#218 The Manchurian Candidate

Watched: January 22 2019

Director: John Frankenheimer

Starring: Frank Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury, Henry Silva, James Gregory, Leslie Parrish, John McGiver

Year: 1962

Runtime: 2h 06min

Manchurian

Source

Korea, 1952. A patrol is ambushed and taken prisoner. When they return to the US, generally despised Sergeant Raymond Shaw (Harvey), who’s cursed with a busybody mother (Lansbury) and a fanatic senator stepfather (Gregory), is awarded Medal of Honor. The medal is given to him based on the testimony of his fellow soldiers, who cannot say enough good things about him, although they are unsure why.

Candidate2
“We just really respect the way he used to break up our parties with local prostitutes”

Source

Meanwhile, a few members of the same patrol, including Major Bennett Marco (Sinatra), are troubled by nightmares in which the celebrated Sergeant kills two fellow soldiers on the command of a bunch of ladies talking about agriculture and occasionally morphing into communist leaders.

Candidate3
“Welcome to my talk on how to make blossoming gardens and sleeper agents. I’m very happy to see so many morphing faces here today.”

Source

Marco’s fears are dismissed by the military, and he is eventually placed on sick leave. He meets Eugenie (Leigh) on a train, and she becomes his support system as he tries to make sense of what actually happened in Korea.

Candidate4
She is witty and fantastic, but also insanely reckless. Who talks to an unknown man who’s clearly having some sort of breakdown, and after three minutes decides to give him all her personal details?

Source

Marco’s suspicion is that Shaw, and the rest of the patrol, are all brainwashed and returned to the USA to carry out some sort of plot. But what exactly is Shaw’s mission? Who is his local handler? And will they have any chance of stopping whatever it is in time?

Candidate5
And will Shaw ever get out from under the thumb of his controlling mother?

Source

The Manchurian Candidate is a tense and compelling thriller which keeps going off in unexpected directions. We loved the horticulture talk the soldiers imagined, and the cross cutting between their perception of it and the reality.

Candidate6
Pictured: The Annual Women’s Society Lecture on Communist Leaders

Source

We also loved how the different soldiers saw this scene differently – the black soldier seeing a room filled with black women, etc. Now, the plot is perhaps a bit far-fetched, but in the time of the Cuban Missile Crisis and the aftermath of McCarthyism, we’re sure it hit all the right buttons.

Candidate7
Right down to the fear-mongering senator

Source

We found Frank Sinatra to be a surprisingly good actor, and we loved Angela Lansbury: her character could have snatched the “World’s Greatest Mother” trophy right from the cold, dead hands of Mrs Bates

Candidate8
Surprisingly good actor or not, Frank Sinatra’s card playing skills were clearly below par

Source

We’ll never play solitaire again! Or go to gardening meetings.

What we learned: Beware the red queen! Also, what’s with all these guys meeting cool, interesting, witty women on trains?

Next time: Vivre sa Vie (1962)

Advertisements

#217 The Man Who Shot Liberty Valance

Watched: January 11 2019

Director: John Ford

Starring: James Stewart, John Wayne, Vera Miles, Lee Marvin, Edmond O’Brien, Andy Devine, Woody Strode

Year: 1962

Runtime: 2h 03min

liberty

Source

Shinbone, somewhere in the Wild West. Senator Ransom Stoddard (Stewart) and his wife Hallie (Miles) arrive to attend the funeral of old friend and town loner Tom Doniphon (Wayne). Together with former sheriff Link Appleyard (Devine), they recount to reporters the reason they returned to pay their last respects to Doniphon.

Liberty1
“That man could grow a cactus like no one I ever met.”

Source

Flash back 25 years, and Stoddard is an idealistic lawyer ready to start his practice in the then lawless Shinbone. On the way into town, his stagecoach is ambushed by local gang leader Liberty Valance (Marvin). After refusing to yield to the bully, Stoddard is brutally beaten and left to die in the desert. He’s found by Doniphon and nursed back to health by Hallie.

