#205 Lola

Watched: November 1 2018

Director: Jacques Demy

Starring: Anouk Aimée, Marc Michel, Jacques Harden, Alan Scott, Annie Duperoux, Elina Labourdette

Year: 1961

Runtime: 1h 30min

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Roland Cassard (Michel) loses his job and randomly decides to give a young girl his dictionary due to her resemblance to his old friend Cécile (Aimée) – even sharing her name. By chance, he then runs into said friend, who now goes by the name Lola. And is a showgirl…

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Would you believe she both merengues and does the cha-cha..?

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Lola, now a single mother, is very happy to see her old friend, and the two go out to dinner before her show one evening. Roland finds out that despite not having heard from him in seven years, Lola is still hung up on her baby daddy Michel (Harden). While waiting for him to return, the dancer passes the time with American sailor Frankie, who also develops a strange and unhealthy relationship with Lola’s young lookalike Cécile (Duperoux), seeming destined to repeat history.

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The young girl is easy prey too – the only person invited to her birthday party was a random dude she had met only once and who her mother wanted to bang. Way to make a girl feel special.

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Roland falls for Lola and decides to make his unrequited love her problem by telling her about his feelings and being childish and mean when she rebuffs him. Because naturally it is her fault that he fell for her and she should feel bad about it.

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Perhaps Roland should practise reading body language instead of guilt-tripping women when they don’t love him?

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Lola is an interesting movie – the perspective switches between characters and goes off in all kinds of directions, while still telling the story quite efficiently. Lola is a bit simple, but sweet, and we loved how she was never apologetic about her work or her status as a single parent.

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Of course, she had nothing to apologise for, being a fabulous woman and great mother, but we have a feeling not everyone would have thought so, especially in 1961

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While we’re still unclear how their days worked (does Yvon go to night school? How on earth do they get so much done before school? And did Roland come to work late five times in three days???), Roland acted like a stereotypical “nice guy” with Lola, and we’re very worried about Frankie grooming the young Cécile, we absolutely enjoyed this movie and we can’t wait for what else Jacques Demy has in store for us. Also, we need Lola’s corset. And top hat.

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If you’re only going to own one outfit, make it a classic!

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What we learned: Never go with service men.

Next time: The Guns of Navarone (1961)

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#204 A Taste of Honey

Watched: October 30 2018

Director: Tony Richardson

Starring: Rita Tushingham, Dora Bryan, Murray Melvin, Robert Stephens, Paul Danquah

Year: 1961

Runtime: 1h 41min

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Jo (Tushingham) is an artistic sixteen-year old girl who’s neglected by her mother Helen (Bryan) and tired of the way her life is going. Following the girl’s short romance with black sailor Jimmy (Danquah), Jo is kicked out from her home when her mother marries a disaster of a man, Peter (Stephens).

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Strangely, it wasn’t the affair that dissuaded Peter from taking her on as his new daughter. It was her resting-weird-face which freaked him out.

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Jo moves out, gets a flat and a job in a shoe shop, as well as a new gay best friend in Geoff (Melvin). In short, she’s pretty much living the outcast girl’s dream. There’s one problem though – her romance with Jimmy left her pregnant.

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No inexperienced teenager would have stood a chance with this guy…

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Like Saturday Night and Sunday Morning, A Taste of Honey was familiar to the extremely sophisticated Sister the Oldest from her literature studies, but only in writing. The film version of Shelagh Delaney’s play was no disappointment and we both enjoyed it a lot.

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On the question of favourite character we’re torn between both these two

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We can imagine that this one would have been at least a tiny bit controversial upon release with its depictions of sexuality (both young girls and homosexuals should keep that to themselves, thank-you-very-much!), interracial relationships and horrible parenting.

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Helen may look caring and worried, but only as long as Jo’s needs don’t interfere  with her own

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Despite the somewhat bleak subject matter, A Taste of Honey is not as depressing as it could easily have become. The dialogue is funny and witty, and the characters are interesting – especially the women and Geoff.

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Peter’s just your run-of-the-mill misogynist bastard though

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We loved Jo – she’s awkward, insolent, insecure, independent, stubborn, sharp and fabulous, partly thanks to Tushingham’s performance. This movie is a great little slice of kitchen sink drama with a fantastic cast and a strange but interesting peep show scene set in Blackpool. Not sure why we point that out that in particular, but it seemed worth mentioning. Definitely recommended.

