Watched: January 15 2017

Director: Michael Powell, Emeric Pressburger

Starring: David Niven, Kim Hunter, Roger Livesey, Raymond Massey, Marius Goring

Year: 1946

Runtime: 1h 44min

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Also known by its alternate title

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As Peter Carter (Niven) is plunging towards certain death in a shot up plane May 1945, his final moments are shared with radio operator June (Hunter) and the two, as people are wont to do in these intense situations, fall in love. He ejects from the burning aircraft without a parachute and is surprised to find himself alive on shore some moments later. Surely, the fall should have killed him?

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How much imagery of nudity, flutes and goats do you need to convince yourself you’ve reached hell?

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Turns out, it should have. Up on the celestial plane, the clerics are confused about the lateness of his arrival until they find that his Conductor, a very camp Frenchman (Goring), lost the pilot in the fog and thus neglected to collect his soul.

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“Bonjour! Je suis le campest Frenchman you’ll ever meet. Bon bon, mon petit fromage!”

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Unfortunately for the clerics of the afterlife, in the few hours of “extra” life Peter got, he met and fell in love with June which greatly complicates things. As he is not at fault here, is it fair to take him away just as he has found the love of his life? Since it was their mix up that caused this to happen, the celestial beings grant Peter a trial with his life at stake.

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Celestial trials have the most impressive courtrooms

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Meanwhile, in our own world, June has enlisted the help of a doctor friend of hers, Dr Reeves (Livesey, of Colonel Blimp-fame), as her new love is suffering headaches and possible hallucinations after jumping from a plane without a parachute… Naturally, the medical professional diagnoses Peter with head trauma and recommends surgery, to coincide with the patient’s heavenly trial.

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Which leads to some beautiful shots!

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This was a beautiful and engaging film which we completely loved. The relationship between Peter and June is lovely, although a bit hasty. She’s either very wonderful or very naïve to stick by him when he starts talking crazy after they’ve known each other for all of a day. The trial becomes very political, and much of the criticism against England from the USA could have been modern criticism against the US, which is very interesting to observe (especially given the newly instated president..). It’s like both countries have a history of proclaiming themselves above others and trying to impose their rules on other nations…

The sets are beautiful and impressive, especially on the other plane.

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Such as the stairway, or escalator, to heaven, for instance

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In a way, this film is like an opposite Wizard of Oz, as our world is in glorious technicolor while the other world is in drab black and white. Then again, our world is supposed to be the desirable one so it makes sense. A Matter of Life and Death has humour, excitement, adventure, romance, political undertones, history lessons, camp Frenchmen and gorgeous shoes! What’s not to love?

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A film so good it has its own stamp!

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What we learned: make sure you have a law degree before cheating death. Also, we have found the winners of the mannequin challenge of 1946!

Next time: La Belle et la Bête/Beauty and the Beast (1946)

PS: confused about the numbering on this? Check out this disclaimer!

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One thought on “#74 A Matter of Life and Death

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