Liberty2
“I have a good mind to throw this dish in your face, you dirty rotten scoundrel, you!”

Source

Once he recovers his strength, Stoddard decides to go ahead and open his law practice, as well as start a school to teach all the locals to read, something Valance is not happy with. Doniphon tries to tell Stoddard that he needs to use force in order to deal with the outlaw, but Stoddard is sure that the only way is the way of the law. Meanwhile, romance blossoms between “Ranse” and Hallie, although Doniphon is also in love with the only eligible woman in town.

Liberty3
After all, Hallie is of Norwegian ancestry. We’re scientifically proven to be irresistable [citation needed].

Source

The Man Who Shot Liberty Valance is a wonderful and tense Western where philosophies collide with the transition from old to new ideals. On the one hand, we have the old west represented by the rugged, stoic and righteous gunslinger Doniphon, and on the other we have the new hero and male ideal: the educated, sensitive and refined Stoddard.

Liberty4
The two have much to learn from each other…

Source

Stoddard woos the girl and wins over the townspeople by teaching them about history and politics, and how to better themselves. Meanwhile, badass macho man Doniphon protects them with force and his own form of love: he works hard to build his farm in order to have something to offer Hallie, but he never actually got around to asking her to marry him, or to ask her what she actually wanted from him.

Liberty5.png
She might have married him ages ago if he ever actually thought to ask her

Source

There are some not-so-subtle references to all men being created equal, which would have been very timely in 1962 and, sadly, also in 2019, and which we absolutely loved. We also loved James Stewart, but then again, we always do…

Liberty6
Even injured and in an apron, 10/10 would marry!

Source

This movie has it all: sassy women (mother more than daughter), bad criminals, intriguing politics, a stoic gunslinger, a young idealistic educated man, a love interest, and a bumbling town marshal. And once again, we find ourselves loving a Western classic. Fantastic stuff!

Liberty7
He’s only an elected official – he can’t make decisions on his own!

Source

What we learned: That they used “dude” in the 1800s in the Wild West. Also, a beer is not drinking.

Next time: The Manchurian Candidate (1962)

#216 The Loneliness of the Long Distance Runner

Watched: January 05 2019

Director: Tony Richardson

Starring: Tom Courtenay, Michael Redgrave, Avis Bunnage, Alec McCowen, James Bolam, Topsy Jane

Year: 1962

Runtime: 1h 44min

Runner

Source

Colin Smith (Courtenay), a working class boy with anger issues, is sent to a borstal school (or reform school for those of us not in the know) for burgling a bakery. Once there, he is sorted into Drake House in a ritual we found disappointingly lacking in hats.

runner3
Face says Slytherin. Actions say Gryffindor. Absolutely nothing says Ravenclaw…

Source

The school’s philosophy is that hard work, discipline, and exercise will put these young men on the right track in life. During training, the governor of the school (Redgrave) observes Colin’s brilliant running skills and takes a special interest in his new pupil.

runner2
By “brilliant running skills” we refer to his speed and endurance. Not running style.

Source

Colin is given special permission to train outside the school’s fence for an upcoming race against a public school (or private school for those of us not in Britain), and in between training sessions, we get flashbacks to his life before this and the circumstances which led him to this point.

runner4
Before his arrest, he led a happy, fulfilling life, filled with laughter and friends

Source

Like many of the old dramas we’ve watched in the past few years, we enjoyed this movie so much more than we thought we would. We loved the flashbacks, the smart-ass remarks of our (anti-)hero, Colin’s singular running style, and the clash of cultures in the changing rooms before the race.

runner5
This innocent, outgoing public school kid had no idea about the world he walked into. Or the Quasimodo-looking criminal following him.