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What we learned: Life doesn’t always go the way you plan it. And sometimes you make the same mistakes as your mother.

Next time: Lola (1961)

#201 The Virgin Spring/Jungfrukällan

Watched: September 19 2018

Director: Ingmar Bergman

Starring: Max von Sydow, Birgitta Valberg, Gunnel Lindblom, Birgitta Pettersson, Allan Edwall, Axel Düberg, Tor Isedal

Year: 1960

Runtime: 1h 29min

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Ingeri (Lindblom) is an unwed pregnant servant for a prosperous Swedish family. Angry at her circumstance and jealous of spoiled rich girl Karin (Pettersson), she prays to Odin for justice while the rest of the household are Christian.

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She’s a freaking delight at parties

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The two young women are sent to church to deliver candles for mass, but Ingeri is spooked by the forest (and an appearance by Odin himself, probably) and Karin goes off on her own. She runs into a trio of goat herds who she invites to share her meal but being pampered and naïve, she does not sense the danger they pose until it’s too late.

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Clearly, she’s never met anyone not interested in her well-being before. They’re not even trying to be non-creepy!

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With Ingeri watching from the trees, two of the three men rape and then kill Karin, steal her clothes and valuables, and then leave her half naked body in the woods to rot. Later that night, the brothers seek shelter with Karin’s parents Märeta (Valberg) and Töre (von Sydow). The now worried parents only discover the brutal truth when their guests try to sell Märeta Karin’s distinctive and expensive dress, spotted with blood. They start preparing their revenge…

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Daddy forgets all about his Christian values when faced with his daughter’s brutal murder. Luckily for him, he keeps a pagan/satanic knife handy for just these kinds of situations.

 

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The Virgin Spring is like a dark and brutal fairytale – Karin is the innocent princess and Ingeri the dark witch (although she does seek redemption in the end). The three headed troll popular in Scandinavian folklore is also present, and there’s friction between the old faiths and beliefs and the relatively new Christian faith (which technically raped its way through Scandinavia, so the roles are slightly reversed) which we also often see in traditional fairytales.

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It’s almost as if thy’re going for some sort of contrast or something. We’re not sure.

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The rape scene is extremely uncomfortable to watch, even by today’s standards (as, indeed, all rape scenes should be) and the tension throughout the movie is palpable. For us Norwegians though, the appearance of Allan Edwall as a beggar residing with the prosperous farmers is a welcome distraction from the horror. Anyone who grew up in the Nordic countries in the 1970s, ’80s and ’90s are familiar with him from his roles in several films based on Astrid Lindgren.

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The man never fails to remind us of happier, more innocent times. Although, of course, there was no way Bergman would have foreseen that. (Sorry for picture quality. There’s a distinct lack of Edwall-stills from this movie online.)

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This is a fantastic, tense and uncomfortable movie about jealousy, hatred, revenge and redemption, and we truly recommend it. Even if you have no relationship with Allan Edwall.

What we learned: Hell hath no fury like a parent bereft. Also, try not to summon the old gods if you’re not 100% sure you can handle it. Just a little tip for you.

Next time: The Village of the Damned (1960)

#198 The League of Gentlemen

Watched: August 7 2018

Director: Basil Dearden

Starring: Jack Hawkins, Nigel Patrick, Roger Livesey, Richard Attenborough, Bryan Forbes, Kieron Moore, Terence Alexander, Norman Bird, Robert Coote

Year: 1960

Runtime: 1h 56min

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A man climbs casually out of a manhole in his finest attire, gets into a car and drives off. When he comes home, he sends out seven packages containing the book The Golden Fleece, half of £50 (literally half, in ripped up bills), and instructions to an assortment of characters. So begins The League of Gentlemen.

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It’s the beginning of a beautiful friendship. After an awkward dinner party.

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The ring leader, Norman Hyde (Hawkins), is ex-army and feels the world owes him something. The men he contacted are all former army officers as well, and they all have secrets or difficulties which make them fairly easy to persuade into joining Hyde for a bank robbery.

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Actually, they just pretend it’s the money they want. They were all on board the minute they saw these bitchin’ gas masks.

