Watched: January 22 2017
Director: Howard Hawks
Starring: Humphrey Bogart, Lauren Bacall, Martha Vickers
Runtime: 1h 54min
Philip Marlowe is back, this time portrayed by (the not very tall, but oh so charming) Humphrey Bogart. Entering the Sternwood residence for an appointment with General Sternwood, he is immediately met by a Dame in the making – young miss Carmen Sternwood (Vickers), who tries to sit on his lap while he is still standing.
Carmen has gambling debts and her father, the General, is being blackmailed by a man named Geiger. He hires Marlowe to clear everything up, and on his way out, the detective is summoned to the chambers of the older Sternwood daughter, Mrs Vivian Rutledge (Bacall), who is very interested in what exactly Marlowe has been hired to do. The two start measuring each other up (both figuratively and literally) and exchange quips.
Marlowe starts his investigation in the usual way which comes complete with diagrams on page 47 of how to be a detective in 10 easy lessons correspondent school textbook. That is, he starts snooping around Geiger’s bookshop which he quickly discovers is a front for something else, although he strikes out with the lady working there. He has better luck with the saucy bookseller from across the street, and spends his afternoon with her sharing a drink.
Marlowe follows Geiger and stakes out his house. After a shot and a scream, he enters to find Geiger dead, a hidden camera, and a very drugged out Carmen in a near catatonic state. He takes the girl home, exchanges more banter with her older sister, and returns to the crime scene only to find dead Mr Geiger gone. The plot is very much thickening.
To sort out this mess, Marlowe and Rutledge (who’s divorced, by the way, so their relationship is completely on the up-and-up) have to work together. There are more dead bodies, more blackmail, more Dames and other cool women (such as Marlowe’s taxi driver), shady characters, quips and banter, silly henchmen, a fairly complicated plot (but great scenes, so it doesn’t really matter), and Humphrey Bogart being supercool.
There are beautiful clothes, sassy dialogue, and amazing characters portrayed by iconic stars. There’s also murder, intrigue, loose sexual morals, and an infamous restaurant scene we have no idea how got past the censors. It’s a classic for a reason and if you haven’t already checked this one out, you should! We loved it.
What we learned: men in the 1940s were physically unable to see past a pair of glasses on a pretty girl. Also, sometimes personal chemistry works equally well on screen as in real life.
Next time: The Killers (1946)