Source

At first, the governor seemed like quite a good guy, but we soon realised that this was mainly due to what we have dubbed the “Michael Redgrave-effect,” in which a character become instantly likable because the actor playing him/her just exudes kindness and benevolence. (See also: The Innocents, in which Redgrave plays the uncle who basically abandons his young relatives and sends a youngish governess in without warning her about the circumstances, but you still go “oh, what a charming chap! I’m sure he had his reasons!”)

runner6
It is basically impossible to dislike a pipe smoker

Source

Without spoiling it too much (although light spoilers ahead), the ending was the sort of ending which would have very much appealed to our teenage, rebellious selves and which frustrates our old, security-concerned selves. This was your chance, kid! But also: yeah! Stick it to the man!

runner7
We’re so torn…

Source

What we learned: Don’t let the bastards grind you down. But also don’t let your own stubbornness deprive you of a chance to make a better life for yourself. Man, we’re confused on this one…

Next time: The Man Who Shot Liberty Valance (1962)

#215 The Exterminating Angel/El ángel exterminador

Watched: January 05 2019

Director: Luis Buñuel

Starring: Silvia Pinal, Jacqueline Andere, José Baviera, Augusto Benedico, Luis Beristáin, Antonio Bravo, Claudio Brook, César del Campo, Rosa Elena Durgel, Lucy Gallardo, Enrique García Álvarez, Ofelia Guilmáin, Enrique Rambal, Patricia de Morelos, and just a bunch of others…

Year: 1962

Runtime: 1h 35min

Exterminating

Source

A dinner party is being thrown on Providence Street for twenty people. And some sheep. And a bear.

exterminating2
Personally, we’d never even dream of attending a party without livestock

Source

As the party progresses, the servants keep leaving. But the guests eventually realise that they cannot do the same. They are stuck.

Exterminating3
Have you ever been to a party so good you cannot leave? Neither have these people. And yet…

Source

As the hours and days go by, the upper class dinner guests deteriorate and become more and more desperate, eventually contemplating murder to break their curse. But what is really going on?

Exterminating4
Honestly, we have no idea. This is above our pay grade.

Source

Like all of Buñuel’s movies, The Exterminating Angel requires some thought and interpretation. Which is not our forte. But we get the impression this is probably a comment on how high society deteriorates to the level of animals once the luxury and the societal structures they cling to are taken away.

Exterminating6
We’ll just insert this still of a herd of sheep without further comment.

Source

It’s a difficult movie to describe, but you should definitely watch it if you like any of the following:

  • Surrealism
  • Weird people
  • Herds of sheep
  • Strange conversations and non sequiturs
  • Chaos
  • Sacrifice
  • Baby bears
  • Impending doom
  • Comments on class, societal rules and human nature
Exterminating5
Or stupid people building a fire in the middle of a room with no openable windows

Source

We thoroughly enjoyed it! We understood absolutely nothing! You should watch it!

What we learned: You know, we would probably learn loads from this film on repeated viewings as it strikes us as the sort of movie you should really study. However, we still have 785 movies to go, so we’re gonna have to get back to you on this…

Next time: The Loneliness of the Long Distance Runner (1962)

#214 Knife in the Water

Watched: January 05 2019

Director: Roman Polanski

Starring: Leon Niemczyk, Jolanta Umecka, Zygmunt Malanowicz

Year: 1962

Runtime: 1h 34min

knife

Source

After almost hitting a young man with their car, a couple angrily invite him to hitch a ride with them. They drive down to a lake, and the hitchhiker (Malanowicz) is invited to go sailing with the couple, Andrzej (Niemczyk) and Krystyna (Umecka), an offer he accepts for some reason.

knife2
Clearly, none of these people had ever heard of a serial killer.

Source

Once out on the water, both men take turns being suddenly angry and/or insulted and aggressive towards each other while Krystyna lounges about, makes food and does a great job hiding anything which could be deemed a personality.

knife3
There is really no trace of personality there until she gets wet… Which might be somewhat symbolic.

Source

Tension builds as the trio are exposed to harsh weather and alpha male competitions, and it culminates with the loss of the young man’s pocket knife in the water and his subsequent presumed drowning.

knife4
“I just love a good game of hide and seek!”