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Utilising all their combined skills, the officers-cum-robbers plan an elaborate heist with a possible outcome of £100,000 per participant. It’s enough incentive to sway them all, and the plan is put into motion.

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The plan includes, but is not limited to, peeling a whole bunch of potatoes

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How did we love The League of Gentlemen? Let us count the ways. The dialogue, the dishwashing scene, the naughty vicar, the prep, the military infiltration, the heist itself, the heroic music, the gas masks, and the complete and utter cheek of the whole thing were all amazing, and had us laughing throughout.

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This whole segment is a complete riot

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Combine that with the very real and palpable tension during the heist and you got yourself a winner. The characters, and their interactions, are fantastic and you find yourself rooting for them very quickly. Love, love, love this movie. Definitely something to check out if you’re not familiar with it.

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Pictured: you guys crawling out of the woodwork just to watch this gem. Hopefully.

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What we learned: There was a different class of criminals in the 1960s. Also, this is a local heist for local people. There’s nothing for you here!

Next time: The Little Shop of Horrors (1960)

#197 The Apartment

Watched: August 27 2018

Director: Billy Wilder

Starring: Jack Lemmon, Shirley MacLaine, Fred MacMurray, Jack Kruschen

Year: 1960

Runtime: 2h 05min

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C.C. “Bud” Baxter (Lemmon) works for an insurance company and has a crush on elevator girl Fran Kubelik (MacLaine). To ingratiate himself with management he lets several of his bosses borrow his apartment for illicit rendez-vous with their various mistresses.

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“We’ve worked out the new queuing system. Once we’ve covered ourselves, you will have one night a week in your own apartment.”

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The Big Boss Jeff D. Sheldrake (MacMurray) learns of this arrangement and swaps two theatre tickets for a night at Bud’s place. Bud invites Fran to the show, but she stands him up since it turns out she is the girl Sheldrake has brought to the shag shack.

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Can you believe she stands a guy up after he’s taken the time to learn all about her, including her address, her social security number and her insurance status? Rude!

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After Sheldrake doesn’t make good on his promise to divorce his wife for Fran, she tries to commit suicide in Bud’s apartment and he is left to care for her and pick up the pieces of his boss’ mess.

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“I swear I’m a good guy. You can do so much better than Sheldrake. I know all about you, and I’m right here!”

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The Apartment is funny and charming, and we really enjoyed it, but the men in this are generally questionable to say the least! Sheldrake is a real piece of work, as are the middle management bosses, and this is clear from the start. However, the character of Bud is only (partially) saved by being played by Jack Lemmon, who is very likable as an actor.

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It’s near impossible to truly dislike someone who uses a tennis racket as a pasta strainer

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Bud is well-meaning enough, but he exhibits some creepy stalker behaviour when trying to woo the “unseducable” Fran Kubelik. That being said, we really had fun watching this movie, and Fran is very likable and human even though she tries to kill herself over a guy…

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Stalkery behaviour aside, at least Bud is a bit of a step up from this guy.

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We will give The Apartment credit for being complicated – this is not a clear cut love story with perfect characters and a fairy tale ending. The characters are complex and flawed, and that’s one of the reasons it’s an enjoyable comedy and well worth seeing. Still, perhaps it’s time for Fran to be single for a while..?

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You do you, girl!

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What we learned: Don’t trust a taker. But be a bit weary of stalkers as well…

Next time: The League of Gentlemen (1960)

#196 Spartacus

Watched: August 18 2018

Director: Stanley Kubrick

Starring: Kirk Douglas, Laurence Olivier, Jean Simmons, Charles Laughton, Peter Ustinov, Tony Curtis, John Gavin, Nina Foch, John Dall

Year: 1960

Runtime: 3h 17min

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In the days of the Roman Empire, Spartacus (Douglas) is born into slavery and sold to a gladiator school after exhibiting some disobedience. Batiatus (Ustinov), the owner of the school, sees some promise in him and provides him with training and a prostitute – anything he could possibly crave.

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Along with some fancy body paint, of course

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Trainer and former gladiator Marcellus is not a fan of his new pupil though, and when he notices Spartacus’ feelings for servant Varinia (Simmons) he makes a point of keeping them apart.

