Watched: August 14 2017

Director: Douglas Sirk

Starring: Jane Wyman, Rock Hudson, Agnes Moorehead, Conrad Nagel, Virginia Grey, Gloria Talbott, William Reynolds, Jacqueline deWit

Year: 1955

Runtime: 1h 29min

All Heaven

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Cary Scott (Wyman) is a youngish widow (typecast much?) with two grown children in college. While her hoity-toity society friends want her to remarry within their social circle, Cary has her eye on gardener and nurseryman Ron Kirby (Hudson).

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And really, who can blame her?

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Luckily for Cary, her feelings are reciprocated, and the unlikely couple start dating. Ron introduces her to his kind and laid-back friends and shows her a whole new way of life – one where material possessions and status do not matter. It’s an appealing thought for a woman trapped within a boring and unfulfilling existence with bitchy women and horn-dog men.

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“But how can I possibly love someone of lower social standing? He’d better be some sort of Disney prince or something!”

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“Nevermind. He totally is!”

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As their relationship becomes gradually more serious, the couple meets with prejudice from Cary’s friends and children. Will they overcome these obstacles? Will love triumph over small-mindedness and social constructs?

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Will Cary be able to downgrade to these awful living conditions and this horrible living room view? Only time will tell.

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It’s only our second Sirk film, but already we’re seeing a pattern (apart from the obvious one of casting the same actors); at the root of everything there is a philosophy. In Magnificent Obsession the idea was that it is one’s duty to help those less fortunate. In All that Heaven Allows, one’s duty is to oneself – to live the way one wants to and not how society expects you to live, and to make choices for oneself and not always put others first.

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The philosophy could also be that rich men are judgmental, entitled, rapey douchebags. We’re not quite ready to rule that interpretation out yet.

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It’s an engaging and fun watch, beautifully shot, and in glorious technicolor. Romantic dramas aren’t really our favourite genre of films, but Sirk does them wonderfully, and we’re enjoying getting to know this director. Great lazy Sunday viewing (although we technically watched it on a Monday. But Monday before work started, so Monday-for-Sunday).

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What we learned: Society’s expectations should not stand in the way of love. Also, to thine own self be true.

Next time: Bad Day at Black Rock (1955)

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One thought on “#125 All That Heaven Allows

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