Source

Now, the Norwegian translator for the DVD we watched apparently decided only half the lines were worth subtitling, so we may have missed a few things. Like major plot points. But the tension between the characters was clear even if the reason was not always so.

knife5
We’re going to go out on a limb and assume that some of that tension might be because of the half naked woman whose attention the two men vie for.

Source

The entire movie is set in just two locations (albeit moving ones), a car and a boat, which we really enjoyed. We loved the crocodile, the tense start and the ambiguous ending. We also found the couple strangely adorable when they were in the water, despite their chilly relationship in the rest of the film.

knife6
See? They look like a perfectly harmonious couple once they’ve been out swimming.

Source

Roman Polanski’s debut feature film is beautifully and interestingly shot, and the filming plays a huge part in building the tension. Especially for those of us who do not speak Polish and who are at the mercy of a translator who’s a really slow typist and who doesn’t have time to go back and fill in the blanks… We’re pretty sure we understood about two thirds of the dialogue though, so we’ll call that a win.

knife7
No fun caption here. Just wanted to show you this cool shot.

Source

What we learned: It is a bit weird to invite a random hitchhiker to go sailing, right..? Also, don’t introduce a knife in the first act unless you’re going to use it by the third. And don’t introduce a woman in the first act unless you’re going to give her a personality by the third.

Next time: The Exterminating Angel (1962)

#213 Jules et Jim

Watched: January 11 2019

Director: François Truffaut

Starring: Jeanne Moreau, Oskar Werner, Henri Serre

Year: 1962

Runtime: 1h 45min

Jules

Source

Introvert Austrian Jules (Werner) and extrovert Frenchy Jim (Serre) meet as young men in 1912 and a lifelong friendship is born. While rocking their bohemian lifestyle and moving through relationships with various women, they meet free spirited Catherine (Moreau) who they both fall for in their own way.

jules2
We’re sure there’s some symbolism in the fact that Catherine dresses up as a man when they first get to know her… But we’re not ones to speculate.

Source

Catherine is impulsive and fun, but also intelligent and charming. Jules loves her but is a misogynistic bastard at heart despite his ideas of himself as progressive (as demonstrated by his speech after the Strindberg play they go to see). Still, he convinces her to marry him for some strange reason, although she seems a bit luke warm towards the whole thing. As WWI breaks out, the two men are drafted on opposite sides with Catherine stuck in Austria by herself.

jules3
Shouldn’t be a problem though. A statue doesn’t change just because you leave it alone for a few years.

Source

After the war, the men rekindle their relationship, and Catherine is once again stuck in the middle with both men wanting to marry her. And they do. But while she has a daughter with Jules, she is unable to conceive with Jim which causes a rift. In addition, the fact that Jim has another girlfriend might also contribute to some tension.

jules4
“So, is this your night or mine?” “I’ve completely lost track. It’s an odd numbered weeknight starting with a T… I think maybe those are yours..?”

Source

Jules et Jim is a very interesting movie for many reasons. It’s pretty much the epitome of French New Wave and Jeanne Moreau’s great international break out role. It’s also filled with very interesting characters. We cannot quite decide if they are all complex and realistic or just inconsistent and difficult to read. Despite the title, the film is really all about Catherine, but without ever revealing her thoughts and feelings.

jules5
She is as mysterious and inscrutable as the statue the men were initially drawn to

Source

Because let’s face it: there’s a very strange relationship between Catherine and men. She is always surrounded by them, with no female friends. Nor does she have any friends who aren’t interested in sleeping with her. Yet none of the ones who consider themselves close to her are interested in listening to her. She is ignored whenever she tries to talk about something other than the men or her feelings towards them. Anything else is uninteresting to the men who claim to “love” her.

jules6
“You just get on with your knitting and let us sit here and lust after you in silence.”

