#265 The Collector

Watched: March 19 2019

Director: William Wyler

Starring: Terence Stamp, Samantha Eggar

Year: 1965

Runtime: 1h 59min

collector

Source

Freddie Clegg (Stamp) is a socially awkward butterfly collector who’s convinced that the only reason he can’t get a date is because women won’t take the time to get to know him. Then one day he wins a large sum of money, buys a remote farmhouse, and decides to test his theory by kidnapping Miranda Grey (Eggar) – an art student he’s been stalking for a while.

collector2
“Stop..!. struggling..! I am a nice.. *hnng* ..guy – I’m doing this for your own good.”

Source

After the initial shock of having been drugged and taken by a psychopath, Miranda decides the only way she’ll leave the house alive is if she plays along with her deranged “host.” She agrees to stay for four weeks, during which time Freddie believes he can Beauty-and-the-Beast her into falling in love with him.

collector3
“Oh, you’ll be quite happy here in this cold, damp cellar prison I made you. You’ll have a bed, clothes, art supplies – everything a young woman could possibly need! Now love me. “

Source

The Collector may be from 1965 (based on a 1963 novel) but the parallels to certain contemporary movements are impossible to ignore. Freddie definitely doesn’t see himself as a bad guy (he’s a Nice Guy, you see – just misunderstood), but he also doesn’t see Miranda as human. She is only there to fulfill his needs – she has none of her own. And when she fails to act the way he wants her to, she has no more value to him.

collector4
Trying to flood the house to get the attention of a neighbour when your host is finally letting you have a bath? Where were you raised???

Source

We absolutely loved this one, and were on the edge of our seat throughout. Terence Stamp was amazing as the psychopathic Freddie – his physicality as well as his sudden and chilly shifts in mood and attitude were fascinating to watch.

collector5
The switches between childlike, innocent happiness and icy calculation are very creepy

Source

Samantha Eggar is similarly engaging as Miranda – she never loses her defiance despite having to negotiate and play along with her kidnapper. She, like us, never quite loses hope that she might eventually escape this hell.

collector6
Despite her fear, Miranda tries to connect with and manipulate Freddie – anything to regain her freedom

Source

If you’re a fan of psychological horror and/or serial killers, The Collector is a classic and you simply must check it out. And what better time to watch a movie about someone being held against their will in a remote house than in the midst of a pandemic in which we’re being forced to stay inside our houses? If nothing else it will put your own isolation into perspective. (We hope you’re doing well though, and that you’re not too lonely, wherever you are. Stay inside and stay safe!)

collector7
And even if you’re stuck inside, it’s still nice to occasionally dress up for dinner. Especially if you’re alone and not with the psychopath who abducted you… If that is the case, eat in your PJs. You deserve it.

Source

What we learned: NEVER hit them once and then try to run. You keep hitting until there’s nothing left but splattered brain matter (theoretically of course. Please do not organize a raid on our apartments. Or search our basement).

Next time: The Hill (1965)

#261 Simon of the Desert

Watched: February 23 2019

Director: Luis Buñuel

Starring: Claudio Brook, Silvia Pinal, Enrique Álvarez Félix, Hortensia Santoveña

Year: 1965

Runtime: 43 min

As attentive readers may have noticed, we have now skipped a few numbers. That is because Edgar has recently edited the list and added a few more movies to the earlier years. Hopefully, we’ll get around to watching them and adding them as soon as the Corona crisis is over. However, for now the library is closed and we just have to work with what we have. That also means that we might have to skip a few upcoming movies as well since we can’t get our grabby (and quite possibly infected) hands on them. Not to worry though – we’ll make up for it as soon as we can. For now, were just happy that the Norwegian government are taking precautions and doing their best to keep us all safe.

simon

Source

Disclaimer done, now on to the good stuff! Simon of the Desert is a weird one, which should come as a surprise to absolutely nobody considering Buñuel’s earlier works. Basically, Simon (Brook) is super pious. Like, really incredibly pious. And humble. Let’s not forget it. In fact, he’s so pious and humble that he disowns his own mother (Santoveña) because he needs to concentrate on God and being pious and humble.

simon2
“Bar none I am the most humblest. Number one at the top of the humble list.”

