Watched: September 21 2016 (delayed Blu-Ray delivery meant we couldn’t watch in order)

Director: Alfred Hitchcock

Starring: Peter Lorre, Edna Best, Leslie Banks, Nova Pilbeam

Year: 1934

Runtime: 1h 15min

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Jill (Best) and Bob (Banks) Lawrence have brought their daughter Betty (Pilbeam) on a holiday in the Swiss alps, expecting no trouble apart from stories to bore their friends with upon returning to England. They befriend a Frenchman called Louis who is assassinated on the dance floor on his last day at the resort.

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Literally assassinated – not just served

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Before he dies, he manages to give Jill instructions about a very important message which must be brought to the British consul. Bob retrieves the message from the dead man’s room, but before the couple has time to talk to anyone from the consul, they receive a note saying their daughter is kidnapped and will be killed if they talk.

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“Is it worth it though, darling? I mean, we could always make another. How fond of her are you really..?”

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The Lawrences decide not to risk their only child’s life and return to London pretending Betty’s with an aunt in Paris and not at all kidnapped and held by some secret society plotting the assassination of a foreign dignitary. Since they cannot confide in the police, Lawrence goes after the bad guys himself and manages to track them down rather easily.

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When in doubt, gas and impersonate a dentist until you overhear the information you need. Works nine times out of ten!

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Of course, it goes as it must, and soon both father and daughter are hostages. It’s up to Mama to save the day.

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“This never would have happened to Liam Neeson. Damn my lack of a particular set of skills!”

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We won’t reveal the ending (except to mention that there’s a shoot out!), but we urge you to watch this film. There’s suspense, intrigue, international politics and espionage, and there’s Peter Lorre being almost as creepy as he was in M. There are also some truly hilarious scenes, such as when Bob and friend/cohort Clive sing messages to each other in church and the ensuing chair fight with organ music accompaniment. Hitchcock really knew how to build suspense (in case no one’s pointed this out before) and while this is a fairly early work compared to some of his more famous masterpieces, The Man Who Knew Too Much is still a good example of his skills. The silence helps build the tension (there’s no score for most of the film) and some of the scenes literally had us on the edge of our seats.

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How did they end up on the roof? Will they get down? Why is his head so big? Who are these people anyway? Watch the movie to have at least three of these questions answered!

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What we learned: Peter Lorre used to be typecast as a child killer. Dentists are always in on evil plots.

Next time: The Scarlet Empress (1934)

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One thought on “#35 The Man Who Knew Too Much

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