Source

This is no way excuses her final actions, but perhaps it goes some way towards explaining them. She is a nonconformist forced to conform to wife and mother, and an intellectual forced to only talk about men and relationships. It’s enough to make anyone snap.

jules7
Life would have been easier if she was an actual man

Source

Jules et Jim is a technically interesting movie as well: we loved the voice-over; the “erratic” filming; the cuts and “fast-forward” feeling which felt like snapshots from their lives, and the distance this in many ways created; the costumes; and the complex and  unusual characters. There’s a reason this is considered a classic. And we’re sure there are a thousand ways to interpret the relationship between the characters. This was just our two cents.

jules8
On a lighter note: it made us long for spring, summer and bicycle rides

Source

What we learned: Relationships are hard. But sometimes it might be a good idea to actually communicate with each other… Also, real friends don’t need to fuck you to stick around.

Next time: Knife in the Water (1962)

#212 Carnival of Souls

Watched: December 19 2018

Director: Herk Harvey

Starring: Candace Hilligoss, Frances Feist, Art Ellison, Sidney Berger, Stan Levitt

Year: 1962

Runtime: 1h 22min

Carnival

Source

Three friends accept a challenge to a drag race (though not the fun one with RuPaul) and their car ends up in the river. Only Mary Henry (Hilligoss) comes out of the water, but soon after the accident she starts to experience strange things.

Carnival of Souls (1962)Directed by Herk Harvey Shown: Candace Hilligoss
“What is this thing?? How do you even drive a car?!? Who on earth placed me behind a stearing wheel?”

Source

Newly moved to Salt Lake City, Mary finds herself slightly obsessed with an abandoned pavilion formerly used as a carnival. Even worse, she is haunted by the creepiest neighbour in the state of Utah. Oh, and also by a ghostly visage which pops up in windows, visions and dreams. But the neighbour is almost creepier than the spectre.

carnival3
Let us lay some wisdom on you: if your neighbour gives you the willies worse than this guy, it’s time to move. We don’t care how low your rent is.

Source

While Stalky McCreeperson, real name John (Berger), next door continuously tries to get in her pants, Mary tries to stay sane and perform well at her job as an organist. But she is troubled by her hallucinations (or are they?) and some unusual episodes in which all sounds disappear and people seem unable to see her. What is really going on with our heroine?

carnival4
She is tormented by confusion. How can a man simultaneously look so frightening and so amiable?

Source

Honestly, we went into this not expecting much. It’s part of a DVD box set we own with 50 horror films, and most of them are sub-par to say the least (with some notable exceptions). But we were pleasantly surprised by this atmospheric and unsettling cult classic.

carnival5
This single image will haunt our dreams for the rest of our lives. And now yours. You’re welcome. #sharethetrauma

Source

We loved the intense lighting and the reflections during Mary’s drive to Utah; the truly distressing ghosts; the main character (Mary is actually quite independent and don’t need no man!); the music; the make-up; and the dancing ghouls.

Carnival Of Souls
This isn’t from the film, by the way. We just really wanted to share some pictures from our New Year’s party. ‘Twas a strange affair…

Source

Sadly, this was Herk Harvey’s only foray into the world of horror, although some of his other credits would suggest otherwise: “Dance, Little Children,” “To Touch a Child” and “Shake Hands with Danger” are all, unfortunately, enlightening and moralizing short films despite their evocative titles, and not the psychotic horror thrills we had envisioned. Our lack of research led to a very disappointing movie night indeed…

carnival7
All we’re saying is, when you settle in to watch a film called “Pork: The Meal with a Squeal” directed by this guy, you expect some Hannibal Lecter stuff.

Source

What we learned: We found 2019’s Halloween make-up. It’s a done deal now. Also, you should check out Herk Harvey’s credits as director. There are some real gems among these titles.

