sequence with the rapidly diminishing student body, the centrifugal carousel, the shrine to Balzac and the kids watching the puppet show.

4004
Not to mention the extremely disruptive students

Source

Without spoiling it, the ending is also (possibly) optimistic, with Antoine standing at several thresholds and between two chapters of his life. There are four more films made about the same character played by the same (wonderful) actor, and we’re tempted to make a night of it and watch them all. In about ten years when we’re done with everything on the list

4005
In case you were wondering, we do bring this amount of energy and enthusiasm to every single film screening. Every. Single. One.

Source

What we learned: Life is hard for kids. Also, parents have responsibilities beyond feeding their children.

Next time: Special Bonus Post! Oboy oboy oboy!!!

#182 Some Like it Hot

Watched: May 5 2018

Director: Billy Wilder

Starring: Tony Curtis, Jack Lemmon, Marilyn Monroe, George Raft, Pat O’Brien, Joe E. Brown

Year: 1959

Runtime: 2h 1min

Hot

Source

Joe and Jerry (Curtis and Lemmon, respectively), two musicians employed at a speakeasy in Chicago, witness a mob hit and must go on the run to avoid becoming the next targets. They look for out-of-town work, but the only one hiring is an all-girl band going on tour. What happens next should surprise absolutely no one who has ever seen a silly comedy.

hot2
As with “all” best friends, there’s the pretty one and then there’s the funny one

Source

The pair take their new identities Josephine and Daphne (she never liked the name Geraldine) and join the band, where they meet charming ukulele player Sugar Kane (Monroe). On the way to Miami, both fall for Sugar, but are unable to act upon it as they are supposed to pass for women.

hot3
To be fair, you didn’t have to be a man to be attracted to Marilyn Monroe in her prime

Source

Once in Miami, Joe assumes a third (male) persona, that of heir “Shell Oil Junior,” in order to woo Sugar. Meanwhile, Jerry is pursued by creepy (but ultimately quite sweet) millionaire Osgood Fielding III (Brown), to whom “Daphne” later becomes engaged. Also, to add to the complications, the Chicago mobsters the musicians are hiding from have decided to do their yearly meeting at the same Miami hotel the band is staying at. Hilarities ensue.

hot4
Hilarities include, but are not limited to, a rather scandalous dress and an even more scandalous seduction technique

 

Source

Despite the fairly simple set-up, this movie truly is hilarious. Given their actions, all the characters should be repellent, but thanks to utterly wonderful actors they come across as strangely likable, and you find yourself rooting for them all.

Hot5
Yes, even these two duplicitous “ladies”

Source

Amid all the sexism (it’s from the ’50s and set in the ’20s) and deceit, there is a sweetness and tolerance in this film which might be more relevant than ever. We loved Sugar’s outfits, Daphne’s tango date, Osgood (post initial assault), and the dialogue. Also, the ending is perfect, without any of the hurt feelings and apologies we find in all contemporary romantic comedies. Everyone just accepts what has happened and how others have tricked them and they move on with their lives and their loves. Perfect!

hot6
And by everyone we mean everyone!

Source

What we learned: Nobody’s perfect.

Next time: The 400 Blows (1959)

#181 Sapphire

Watched: June 28 2018

Director: Basil Dearden

Starring: Nigel Patrick, Michael Craig, Yvonne Mitchell, Paul Massie, Bernard Miles, Earl Cameron, Olga Lindo

Year: 1959

Runtime: 1h 32min

sapphire1

Source

A young woman is found murdered in Hampstead Heath with nothing to identify her but a monogrammed handkerchief. Investigators Hazard (Patrick) and Learoyd (Craig) identify her as Sapphire Robbins and start trying to find the truth behind her death.

sapphire2
“Fill up on pipe tobacco! We shall get to the bottom of this!”

Source

They track down her devastated boyfriend, David Harris (Massie), and her big brother Dr Robbins (Cameron), but surprises keep coming. First off, the autopsy reveals that Sapphire was pregnant at the time of her death, and the investigators are then baffled when her brother comes in as he is black and Sapphire appeared to be white.

sapphire3
“…and you’re absolutely sure none of you were adopted? And that you’re not using the word ‘brother’ in a wider sense..?”

