#187 Beat Girl

Watched: July 11 2018

Director: Edmond T. Gréville

Starring: Gillian Hills, David Farrar, Noëlle Adam, Christopher Lee, Adam Faith, Oliver Reed

Year: 1960

Runtime: 1h 29min

beat

Source

Jennifer (Hills) is a poor little rich girl with daddy issues and a need to distinguish herself and find her identity. She spends her time with sort-of boyfriend Dave (Faith), a musician with a magical guitar that can play all instruments, and his beatnik friends in a bar in Soho.

beat2
As all teenagers, they are the only ones who have found the real answer to life. Skipping school and living for kicks, unlike those other squares!

Source

When her rich architect dad Paul (Farrar) brings home his new French wife Nichole (Adam), Jennifer is less than impressed. She rejects all of Nichole’s attempts at forming a relationship, even though her new stepmom might just be the only one who really tries to understand the girl.

beat3
It helps that the daughter and the new wife are practically the same age

Source

Paul is more interested in his vision of a future city he wants to build than he is in his daughter, which drives Jennifer to increasingly risky behaviour to get his attention. When a local stripper recognizes Nichole, Jennifer makes it her mission to dig up dirt from her stepmother’s past, which puts her on the radar of dangerous strip club owner Kenny (Lee).

beat4
“I am Dracu… I mean, I am Kenny! Dammit.”

Source

We really enjoyed Beat Girl despite our sympathy for Jennifer being a bit limited. Maybe we’re too old to empathise completely with a spoiled girl playing at being special and shocking, although we can understand her motivation and we like that she shows some spunk and self-preservation, especially in her dealings with Kenny.

beat5
Pictured: not the father figure you’re looking for.

Source

Still, she’s a bit of a pretentious bitch. However, we loved the opening scene, the music (by John Barry), the now dated slang used by the teenagers, and the very salacious strip tease.

beat6
FYI, if you like women who know their way around a sheet, this is the film for you!

Source

It’s a well-scored and interesting perspective on the disenfranchised post-war generation and well worth watching.

What we learned: Play with fire and you’ll get burnt. Also, we need Dave’s magical guitar!

Next time: Black Sunday (1960)

Advertisements

#183 The 400 Blows/Les quatre cents coups

Watched: July 4 2018

Director: François Truffaut

Starring: Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Patrick Auffay

Year: 1959

Runtime: 1h 39min

400

Source

Antoine Doinel (Léaud) is a pretty average kid. He lives with his self-centred mother (Maurier) and nice enough, but very strict, stepfather (Rémy) in a small apartment in Paris. He doesn’t do too well in school and occasionally gets in trouble, although his best friend René (Auffay) seems to be the instigator at least some of the time.

4001
“I’m thinking we should hire some hookers and then kill some puppies?” “Yeah, I was thinking more like skip school and go to the fair..?”

Source

After he’s caught skipping school and lying about his mother’s death to cover for it, Antoine runs away from home. It only lasts for a day or so though, but when his teacher later accuses him of plagiarising Balzac, Antoine runs away again. This time for a while, and with more serious consequences.

 

4002
“Copied” sounds so harsh. I prefer “inspired by.”

Source

Antoine is misunderstood and/or ignored throughout the film. None of the adults in his life take the time to listen to him, and his actions are very often misinterpreted and harshly punished, such as his homage to Balzac and his return of the stolen typewriter (which, granted, he did steal earlier).

4003
Considering the irony of being caught returning stolen goods…

Source

We loved The 400 Blows. While it’s a fairly tragic tale of a talented but misunderstood young boy who gets into all sorts of (quite serious) trouble, it’s not all bleak. We loved the P.E. sequence with the rapidly diminishing student body, the centrifugal carousel, the shrine to Balzac and the kids watching the puppet show.

4004
Not to mention the extremely disruptive students

Source

Without spoiling it, the ending is also (possibly) optimistic, with Antoine standing at several thresholds and between two chapters of his life. There are four more films made about the same character played by the same (wonderful) actor, and we’re tempted to make a night of it and watch them all. In about ten years when we’re done with everything on the list

4005
In case you were wondering, we do bring this amount of energy and enthusiasm to every single film screening. Every. Single. One.

Source

What we learned: Life is hard for kids. Also, parents have responsibilities beyond feeding their children.

Next time: Special Bonus Post! Oboy oboy oboy!!!