Next time: Jules et Jim (1962)

Bonus: Pit and the Pendulum

Watched: November 9 2018

Director: Roger Corman

Starring: Vincent Price, Barbara Steele, John Kerr, Luana Anders, Antony Carbone

Year: 1961

Runtime: 1h 20min

pit

Source

Spain, 1546. Mr Barnard (Kerr) comes from England to see where and how his beloved sister Elizabeth (Steele) died. He meets his brother-in-law Nicholas Medina (Price) and his sister Catherine (Anders) and is offered a strange and vague explanation of Elizabeth’s death.

pit2
“Suffocation from too-tight corset” is not among the excuses. Neither is “tripped over own voluminous skirt and broke neck.”

Source

Family doctor Leon (Carbone) later reveals to the grieving brother that his sister died of fright. Since more details are surely required after such a statement, Medina confesses that his bride had become obsessed with the inquisition era torture chamber in the cellar, and that she perished in an Iron Maiden.

pit3
We’ve always felt that a house is not a home without a fireplace, a lounge area, and an indoor torture chamber. We’re having ours installed next weekend.

Source

But is this all there is to it? Barnard is still not satisfied, and as we delve deeper into the house’s secrets, we learn that Medina’s father killed his brother and wife in the chamber when his children were young. Young Nicholas witnessed the ordeal and was never the same again.

pit4
Exhibit A: this is now his default resting face

Source

As Medina devolves into madness, strange things also begin to happen in the castle… So what really happened to Elizabeth? Is she haunting them? Or was she buried prematurely, House of Usher-style?

pit5
And why didn’t anyone bother informing doctor Leon of the dress code for the evening? These questions will haunt us…

Source

Pit and the Pendulum has everything we love: Gothic castles, secret passageways, hidden torture chambers, ghosts, murder, madness and torture. It is morbid, grotesque and lovely, and we completely adored Vincent Price as the confused, distressed widower. Barbara Steele’s eyes are as haunting as they were in Black Sunday, and she is the perfect Gothic heroine/villain (take your pick here). Personally, we are of course suckers for anything Poe (and Corman. And Price.), so we had no choice but to include this even though it is no longer on the list. It’s fantastic!

pit6
Best watched by squinting from inside an Iron Maiden. Well, we say “best”…

Source

What we learned: Crazy is hereditary.

Next time: Carnival of Souls (1961)

Bonus: The Curse of the Werewolf

Watched: November 9 2018

Director: Terence Fisher

Starring: Oliver Reed, Clifford Evans, Yvonne Romain, Catherine Feller, Anthony Dawson, Richard Wordsworth, Hira Talfrey

Year: 1961

Runtime: 1h 33min

curse

Source

Somewhere in 18th century Spain, a beggar (Wordsworth) goes to a castle to ask for some food and/or money. But the marquis (Dawson) is a cruel man and a bully, and he imprisons the beggar and promptly forgets about him. Left in the dungeon for fifteen years, the poor man is forgotten about by all but the jailer and his mute daughter.

Curse2
One look at this man and we would have run for our lives. Unfortunately the beggar didn’t share our instincts for people.

Source

After those fifteen years, the daughter (Romain) refuses to be raped by the marquis, and he throws her in the dungeon with the beggar. Apparently, he has forgotten all about the girl’s kindness to him and rapes her himself, and then dies (karma’s a bitch!).  The girl is sent back to the marquis so that he can have his way with her, but having been raped once already, she’s not about to let the bastard win, so she kills him and flees.

Curse3
Sometimes it’s a good, and righteous, thing to be a backstabbing bitch

Source

The runaway girl, now pregnant, is later found in the woods by Don Alfredo Corledo (Evans) and Teresa (Talfrey) who take her in and, when she dies in childbirth on Christmas Day, take on the responsibility of her newborn son.

Curse4
“Say, Teresa, do we know who the boy’s father is..? I only ask because he seems to be displaying some rather unusual dental development here which has me quite confused”

Source

Turns out though, unwanted children born on Christmas Day are cursed to be werewolves. Which makes us wonder why lycanthropy isn’t a bigger social problem than it currently seems to be. While young Leon (Reed) at first manages to keep his condition under control, once he grows up and faces adversity as well as love, he loses what little control he has and all hell breaks loose.