Source

Still, you can’t walk around being as humble as Simon without drawing the attention of the devil him/herself (Pinal). Once you set yourself on a literal pedestal as the best person in the world, Satan will want to get in on this action and prove you wrong. But who will win? The fallen angel or the oh so pious man?

simon3
“Don’t judge me. I was going through an identity crisis when this was filmed, wanting to be Jesus and stuff. So embarrassing now…”

Source

This was amazing. We loved the skipping brother Matthew/Matías (Félix), the inner monologue, the mix of time periods, the incredibly unsubtle Satan, and the coffin. Don’t ask. The film looks beautiful and some of the close-ups reminded us a lot of the gorgeous The Passion of Joan of Arc.

simon4
Also, very topically, Simon practised social distancing before it was cool. Well done, Simon! You’re doing your part!

Source

Besides taking one for the team by socially distancing himself from everyone though, Simon’s pursuit of holiness and divinity seems extremely selfish and self-indulgent. He’s not really trying to save the world or anything, just himself. That being said, he does perform miracles which the villagers surrounding him take for granted so maybe he was just fed up with not being appreciated. At least Satan gave him something to focus on – Pinal is very entertaining and a lot more interesting than Simon. But then again, that is always the case, isn’t it?

simon5
Seriously – who would you rather party with?

Source

What we learned: Get thee behind me Satan! And keep your distance – we’re trying not to get infected here.

Next time: The 10th Victim (1965)

#254 Repulsion

Watched: February 9 2020

Director: Roman Polanski

Starring: Catherine Deneuve, Ian Hendry, John Fraser, Yvonne Furneaux, Patrick Wymark

Year: 1965

Runtime: 1h 45min

repulsion

Source

So, here’s the thing. We enjoyed the movie. We loved Catherine Deneuve. The story is intriguing, and the men are sleazy and disgusting. However, watching Polanski-movies is difficult in light of, well, him… (And yes, we know this might seem a bit hypocritical seeing as we actually did review Knife in the Water. We have just given it a bit more thought since then. And sure, there are probably lots of other problematic directors as well, but in this case there is so little doubt and it is so well publicized that it cannot be ignored.)

repulsion3
Also, he’s clearly just ripping off Beauty and the Beast

Source

It’s the continuous debate of whether one can truly separate the artist from the art. Considering that he still goes free and is even rewarded (and awarded) despite being a rapist piece of shit, viewing and reviewing his movies is conflicting. Especially when they involve sleazy men trying to take advantage of mentally ill women. But, like, sexy mentally ill women. So that makes it ok, apparently…

repulsion2
Cause as we all know, nothing is sexier than a spiralling woman. She probably just needs a penis to set her straight.

Source

We’re not going to tell you whether to watch this or not. It’s entirely up to you. The film itself is intriguing and beautifully shot, but it is also problematic in oh so many ways.

What we learned: Watching (old) Polanski movies is difficult…

Next time: Simon of the Desert (1965)

#250 Darling

Watched: December 30 2019

Director: John Schlesinger

Starring: Julie Christie, Dirk Bogarde, Laurence Harvey, José Luis de Vilallonga, Roland Curram

Year: 1965

Runtime: 2h 08min

darling

Source

Diana Scott (Christie) is being interviewed for “Ideal Woman,” telling the story of her life. And what a life! From a “normal” life and a normal marriage, she becomes friends, and later lovers, with reporter Robert Gold (Bogarde). The two of them move through in the London art scene in the swinging sixties, partying and being adored.

darling1
“My career goals? Model, actress or princess. Yes, I’m a grown woman. Why do you ask..?”

Source

They both leave their spouses for each other and move in together. However, Diana becomes very jealous when Robert goes back to his ex to see his kids. In fact, she decides to have her own child, but changes her mind when it becomes a reality.

darling5
“You know what they say – bringing a baby into a troubled relationship always saves the day.”