#181 Sapphire

Watched: June 28 2018

Director: Basil Dearden

Starring: Nigel Patrick, Michael Craig, Yvonne Mitchell, Paul Massie, Bernard Miles, Earl Cameron, Olga Lindo

Year: 1959

Runtime: 1h 32min

sapphire1

Source

A young woman is found murdered in Hampstead Heath with nothing to identify her but a monogrammed handkerchief. Investigators Hazard (Patrick) and Learoyd (Craig) identify her as Sapphire Robbins and start trying to find the truth behind her death.

sapphire2
“Fill up on pipe tobacco! We shall get to the bottom of this!”

Source

They track down her devastated boyfriend, David Harris (Massie), and her big brother Dr Robbins (Cameron), but surprises keep coming. First off, the autopsy reveals that Sapphire was pregnant at the time of her death, and the investigators are then baffled when her brother comes in as he is black and Sapphire appeared to be white.

sapphire3
“…and you’re absolutely sure none of you were adopted? And that you’re not using the word ‘brother’ in a wider sense..?”

Source

These new revelations lead to an investigation which encounters racism and prejudice, both from the white and black communities and even from within as not all investigators manage to stay neutral. But was her ethnic background motivation for murder? And if so, who was enraged enough by her “transition” from black to white to murder the young girl?

sapphire4
Look at this happy family she was about to marry into! There’s no way anyone in this blissful household would ever kill anyone.

Source

We love a good murder mystery, and we love it even more when it deals with real political and social issues. Sapphire may be from 1959 and deal with racism and prejudice in the wake of the first waves of Commonwealth immigration in Britain, but there are parallels to be drawn to recent debates considering Brexit.

sapphire5
We’re sure there are lots of idiots out there who would love it if all non-whites had stayed in their own clubs like this one…

Source

We were also reminded of Sarah Jane although her and Sapphire’s stories are different and so are their societies. A great mystery movie with real social and political commentary, we can definitely recommend this.

What we learned: School teachers are very respectable and a bit above the rest. Thank you! Also, racism sucks and we need to stop this shit already!

Next time: Some Like it Hot (1959)

#180 Rio Bravo

Watched: May 17 2018

Director: Howard Hawks

Starring: John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson, Walter Brennan, Claude Akins, Ward Bond, John Russell

Year: 1959

Runtime: 2h 21min

rio1

Source

A brawl (of the murderous kind) in a saloon leads to the arrest of Joe Burdette (Akins), criminal brother of a local hot shot rancher. As many forces are looking to get Joe out, sheriff John T. Chance (Wayne) enlists the help of former deputy Dude (Martin) to keep him safely locked away, despite Dude’s alcohol problem and the fact that he was one of the reasons for the brawl in the first place.

rio2
“We’re getting the band back together!”

Source

Together with comic relief Stumpy (Brennan) they must defend the jail, the sheriff’s office and the town, something which proves difficult when Joe’s henchmen and Big Brother Nathan (Russell) get involved. Reinforcements (reluctantly) arrive in the form of young gunslinger Colorado Ryan (Nelson) and, in another way, poker player Feathers (Dickinson).

rio3
“Age gap? 24 years is no age gap! My last boyfirend was 78.”

Source

How will this ragtag team of alcoholics, kids, oldies, cripples and (gasp!) women manage to survive until the Marshall comes to pick up the condemned prisoner? Why, with song and explosions, of course!

rio4
First we sing. Then we blow shit up.

Source

Rio Bravo has everything you could ever hope for in a western – rugged men; feisty women; fancy, semi-colour-coded hats; shootouts; explosions; horses; clearly defined bad guys and romance.

rio5
One man learns that there exists a different kind of romance than that between a man and his horse

Source

We loved the silent scene at the start, the tension throughout, the character names (Chance, Stumpy, Dude and Feathers – are we sure this isn’t a cartoon?) and Angie Dickinson. Clocking in at well over two hours, this movie just flies by and was great family entertainment when we sat down to watch it with our parents and brother on May 17 – the Norwegian national day. After a day of wholesome fun with nephew and niece, what’s better than watching a bunch of manly, yet sensitive, men kill each other?

Rio6
“Hear that, boys? The crowd is ready for an encore!”

Source

What we learned: Wild West men were surprisingly sensitive and in touch with their feelings. Also, some will go to great lengths to ensure justice is served.