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Ah, the feelings one can convey with only a glance when one is fearing for one’s life…

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One day, a bunch of rich bitches come by and demand a fight to the death. One of the chosen fighters is our hero, but when he loses the battle, his fellow gladiator refuses to kill him and charges the spectators instead.

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Draba just couldn’t let Spartacus go to his grave in that outfit, citing the theory that your ghost form will forever wear the clothes you had on when you died and no one deserved that fate

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After Draba’s death, and the continued mistreatment of the gladiators, Spartacus leads a rebellion and marches on Rome, freeing and recruiting more slaves on the way. Their plan is to amass enough riches to hire pirates to take them all back to their countries of origin. However, the Roman leaders are furious that someone dares defy them and set out to capture and/or kill them all, particularly Roman Braveheart Spartacus.

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“They make take our lives. But they may never take our freedom!”

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Spartacus is an epic not unlike Ben Hur, and apparently it was Kirk Douglas’ response to not getting the part of the Judean hero. Clocking in at well over 3 hours each, we’re grateful to Edgar Wright and the list for finally convincing us to watch them because they are fantastic.

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As an added bonus, Roman uniforms always remind us of Asterix

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We loved the political games, the old slave couple, Batiatus (for some reason, ’cause he’s a bit of a bastard. We think it was the actor who saved him), the humour, all the men looking for consent from the women before sexy-times (as a powerplay, but still!), and the epicness of it all. If you have 3+ hours to spare, Spartacus is the way to go. It’s impossible to dislike a story of people who are mistreated and repressed and who fight back.

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Also, Tony Curtis is there, being all handsome and musical

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Now, we are sorry to end this blog entry on a sad note, but one of the reasons it has taken us two weeks to update this time is because our beloved doggo Dewin had to be put down last weekend. He was our trusty film watching partner, and the bestest boy, but he was old and sick, and in the end we had to do the only humane thing for our wonderful friend. We will always remember his enthusiasm when watching anything with animals, particularly westerns with lots of horses, and (for some reason) Ingmar Bergman films. He loved Bergman. He was a better and more sophisticated man than us. Thank you for the good times, Dewin. We love you.

 

What we learned: I’m Spartacus.

Next time: The Apartment (1960)

#195 Shoot the Piano Player

Watched: August 26 2018

Director: François Truffaut

Starring: Charles Aznavour, Marie Dubois, Nicole Berger, Michèle Mercier, Albert Rémy

Year: 1960

Runtime: 1h 21min

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Charlie Kohler/Edouard Saroyan (Aznavour) is a piano player in a dive bar, but a former classical concert pianist. When his brother Chico (Rémy) seeks him out to shelter him from a couple of gangsters he’s pissed off, Charlie gets dragged back into the criminal family he’s avoided for years.

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“Just ran into the weirdest dude out there. Told me all about his marriage and his wife, completely unprompted. Oh, and also, I’m chased by some thugs and I need you to help me escape.”

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Simultaneously, the shy and slightly awkward musician strikes up a relationship with waitress Léna (Dubois), but the gangsters follow them one night and the couple are kidnapped. However, they get on surprisingly well with their kidnappers.

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Although not as well as Charlie gets on with his friendly neighbourhood prostitute next door

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They get out of that fix unharmed, but as the gangsters become more and more determined to use Chico’s family members to track him down, Charlie realises he must flee and leave his girlfriend behind. Lest she ends up like his first wife…

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“So, first there was the wife. That ended badly.” “How badly?” Well, she’s dead. Then there’s my neighbour Clarisse, but she’s more of a very good friend.” “How good?” “Oh, very, very good… But I swear I’m actually a good guy. Just very unlucky.”

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Shoot the Piano Player is very different from our last encounter with Truffaut, The 400 Blows. It’s a bit Noiry, with the flashbacks, the past the main character cannot escape, the general bleakness and the occasional voiceover narration.

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The trigger happy gangsters complete the picture (we loved them, although their casualness and easy conversation with their victims made them even scarier than your normal movie thugs)

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It’s often sad, dark and depressing, but there are some fantastic laugh-out-loud moments which help alleviate the whole affair somewhat. We’ve been missing the noirs a bit lately (there were so many of them for a while there!), so we really enjoyed this one. Worth watching for fans of French New Wave, Film Noir, thrillers, dramas, and Truffaut in general.