Source

Diana, bored with Robert who likes to stay home and write, continues to seduce and be seduced to further her own modelling and acting career. She moves up in the world one man at a time while not playing very well with other women at all, all of whom she sees as threats. But what does she really want from life?

darling3
“Oh, I’m just like any modern woman trying to have it all. Loving husband, a family. It’s just, I wish I had more time to seek out the dark forces and join their hellish crusade.”

Source

Darling is fascinating and engaging, and the contrast between Diana’s words and actions is very interesting to watch. The stories we tell ourselves and others are clearly just a version of the truth.

Darling2
“Did I leave the iron on..?”

Source

We loved the clothes, the decadence and hypocrisy, the out and proud gay people, and all the fake books hiding vices throughout the movie. Julie Christie and Dirk Bogarde are wonderful as Diana and Robert, with both good and bad qualities.

darling6
“Just think of all the ways we could eventually hurt and devastate each other!”

Source

Thematically, there are parallels to Bitter Harvest, but Diana is treated much better than Jennie. Jennie is pretty much a victim, while Diana is the author of her own destiny – for better or worse.

darling4
“Bitch, I’m fabulous!”

Source

What we learned: If you can’t love yourself, how in the hell are you gonna love somebody else?

Next time: Faster, Pussycat! Kill! Kill! (1965)

#249 Bunny Lake is Missing

Watched: December 30 2019

Director: Otto Preminger

Starring: Carol Lynley, Laurence Olivier, Keir Dullea, Martita Hunt, Noël Coward

Year: 1965

Runtime: 1h 47min

bunny

Source

When Ann Lake (Lynley) comes to pick up 4 year old Bunny from preschool, the child is nowhere to be found. Not only that – she has not been seen by anyone the entire day.

bunny2
“Hi! It’s my daughter’s first day of school in a new country! I couldn’t find anyone, so I left her to her own devices in an empty room. I’m sure someone will come find her eventually. If not, maybe you can check in on her at some point during the day, random stranger. Gotta dash! Ladida, mother of the year!”

Source

As she desperately starts searching for her girl, Ann finds that she has trouble convincing people that Bunny really exists. Apart from her brother Steven (Dullea), no one in England has ever seen the girl since they came over from the USA – not even the audience.

bunny3
“Darling sister – are you sure you remembered to take her with you when you moved..?”

Source

Even Bunny’s things have gone missing from their new house, and supercreepy landlord Horacio Wilson (Coward) cannot remember seeing them despite being very invasive while Ann was unpacking her toys and clothes. And now we are no longer sure there ever was a girl. But fear not! Superintendent Newhouse (Olivier) is on the case and determined to get to the bottom of the mystery!

bunny4
“And when she said her daughter was missing, what did you do then?” “Well, I tried to dick her, of course!” “Ah yes, naturally. “

Source

We loved this SO much! The characters are amazing and the mystery is very well done. Carol Lynley is wonderful as the increasingly frustrated and desperate Ann (while looking very much like a 1960s Keri Russell. Or the other way around, we suppose). Noël Coward is Creepy McCreeperson, Keir Dullea is slightly sinister, and Laurence Olivier’s Newhouse is likable from his very first appearance.

bunny6
“I’m a motherfucking legend!”

Source

AND HERE THERE MAY BE SPOILERS:

Trying to figure out who to believe and what is really going on was fun and kept us guessing (although our suspicions were eventually confirmed. Yay us!) Despite her slow start, Ann turned out to have agency and cunning – she was not just a damsel in distress!

Huty1913524
Even surrounded by eerie dolls, she puts to shame all those men who question her sanity. Take that, woman-not-being-believed-by-authorities-when-she-worries-about-her-child-trope!

Source

What we learned: Junket is junket. Also, trust no one.