Next time: Sapphire (1959)

#177 Imitation of Life

Watched: April 28 2018

Director: Douglas Sirk

Starring: Lana Turner, John Gavin, Juanita Moore, Sandra Dee, Susan Kohner, Robert Alda

Year: 1959

Runtime: 2h 5min

imitation

Source

On a busy beach, aspiring actress/model Lora Meredith (Turner) is looking for her daughter. She finds the girl in the company of an African-American lady, Annie Johnson (Moore), who she hires as a live-in babysitter after learning she and her daughter are homeless.

imitation2
Ah – the good old days when you could invite random people you met at the beach to come live in your home and it didn’t end in murder-robbery but lifelong friendship.

Source

Lora goes to see a theatrical agent, Allen Loomis (Alda), who basically tells her that to succeed she must prostitute herself, something she’s not yet quite desperate enough to do. However, she gets a break when a playwright likes her honest critique of his play, and is soon catapulted to stardom, much to the chagrin of love interest Steve Archer (Gavin) who’d rather have her be a stay-at-home mom and his wife.

imitation4
“Why would you possibly desire to have your own career and make your own money when you can just shack up with me? I forbid it!”

Source

Lora and Annie stay friends for the next 10+ years, as the former finds success and the latter eventually gets paid for being her maid. Their daughters grow up, but while Lora’s daughter Susie (Dee) is a well-adjusted blonde with a private school education, Annie’s daughter Sarah Jane (Kohner) is light enough to pass for white and develops some serious identity issues.

imitation3
“This is America! There’s no way anyone will treat you differently just because they find out that you are black!”

Source

As is tradition, we loved this Sirk film more than we thought we would. Sarah Jane, though an atrocious dancer and slightly annoying, is a tragically intriguing character, Annie is just the best, Susie is pluckily charming, and Lora is self-centred yet understandably ambitious. And there are also some men there, more often than not screwing up the women’s lives.

imitation5
There are also gorgeous costumes and sunglasses to die for

Source

Lora and Annie’s friendship seems to be fairly mutual even though Annie works for Lora, but we learn that Lora knows absolutely nothing about her friend’s life outside of the house, which is very telling.

imitation6
“Friends? What friends? But you cease to exist when I leave the house, don’t you?”

Source

Imitation of Life is about friendship and family and heritage and sexism and racism and authority. And probably lots of other things as well. We loved it, and we’re now off to plan our funerals. Those things are not to be left to chance.

What we learned: If you love someone, apparently it gives you the right to decide for them. And control them. And be petulant if they make their own decisions. Also, racism sucks!

Next time: North by Northwest (1959)

#176 Ben-Hur

Watched: April 13 2018

Director: William Wyler

Starring: Charlton Heston, Stephen Boyd, Haya Harareet, Jack Hawkins, Hugh Griffith, Martha Scott, Cathy O’Donnell, Sam Jaffe, Finlay Currie

Year: 1959

Runtime: 3h 32min (at least)

More numbering problems you say? See info here.

benhur

Source

In those days Caesar Augustus declared that everyone throughout the empire should be enrolled in the tax lists. This first enrollment occurred when Quirinius governed Syria. Everyone went to their own cities to be enrolled. Since Joseph belonged to David’s house and family line, he went up from the city of Nazareth in Galilee to David’s city, called Bethlehem, in Judea.

benhur2
“Uh, yeah, I’m here to register..? Yeah, with my wife. She’s about to give birth. No, no, I’m totally the father. Joseph. J-O-S-E-P-H. Know any good hotels hereabouts..?”

Source

We all know that story. However, this is not that story, but set in the same time. In 26 A.D. (probably not called that at the time, to be fair) Judah Ben-Hur (Heston) was a Judean prince and childhood friend of newly returned Roman tribune Messala (Boyd). Despite the intense homoeroticism of their interactions, the two have a falling out over political issues (one wants the other to sell out his people. That sort of thing).

benhur3
“God, I wish we were Greek instead of Roman…”

Source

After an accident involving a Roman procession and rooftop tiles, Messala finally has an excuse to arrest the Ben-Hur family and send Judah away to the galleys. His mother Miriam (Scott) and sister Tirzah (O’Donnell) are thrown in a dungeon, the family home is raided, and Judah is sent off.

benhur4
“I just thought I’d take a gap year. You know, to travel, sunbathe, grow my beard and learn about new cultures.”

