Watched: July 19 2018

Director: Mario Bava

Starring: Barbara Steele, John Richardson, Andrea Checchi, Ivo Garrani, Arturo Dominici, Enrico Olivieri

Year: 1960

Runtime: 1h 27min

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In 17th century Moldavia, Princess Asa Vajda (Steele) is sentenced as a witch by her brother and executed after having the “mask of Satan” nailed to her face. But before she dies, she curses her brother and all his descendants.

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To be fair, if someone tried to nail this thing to our faces, we’d probably curse them too

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Fast forward 200 years and two travelling doctors stumble upon her grave. One of them, Kruvajan (Checchi), is attacked by a bat which he kills over Asa’s tomb smashing the cross guarding it in the process. He then proceeds to remove her mask and spill blood on her.

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“Let’s open this tomb with the strangely preserved corpse and drip some blood on it” – a man who has never seen a horror film

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Kruvajan and his young companion Andre Gorobec (Richardson) then run into a mysterious young woman who bears a striking resemblance to the dead witch, Katia (Steele again) and Andre is smitten.

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It’s hard to resist a woman with two massive dogs

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After the meddling with the dead witch’s grave, the surviving members of the Vajda family start to experience strange phenomena, and it becomes clear that Asa and her companion Javuto (Dominici) are back for revenge.

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“Grrr rawr, I’m coming to get you, Barbara!”

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We’re back in our favourite genre with this horror film, and we have a bit of a thing for Mario Bava (especially Sister the Oldest), so naturally we loved Black Sunday. It’s an unsettling and atmospheric Gothic horror with gorgeous lighting and some very good effects. We loved Asa’s resurrection and Katia’s transformation, Barbara Steele’s eyes (emphasized by intense make-up) and the creepy castle.

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Not what most people associate with a “come hither look,” but strangely effective nonetheless

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Sure, there are some issues with this movie, such as the slightly iffy dialogue and the fact that everyone keeps treating Katia like an idiot child (even with everything going on and several corpses piled up, the men don’t really believe her when she claims to have seen someone in her room), but we still love it.

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In the men’s defence, Katia does tend to act a bit like an idiot child, so they may be justified

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Absolutely a must-see if you’re into Italian cult horrors. Which of course is everyone’s favourite genre, so why wouldn’t you watch it?

What we learned: Don’t remove all protective elements and then spill blood on cursed graves. Just don’t.

Next time: Breathless/À bout de souffle (1960)

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3 thoughts on “#188 Black Sunday

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