Next time: Darling (1965)

#248 Zulu

Watched: November 17 2019

Director: Cy Endfield

Starring: Stanley Baker, Jack Hawkins, Ulla Jacobsson, James Booth, Michael Caine, Nigel Green, Patrick Magee, Mangosuthu Buthelezi

Year: 1964

Runtime: 2h 18min

Zulu

Source

The year is 1879. In South Africa, imperialism rules, but Zulus have attacked a white settlement and won, which inspires another tribe to do the same to a nearby mission/military hospital.

zulu
“Yippee ki yay motherfuckers!”

Source

At the mission, Lieutenants Chard (Baker) and Bromhead (Caine) must learn to work together and cooperate if they are to defend themselves from the 4000 advancing Zulus with their own measly 150 soldiers, many wounded.

zulu2
“You think you’re so cool, riding in here with your title and rank and stupid sexy hair…”

Source

Zulu is a famous epic depicting real events with surprisingly little racism considering the subject matter and the time. Sure, we do not really see the Zulus’ side of the story, and they are a nameless, faceless, personalityless mass for most of the movie. However, they are also intelligent, strategic, cultured and honorable, which makes the film a lot less dated than we’d expect.

zulu3
Basically, they are people. And treated as people. Which should be a given but sadly is not.

Source

The cinematography is gorgeous, the characters are great (Bromhead is a very shady queen!), and the suspense is real. Also, fun fact, the Zulu king Cetshwayo kaMpande is played by his real life grandson Mangosuthu Buthelezi.

zulu5
However, no fun fact can compare to the glorious moustache of Colour-Sergeant Nigel Green

Source

We loved the arrival of the Zulu, the British adherence to protocol even in a crisis (proper tunic etiquette is to be observed at all times!), the action, and the game we made up wherein we recast the movie using only Monty Python members (they all correspond perfectly with a character in the film!). And did we mention it is gorgeous? Well worth a watch!

zulu4
“We’re knights if the round table, we dance whene’er we’re able. We do routines and chorus scenes with footwork impeccable…”

Source

What we learned: Invade someone’s land and they might be a bit pissed off.

Next time: #249 Bunny Lake is Missing (1965)

#246 The Umbrellas of Cherbourg/Les parapluies de Cherbourg

Watched: November 11 2019

Director: Jacques Demy

Starring: Catherine Deneuve, Nino Castelnuovo, Anne Vernon, Marc Michel, Ellen Farner, Mireille Perrey

Year: 1964

Runtime: 1h 31min

umbrellas of cherbourg - cinema quad movie poster (3).jpg

Source

Geneviève Emery (Deneuve) lives with her mother Mme Emery (Vernon) in Cherbourg, selling umbrellas. Not umbrellas, bags, shoes, and raincoats, or anything which might help them actually earn a living. Nope. Just umbrellas. We’ve never been to Cherbourg, but now our impression is that of a rainy town filled with forgetful and/or wasteful people.

umbrellas2
“Maman! Maman! I think I see a raincloud! If someone didn’t check the forecast before they left the house today we might actually eat something this week.”

Source

Not surprisingly, the mother-daughter-team struggle to make ends meet and Maman wants her daughter to marry rich. Specifically Roland (Michel), a character we remember from Lola, who has taken a fancy to the young umbrella salesgirl. Geneviève on the other hand is in love with mechanic Guy (Castelnuovo) and plans to marry him, money be damned!

umbrellas3
“Don’t worry about money, my love. The constant rain makes the roads very slippery, so my mechanics business is thriving!”

Source

Then, Guy is drafted into the army and sent off to fight in the Algerian War. A few months later, Geneviève confesses to her mother than she is pregnant. She is also worried about Guy who only answers her letters sporadically.

umbrellas5
“You did actually get something in the mail, but it’s possible all the wallpaper in this house has damaged your eyesight to the point that you cannot read simple letters”

 

Source

Roland (who may or may not have grown up a bit since the last movie where he famously made his unrequited feelings for Lola her problem instead of dealing with it on his own) is still willing to marry Geneviève despite her being pregnant by someone else. He offers security and comfort. So what should she do?

umbrellas6.jpg
Just try to blend in and wait for all this to blow over.