Source

Strange destiny eventually brings the eponymous hero back to his hometown, now as an adopted Roman with a new fortune, new status in the Roman Empire, and excellent horse racing skills. His hatred for Messala has not diminished though, despite an encounter with Jesus, and he is also out for revenge and for the salvation of his family…

benhur5
We all know the best way to really humiliate someone is to beat them at their own game. And also kill them.

Source

Sometimes it’s hard to get in the right mood to watch an almost 4 hour epic from the ’50s, and we must admit we didn’t rush to pick this one up despite all we’ve heard of it. However, we’re glad we did as it lives up to its reputation (despite Heston’s occasional overacting). We loved the Roman perspective on Jesus, the (possibly unintended) homoeroticism between Judah and Messala, the sheikh, the general epicness of the feature, and the fact that we never actually see or hear Jesus.

benhur6
All we learn is that he has fabulous hair and can hypnotise Roman soldiers.

Source

We also loved the Roman uniforms, but mainly because they reminded us so much of Asterix that we spent the entire film quoting Asterix chez les Bretons (1986) and had to pull some strings to get our hands on the Norwegian dubbed version (AKA the only version worth watching) of our childhood favourite. So thank you, Kristian!

asterix
“Er’re XVI her óg? Da har vi gått feil igjen, da.” – Classic!

Source

It’s easy to think Ben-Hur is a movie about horse racing (it’s by far the most famous scene), but it is really an epic saga of revenge and redemption with Jesus hanging out in the background. And a badass chariot racing scene.

benhur7
“Det skjærer meg i hjertet. Hører du, dekurion? Det skjærer meg i hjertet!” One for all Norwegian Asterix-fans. You’re welcome, people who don’t speak Norwegian and/or have no point of reference for this.

Source

What we learned: Romans, like most empires/powerful nations, were Biggus Dickuses.

Next time: Imitation of Life (1959)

#166 Touch of Evil

Watched: January 7 2018

Director: Orson Welles

Starring: Orson Welles, Charlton Heston, Janet Leigh, Joseph Calleia, Akim Tamiroff, Marlene Dietrich, Zsa Zsa Gabor

Year: 1958

Runtime: 1h 35min

touch

Source

Mr & Mrs Vargas (Heston and Leigh, respectively) pass the border from Mexico to the USA only to have a car blow up in front of them. Mike Vargas, a Mexican agent, decides to look into it, while American-born Susan Vargas stupidly decides to follow a random dude back across the border.

touch1
She might make stupid decisions, but she’s got spunk and is intimidated by no man!

Source

Vargas is joined by US police officers Hank Quinlan (Welles) and his partner Pete Menzies (Calleia) and gets to tag along on their investigation. However, when Vargas witnesses Quinlan planting evidence in the apartment of their main suspect, he accuses the veteran police captain and starts to suspect that he, perhaps with his partner, has been operating this way for years.

touch2
“No, no, you silly Mexican police person! This dynamite was always on the premises. It’s just racist dynamite and will only show up if handled by an American.” “Then how did the Mexican suspect handle it?” “Uh, um, he must be half American or something…”

Source

Quinlan denies any wrongdoing and starts to work to discredit Vargas, or get rid of him altogether. Meanwhile “Uncle” Joe Grandi (Tamiroff) is also putting pressure on Quinlan since Vargas has been investigating Grandi’s brother. To keep her safe, Susan in moved to a remote motel where she finds herself the sole guest only joined by a very strange manager.

touch4
Turns out the motel is anything but safe…

Source

Touch of Evil is really very tense, especially Susan’s storyline. We were genuinely worried about her, no matter how spunky and independent she was, and she had some really horrible scenes. We loved the film though – we loved Susan, the Mexican being the good-guy protagonist (even if it was Charlton Heston in brownface), the total corruptedness of Quinlan and the naïve hero worshiping of Menzies.

Touch3
Also, there’s a brothel run by the fabulous Marlene Dietrich, which in itself is reason enough to watch this movie.

Source

Welles’ version was reedited and released as a very different movie than the one he envisioned. Since its 1958 debut, two other cuts have been released. We’re pretty sure the one we watched was the 1998 version cut together based on Orson Welles’ notes (we base this on nothing other than runtime, as we didn’t check the DVD-case). Just so you know, in case some of you think this is very important to this informal review.

touch5
Put down the gun, Orson! We’ll watch your (probably) preferred version! We swear!