Source

These new revelations lead to an investigation which encounters racism and prejudice, both from the white and black communities and even from within as not all investigators manage to stay neutral. But was her ethnic background motivation for murder? And if so, who was enraged enough by her “transition” from black to white to murder the young girl?

sapphire4
Look at this happy family she was about to marry into! There’s no way anyone in this blissful household would ever kill anyone.

Source

We love a good murder mystery, and we love it even more when it deals with real political and social issues. Sapphire may be from 1959 and deal with racism and prejudice in the wake of the first waves of Commonwealth immigration in Britain, but there are parallels to be drawn to recent debates considering Brexit.

sapphire5
We’re sure there are lots of idiots out there who would love it if all non-whites had stayed in their own clubs like this one…

Source

We were also reminded of Sarah Jane although her and Sapphire’s stories are different and so are their societies. A great mystery movie with real social and political commentary, we can definitely recommend this.

What we learned: School teachers are very respectable and a bit above the rest. Thank you! Also, racism sucks and we need to stop this shit already!

Next time: Some Like it Hot (1959)

#180 Rio Bravo

Watched: May 17 2018

Director: Howard Hawks

Starring: John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson, Walter Brennan, Claude Akins, Ward Bond, John Russell

Year: 1959

Runtime: 2h 21min

rio1

Source

A brawl (of the murderous kind) in a saloon leads to the arrest of Joe Burdette (Akins), criminal brother of a local hot shot rancher. As many forces are looking to get Joe out, sheriff John T. Chance (Wayne) enlists the help of former deputy Dude (Martin) to keep him safely locked away, despite Dude’s alcohol problem and the fact that he was one of the reasons for the brawl in the first place.

rio2
“We’re getting the band back together!”

Source

Together with comic relief Stumpy (Brennan) they must defend the jail, the sheriff’s office and the town, something which proves difficult when Joe’s henchmen and Big Brother Nathan (Russell) get involved. Reinforcements (reluctantly) arrive in the form of young gunslinger Colorado Ryan (Nelson) and, in another way, poker player Feathers (Dickinson).

rio3
“Age gap? 24 years is no age gap! My last boyfirend was 78.”

Source

How will this ragtag team of alcoholics, kids, oldies, cripples and (gasp!) women manage to survive until the Marshall comes to pick up the condemned prisoner? Why, with song and explosions, of course!

rio4
First we sing. Then we blow shit up.

Source

Rio Bravo has everything you could ever hope for in a western – rugged men; feisty women; fancy, semi-colour-coded hats; shootouts; explosions; horses; clearly defined bad guys and romance.

rio5
One man learns that there exists a different kind of romance than that between a man and his horse

Source

We loved the silent scene at the start, the tension throughout, the character names (Chance, Stumpy, Dude and Feathers – are we sure this isn’t a cartoon?) and Angie Dickinson. Clocking in at well over two hours, this movie just flies by and was great family entertainment when we sat down to watch it with our parents and brother on May 17 – the Norwegian national day. After a day of wholesome fun with nephew and niece, what’s better than watching a bunch of manly, yet sensitive, men kill each other?

Rio6
“Hear that, boys? The crowd is ready for an encore!”

Source

What we learned: Wild West men were surprisingly sensitive and in touch with their feelings. Also, some will go to great lengths to ensure justice is served.

Next time: Sapphire (1959)

Update

Hello, gentle reader.

We would (once again – this is becoming a habit) like to apologize for the recent lack of posts. It is exam time, and while we no longer have to go through the hell that is taking exams, we are (un)fortunate enough to be greatly affected by other people’s misery as we both work with students in different capacities. Thus, we may not be able to write anything new until next week as we have to put a lot of time and effort into each blog post (as we’re sure is apparent to all readers). However, next week the exam period is over and we will run out of excuses to postpone posting any longer.