Source

Oh, and did we mention that all of this is conveyed to us through the medium of song? Because it is. Every single word in this movie is sung (not necessarily by the actors), and continuously accompanied by the wonderful score. Additionally, the photography and colours are so bright and vivid that you can’t help being sucked into the story.

umbrellas7
It’s enough to give you a toothache. But, like, a good one.

Source

We loved the colours, the music, the random interruptions by passers-by during Geneviève and Guy’s date, the wallpaper (we want ALL of it – we don’t care if it blinds us!), and drama queen Auntie Élise (Perrey).

umbrellas8
“As I keep saying, I’ll probably die soon. Most likely when you’re away. When that happens, be a dear and send all my capes to a couple of sisters in Trondheim, Norway.”

Source

The Umbrellas of Cherbourg is a sort of continuation of Lola (1961), and also connected to the upcoming The Young Girls of Rochefort (1967). It’s an intriguing universe filled with men befriending the mothers of young girls, and storylines that don’t always go where you expect them to. It is a universe we recommend you visit at some point.

umbrellas9
Gorgeous!

Source

What we learned: Use protection. Also, life doesn’t always turn out the way you planned. But it might be OK after all.

Next time: Topkapi (1964)

#245 The Pawnbroker

Watched: November 28 2019

Director: Sidney Lumet

Starring: Rod Steiger, Geraldine Fitzgerald, Brock Peters, Jaime Sánchez, Thelma Oliver

Year: 1964

Runtime: 1h 56min

pawn

Source

Ready for some holiday cheer? You’ve come to the wrong place. After watching this, we could certainly need some cheering.

pawn3
“Falalalala-lala fuck you”

Source

Sol Nazerman (Steiger) is a holocaust survivor (with a slightly unfortunate name) living in New York. There, he runs a pawnshop while dabbling in whitewashing money for local gangster Rodriguez (Brock). Other than the business, he’s just going through the motions after losing his family, his friends and his will to live in Auschwich.

pawn2
No, we’re not able to identify various concentration camps on sight, but we are aware of the not-so-fun-fact that Auschwich was the only camp to use prison number tattoos. And we wish we didn’t have to know this sort of thing.

Source

Sol’s only employee Jesus (Sánchez) looks up to his boss, but he is also ambitious and has some less-than-savoury contacts. So he’s a bad choice waiting to happen. Meanwhile, Sol has repressed his memories and emotions, and that always ends well. Basically, you’re sitting on tenterhooks for 116 minutes, ready for tragedy.

pawn4
Look, we realise that you have nothing left to give to your fellow man, but please be nice to poor old Mr Smith. We love him.

Source

Ok, while this didn’t exactly get us into the Christmas spirit, The Pawnbroker is a really good movie. Sol, while anti-social and detached, is an intriguing character and we can see why everyone who came into contact with him was drawn to him. Probably mainly due to Steiger’s excellent performance – he’s marvellous.

pawn5
“I know you want nothing to do with me or any other human being, but you’re hypnotic and magnetic and I’m dying to be your friend”

Source

We loved the jazzy soundtrack, the menace of the lawnmower pawners (whose names escapes us), the quick-cut flashbacks with scenes from the camp, Mr Smith, and the contrast of the two sex scenes. It’s heartbreaking and horrible, but oh so good. Watch it, and then take a page out of the book of Penelope Garcia and go stare at pictures of puppies for a good half hour. You’ll need it.

Snapchat-1802402961
Alternatively, enjoy this photo of our late, great doggo watching “The Last of Sheila” and trying to figure out who dunnit.

What we learned: Everyone has a breaking point. And pushing people away has consequences…

Next time: The Umbrellas of Cherbourg (1964)

#244 The Naked Kiss

Watched: October 22 2019

Director: Samuel Fuller

Starring: Constance Towers, Anthony Eisley, Michael Dante, Betty Bronson, Virginia Grey, Patsy Kelly, Marie Devereaux

Year: 1964

Runtime: 1h 30min

naked

Source

Apologies for the long break – there have been some family stuff as well as day jobs which have required all our energy for a while. So our posts might be a tad sporadic for the time being, but we have not given up. Promise!