Source

No matter which cut you go for, this is a great Noir with a fantastic opening shot (really – check it out!), a great ending, and some kind of a man. Great stuff!

touch6
No caption here. We just liked this picture.

Source

What we learned: Border towns bring out the worst people.

Next time: Vertigo (1958)

#165 The Fly

Watched: February 19 2018

Director: Kurt Neumann

Starring: David Hedison, Patricia Owens, Vincent Price, Herbert Marshall, Torben Meyer

Year: 1958

Runtime: 1h 34min

So, first of all, we must apologize (once again) for the sporadicness (is that a word..? We’ll say it is.) of the posts lately. We’ve both been very busy with moving, redecorating, and having paying day jobs. Hopefully, the worst is now behind us, and we can get back to more regular updates. On the bright side, we bring you a real treat for Easter! The Fly!

fly

Source

Somewhere in Canada (the French part), Gaston (Meyer) is having a bad day. He thought he would just have another uneventful day janitoring, but instead he stumbles across the mutilated, crushed body of scientist André Delambre (Hedison) and witnesses Mrs Hélène Delambre (Owens) fleeing the crime scene. Probably not the day he was expecting.

fly2
No one runs like Gaston, no one gasps like Gaston, no one finds mutilated dead guys like Gaston…

Source

Hélène contacts her brother-in-law François (Price) and while there’s no doubt she killed her husband, she is rich and respected enough to be interrogated by the police in her own bedroom. After a few days of bedrest, with a strange new obsession with flies, she confides in her brother-in-law and recounts the events leading up to her husband’s fatal encounter with the hydraulic press.

fly3
“You’re not going to believe this, but in actual fact it was just like killing a fly! Though a bit more technically complicated. That press isn’t easy to operate.”

Source

André, a scientist, had been testing out his new invention, a “disintegrator-integrator” with various results (including one that turns their cat into a disembodied meowing phantom). Not content with just transporting things and animals, he decided to test it on himself, as all slightly megalomaniac scientists are prone to do.

fly4
Things went slightly awry…

Source

As every moviegoer/reader could have predicted, things went very, very wrong, and André’s DNA got mixed up with that of a housefly. Everything pretty much went downhill from there.

fly5.png
Hélène was not a fan of her husband’s new look

Source

The Fly from 1958 has a very different approach than Cronenberg’s 1986 version, but we love them both. The title even feels like it might refer to different things in the two versions. This has more of a murder-mystery feel, and there’s less focus on the transformation, although that is still very much present.

fly6
Exhibit A

Source

We loved the flies buzzing around, the murder-mystery approach, and Vincent Price in all his glory. It’s a lovely, creepy horror film, and a must-see for every fan of the genre. Or of flies. We don’t judge.

fly7
Or even fans of very thick spiderwebs. As we said – we don’t judge your fetish. You do you!

Source

What we learned: Don’t kill flies without checking thoroughly first.

Next time: Touch of Evil (1958)

#160 Ashes and Diamonds/Popiół i diament

Watched: February 12 2018

Director: Andrzej Wajda

Starring: Zbigniew Cybulski, Ewa Krzyzewska, Waclaw Zastrzezynski, Adam Pawlikowski, Bogumil Kobiela (apologies for any spelling mistakes that may have occured)

Year: 1958

Runtime: 1h 43min

ashes

Source

Three guys with machine guns are lying in wait by a chapel. They kill two guys that come driving by, one of whom dies falling through a chapel door (and catching slightly on fire somehow). However, it turns out that the assassins have hit the wrong targets…

ashes2
“There is more than one car on this road? How inconsiderate. They can blame themselves for getting killed.”

Source

It’s the end of World War II in Poland, and the assassins, Maciek Chelmicki (Cybulski) and Andrzej (Pawlikowski) are after communist leader Szczuka (Zastrzezynski) who has recently returned to his home country. They decide to try again at local hotel Monopol, where Maciek takes a room and starts flirting with barmaid Krystyna (Krzyzewska).

ashes3
As Maciek picks the best, most romantic, and most atmospheric spots for dates, he is naturally successful in his pursuit of Krystyna.