Curse5
Honestly, we were half expecting him to break into song once he had climbed the bell tower. Colour us disappointed.

Source

The Curse of the Werewolf was removed from the list after we’d already bought it, so as is tradition, we’re doing it anyway, dammit! And we’re glad we did. We loved the opening credits with the sad werewolf, the interesting explanation for the condition, and Leon’s partner in crime (not literally though) José.

Curse6
Also, even though it preceeds it by almost 5 decades, this is yet another werewolf better than the atrocity in The Prisoner of Azkaban. No, we’re still not over it.

Source

In many ways, it’s more a drama than a horror, except the ending which is very Frankenstein. But we believe it works for fans of both genres. Well worth watching! Even though there are apparently at least 1000 films which are better than this one… Let’s call it number 1001 and recommend it anyway. Happy New Year!

What we learned: Don’t give birth to unwanted children on Christmas day. We know, it’s a bit late for 2018, but keep it in mind for next year.

Next time: Bonus: Pit and the Pendulum (1961)

#211 Yojimbo

Watched: December 17 2018

Director: Akira Kurosawa

Starring: Toshirô Mifune, Tatsuya Nakadai, Isuzu Yamada, Daisuke Katô, Seizaburô Kawazu, Takashi Shimura, Eijirô Tôno

Year: 1961

Runtime: 1h 50min

Yojimbo

Source

Japan, 1860. Ronin Sanjuro Kuwabatake (Mifune) wanders the country side, choosing his way at random. The fates apparently guide him well, because he eventually arrives in a town in desperate need of his help.

Yojimbo2
A town run by two strangely assembled crime syndicates

Source

Upon arrival, the ronin is advised to leave by inn keeper Gonji (Tôno) who tells him about the rival clans who terrorize the town and claims there’s nothing for him there. But the ronin has other plans. He decides to take on the responsibility of cleaning up the town and approaches one of the leaders to offer up his services.

Yojimbo3
“Dude, listen to this. I’m gonna – no, listen! I’m gonna pretend to back each side. Right? Back each of them. But then I’m really not. Get it? Damn, I’m brilliant!”

Source

First, he convinces Seibê (Kawazu) to hire him as a swordsman, but overhears his wife Orin (Yamada) plotting to kill him once he has helped them kill their enemies. Then, when his new boss arranges for the two sides to meet in battle, Sanjuro quits his job and climbs up to watch the rival sides destroy each other.

Yojimbo4
It would have worked too, if it weren’t for those meddling government officials.

Source

Unfortunately, this first plan is foiled by the arrival of some sort of official person who comes to inspect the town. So the samurai needs to rethink his strategy for the next attempt, using all his craft and cunning to save the innocent inhabitants of the small village. But with the odds stacking against him, can he complete his mission? And survive the ordeal?

Yojimbo5
Honestly, he too cool to be killed. Look at this badass!

Source

We were thrilled to be taken back into the samurai world of Akira Kurosawa. Our earlier encounters (Rashômon, Seven Samurai, and Throne of Blood) have been among our all time favourites, and Yojimbo definitely joins their ranks.

Yojimbo7
We’re easy. Bring us a man with a sword and we swoon like teenagers.

Source

We love the costumes, the sword fighting, the characters, the actors, and the music. And we can easily see how this movie would inspire westerns (particularly A Fistful of Dollars, we seem to remember) – it’s the sort of story that works equally well in any setting in which there are lone gun-/swordmen and lawless societies.

yojimbo6
Don’t try to tell us this shot has not been recreated in a Sergio Leone movie!

Source

The main character is just so ridiculously cool that we cannot even find the words to describe him. He’s just cool. So very, very cool. And deadly. But in a good way. He’s just cool, man.

What we learned: We have a very strange crush on Toshirô Mifune…

Next time: Bonus: The Curse of the Werewolf (1961)