We’re looking forward to entertaining you again next week, and we love you all. Hopefully, you’ll be able to cope without us for a few more days. If not, hit us up on Twitter. Anything to help us procrastinate…

#179 Odds Against Tomorrow

Watched: May 13 2018

Director: Robert Wise

Starring: Harry Belafonte, Robert Ryan, Shelley Winters, Gloria Grahame, Ed Begley

Year: 1959

Runtime: 1h 36min

odds poster

Source

Ex-cop Dave Burke (Begley) hires two men to carry out a robbery. Both Earle Slater (Ryan) and Johnny Ingram (Belafonte) are debt-ridden, and they are promised the neat sum of $50 000 each for the job.

odds1
$50 000 may not seem much to risk your life for nowadays, but in 1959 it would buy you protection from several M*A*S*H cast members, which was a real threat at the time

Source

Slater is a big, stinking racist, and is not happy working with Ingram who is black. Ingram himself is trying to stay on the straight and narrow, but has a gambling problem and owes a baddie $7500. Burke, the sly mo-fo, pulls strings to pressure the men and make sure he gets the crew he wants. Soon the three are preparing to rob a small bank.

odds2
The monetary loss was nothing compared to the humiliation of being held at gunpoint by three dentists, one of whom was clearly blind

Source

As with all (or at least most) daring capers, despite their prep work and good planning, things go awry. This time though, it’s not because of a Dame or unplanned events, but because of Slater’s racism.

ODDS AGAINST TOMORROW
“Why does the black guy get the cool hat? He also got the sunglasses! It’s not faaaair!”

Source

Odds Against Tomorrow is a very good and suspenseful noir with intriguing characters  and a fantastic soundtrack. Johnny, though by no means perfect, is infinitely more likable than little bitch Slater, who is passive aggressive with his girlfriend Lorry (Winters) and plain aggressive with everyone else. That being said, he too shows vulnerability and humanity at times, and he is disillusioned and angry after a hard life.

odds4
“Honey, even though I try really hard to bang the neighbour, you’re my everything!”

Source

It’s a caper movie, but it focuses a lot on the characters and what drives them, rather than the heist itself, though that too is tense and exciting.  The ending (which we won’t reveal completely) is heavily symbolic and reminiscent of (slight spoiler alert!) White Heat, and we absolutely loved it! A great, late film noir.

odds5
If intriguing characters, great music, a tense heist and social commentary don’t do it for you, there’s also the glorious Gloria Grahame in a bra. You creep.

Source

What we learned: All men are evil. Also, racism has no place in a heist.

Next time: Rio Bravo (1959)

#178 North by Northwest

Watched: April 8 2018

Director: Alfred Hitchcock

Starring: Cary Grant, Eva Marie Saint, James Mason, Jessie Royce Landis, Leo G. Carroll, Martin Landau

Year: 1959

Runtime: 2h 16min

north

Source

Roger O. Thornhill (Grant) is a busy adman with a slightly exasperated secretary and a fabulous mother (Landis). During lunch, he is mistaken for a Mr Kaplan by a couple of thugs and whisked away on an adventure.

north2
“We’re off to see the Wizard! The wonderful Wizard of Oz!”

Source

Despite Thornhill’s insistence that they have the wrong guy, baddie Phillip Vandamm (Mason) is convinced his captive is lying. His suspicions are confirmed several times as Thornhill starts investigating and finds himself in the mysterious Kaplan’s hotel room, accepting his laundry and answering his phone. Idiot.

north3
“What sort of flying monkey is this???”

Source

Things go from bad to worse when Thornhill becomes a prime suspect for murder and must go on the lam. He ends up sneaking on to the “Twentieth Century” where he meets the mysterious and gorgeous Eve Kendall (Saint). She helps him elude capture, but now our hero is hunted by both criminals and law enforcement. What a pickle!

north4
Luckily, Thornhill is a master of disguise!

Source

North by Northwest is definitely among the funnier Hitchcock movies. The whole thing plays like a farce, and Cary Grant’s amazing face, sass and sarcasm keep the audience laughing throughout. We also loved his darling mother.

north5
“I’m a delight!”

Source

As with several Hitchcock films (and others), the opening credits by Saul Bass are fantastic, and the movie is suspenseful and exciting from beginning to end. Love this!

north6
So cool!

Source

What we learned: If you’re the victim of mistaken identity, try not to pretend to be that person… Also, high heels and rock climbing is a bad match. There goes our weekend plans.

Next time: Odds Against Tomorrow (1959)