Source

His newfound love, coupled with exposure to the grieving loved ones of his unintentional victims and the bodies of the dead men themselves, combine to change Maciek’s view of the world. He goes to his friend and superior officer Andrzej and tells him he doesn’t want to carry out this assassination. He wants to settle down with Krystyna and live in peace.

ashes4
Just him, his girl, and loads of shots. What a life!

Source

However, Andrzej is not sympathetic and tells Maciek backing out now will make him a traitor and that he’ll just have to tough it out. How will this all end?

ashes5
Rambo-style!

Source

Ashes and Diamonds is the third installment in Wajda’s war trilogy, and the second one on the list after Kanal. We loved the part in the crypt and Maciek’s decidedly ’80s vibe (we think it’s the sunglasses he sports and how the shadows often give the illusion of a mullet).

ashes6
The ultimate hipster – rocking a mullet before it was cool

Source

Like its predecessor, this film is quite weird and somewhat unsettling at times, with damaged women acting as saviours for damaged men, and lots of religious symbolism. Also, we found the dancing in the end reminiscent of Bergman’s The Seventh Seal. We really enjoyed it, and at an opportune moment, we will go back and watch the first film in the trilogy, A Generation (1955) even though it didn’t make the list.

Zbigniew Cybulski,  Adam Pawlikowski
Seriously though – doesn’t this look like it could be a still from some 1980s cop movie..? The young, charming maverick paired up with the old, cranky, by-the-book veteran?

Source

What we learned: Shit always floats to the top. Also, we do not know enough about Poland 1945.

Next time: Dracula (1958)

#159 A Night to Remember

Watched: February 3 2018

Director: Roy Ward Baker

Starring: Kenneth More, Ronald Allen, Robert Ayres, Honor Blackman, Anthony Bushell, and many, many more.

Year: 1958

Runtime: 2h 3min

Night

Source

First off, we can only apologize for the sporadic updates lately. Sister the Youngest has bought herself her own apartment, so we’re in the middle of moving and painting and everything that comes with it. Unfortunately, that means that at the moment we have less time to watch and review movies. We’ll come back stronger once she’s all settled in her new place and Sister the Oldest can once again enjoy the tranquility of her own place… Ah… The silence…

That being said, we’ve reached a new year, and 1958 starts on a very uplifting note with the epic tale of the RMS Titanic.

The band plays on as the Titanic sinks – a still from the 1958 film A Night To Remember
What a party!

Source

The year is 1912 and the Titanic, the largest, most unsinkable ship ever (in 1912), is on its first trip from Southampton to New York City. The passenger liner carries 2,224 souls from all walks of life, and we get to meet several of them, most notably Second Officer Lightoller (More). It is shaping up to be a wonderful voyage despite a few ice berg warnings.

night3
Them icebergs have better get out of the way, ’cause here we come! Whoot whoot!

Source

The Titanic is not the only ship out there – the Californian and the Carpathia are both sailing in the same waters, and they exchange warnings about the ice in the area. They also warn the larger ship, but because every passenger on the Titanic is eager to send messages home to brag about their whereabouts, the radio operator is too busy sending social calls to properly receive the warnings.

night4
“I simply MUST send a message home telling everyone we met a Second Officer! My friends will swoon!”

Source

Now, we all know how this ended. The ship sank, there were nowhere near enough lifeboats (thank you hubris and lax regulations), and around 1500 people died. Still, despite the awful ending, the film is really enjoyable and we loved it. We’ve been morbidly fascinated with the story ever since our grandmother (a.k.a. “Besta”) would sing sad songs about it when we were kids, so anything relating to this tragedy is eagerly consumed by both sisters.

night5
We were impressed with the effects, which hold up really well even in this day and age.

Source

A Night to Remember tells the tragic story of the maiden voyage of the ill-fated Titanic far more effectively (in our opinion) than James Cameron’s 1997 film. We loved that rather than to focus on just a couple of people, we got to follow a whole range of them, such as crew members, first class, second class and steerage passengers.

night6
We’re pretty sure Cameron stole some characters from this film, such as Plucky New-Moneyed American Woman (above) and Lively Irish Dancing Steerage Passengers (not pictured)

Source

It’s frustrating, emotionally devastating, stressful, engaging and wonderful, and like anything Titanic-related we ate it up. Thanks, Besta!

What we learned: Communication is key.

Next time: Ashes and Diamonds (1958)