Kelly (Towers), a working girl, arrives in a new town. First off, she makes good (i.e. sleeps) with local law enforcement Griff (Eisley) who advises her to practise her profession in the neighbouring town, lest she destroy the reputation of this one. The men of this town only like to fuck harlots – not see them around when they go shopping!

naked4
“Sure I’ll sample the goods, but then you have to leave”

Source

But Kelly is traumatised by and tired of her days as a prostitute and wants a different life for herself. She is also smart, strong and resourceful. So when she sees that the town has a children’s hospital, she applies for a job and is hired on the spot. Not only hired – she is a huge success!

NAKED KISS, THE (1964)
“If you’re happy and you know it, stomp your fe… Oh…”

Source

Through her work and her new friends, she is introduced to Grant (Dante), the richest man in town, and the two fall hard for each other. However, Grant’s best friend Griff is not too impressed by his friend’s choice of romantic interest…

naked5
“I’ve done things. Things I’m not proud of.” “Like what? Wear white after Labour Day..?”

Source

From the jazzy opening scene onwards, we were thoroughly enthralled by The Naked Kiss. Melodramatic though it may be, it is also intensely watchable and engaging. It constantly goes off in unexpected directions and keeps you on your toes.

naked6
You’ll never guess who she’ll end up with in the end!

Source

We loved Miss Josephine, Mac, Kelly – basically all the women in this. We also loved the noiry feel of the movie, and the sense of doom and destruction we felt throughout. It’s shocking and pulpy in just the right ways, but it also has great performances, gorgeous cinematography, a musical number, and a bald prostitute beating a man with a frying pan. So if that doesn’t make it a must-watch, we don’t know what will.

naked2
“Honey, you know you wanna watch me kick some ass!”

Source

What we learned: Men are mostly assholes. But some of them eventually come through!

Next time: The Pawnbroker (1964)

#242 Seance on a Wet Afternoon

Watched: October 19 2019

Director: Bryan Forbes

Starring: Kim Stanley, Richard Attenborough

Year: 1964

Runtime: 2h 01min

seance

Source

Myra Savage (Stanley) holds seances in her house for a living, but she feels very underappreciated. With her gift she should be more famous! Luckily her “spirit guide” has an excellent idea. Why not assist in a kidnapping case and get loads of publicity?

seance2
“It is my right. I am a special snowflake. The spirits tell me so.”

Source

The unfortunate lack of local missing children will not stop this gal – if no children are willing to go missing for such a noble cause, she will just have to rope her submissive husband Bill (Attenborough) into taking care of it.

seance3
“Don’t think of it as a felony. Think of it as a bonding exercise to save our marriage. 9 out of 10 therapists recommend trying new things together!”

Source

With little Amanda Clayton safely stashed in the nursery, Myra contacts the anguished parents to offer her services. For free, of course. She would never consider making money off of other people’s misery.

seance4
“Why, officer, that would be completely immoral. I would not dream of charging this wealthy couple for helping them. But there’s nothing wrong with getting my name in the paper, is there?”

Source

This movie is so good! It’s an intriguing and engaging psychological thriller, and very atmospheric. Thematically (and atmospherically) it would go excellently with The Haunting and The Innocents for a creepy-and-suspenseful-with-possible-supernatural-elements British triple feature extravaganza. A little Halloween tip for all you non-party people out there.

seance5
This is our perfect Halloween. Preferably with even fewer people.

Source

We loved the mysterious start and the gradual exposition. The relationship between Myra and Bill is fascinating, manipulative and very unhealthy, and it is extremely well portrayed by the two stars.

seance6
“Look dear, when I said I wanted you to dress up in a nurse’s uniform this was NOT what I had in mind!”

Source

What we learned: The best laid plans… Also, does “The Swan and Edgar” still exist? ‘Cause that’s a name we can get behind! (Apologies if this is like a super-famous place that we Norwegians have somehow missed. Our cultural knowledge is vast yet limited.)

Next time: The Masque of the Red Death (1964)