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Or fans of pianos. Or, indeed, people who hate piano players with a fiery vengeance.

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What we learned: Even super polite and likable kidnappers can be ruthless killers.

Next time: Spartacus (1960)

#194 Saturday Night and Sunday Morning

Watched: August 25 2018

Director: Karel Reisz

Starring: Albert Finney, Shirley Anne Field, Rachel Roberts, Hylda Baker, Norman Rossington, Bryan Pringle, Edna Morris

Year: 1960

Runtime: 1h 29min

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Arthur Seaton (Finney) is an Angry Young Man who works in a factory and spends his weekends drinking, annoying the neighbours, and sleeping with his coworker’s wife, Brenda (Roberts).

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He’s also heavily into competitive drinking, which never fails to impress the ladies

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Even striking up a relationship with the charming and beautiful Doreen (Field) does nothing to break his illicit affair. However, he runs into trouble when Brenda becomes pregnant while Doreen is ready to go to the next level.

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After months (?) of courtship, she’s ready to actually let him in the door

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Arthur is immature and oppositional, but he’s charming and seems to have a good heart. Although it’s sometimes deeply buried… His greatest fear is to turn into his parents, who he feels have not really lived life – just survived it. Still, getting away from that life is harder than it seems, and while he has ambition, he has no real outlet for it, or any sort of plan to alter the direction of his life.

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It’s hard to save up for adventure and excitement when you drink up your paycheck every weekend

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Saturday Night and Sunday Morning is an early British New Wave kitchen sink drama (check out our terminology!), and the very sophisticated, educated and cultural Sister the Oldest actually read the book at some point. Oh yes.

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It was during one of her breaks from watching television, which are few and far between…

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It’s an engaging film, and we loved it. When it comes to social realism, none of them would be our first pick for weekend entertainment, but we never regret watching them. This particular one was also not quite as bleak as we were afraid it would be, although we suppose Arthur’s greatest fears were likely to come true judging by the ending…

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One man’s dream is another man’s nightmare. We’re just not sure which side of that Arthur is on right now.

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What we learned: Don’t let the bastards grind you down.

Next time: Shoot the Piano Player/Tirez sur le pianiste (1960)

#193 Psycho

Watched: August 4 2018 (and many other times)

Director: Alfred Hitchcock

Starring: Anthony Perkins, Vera Miles, John Gavin, Janet Leigh, Martin Balsam

Year: 1960

Runtime: 1h 49min

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Man with mommy issues goes on killing spree. Loved by critics.

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“Mommy issues? Who has mommy issues? I’m just a normal, stable, sane boy.”

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Psycho probably needs no further introduction as it’s one of the most watched, loved and spoofed/homaged films of all time. Still, for those hermits who have been living secluded lives in the woods for the past 60 years but have also inexplicably stumbled upon this blog (hello, stranger! To be honest, you’re probably better off crawling back under that rock, given the current state of the world), we’ll give a very brief synopsis.

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In short, wood dwelling hermit: if you see this place, just keep driving. Or walking. Or riding your tame bear.

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Marion Crane (Leigh) is having an affair with Sam Loomis (Gavin) but they cannot afford to get married. When Marion gets her hands on $40 000 at work, she decides to steal the money and run away to elope with her beau. She is caught in a rainstorm and checks in for the night at the secluded Bates Motel.

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Bad, bad idea

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Marion is reported missing by her sister Lila (Miles) and wanted by the police for theft. Lila decides to investigate the disappearance herself with the help of Sam and private investigator Milton Arbogast (Balsam) who is also on the case. What they find is not what they expected…

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It’s not what anyone would expect, really

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There’s nothing not to love about Psycho. It lulls you into thinking that you’re watching just another crime movie, and then BLAM! Creepy horror film!

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Hitchcock also managed to insert a T-1000, but we feel that subplot is vastly underdeveloped.

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The shower scene is perhaps the most famous scene in cinematic history, and no matter how many times you’ve seen it or its various recreations, it still has impact. As does Norman Bates’ transformation from sweetly awkward and likable young man to creepy insane murderer.

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He actually seems quite charming at first, making Marion supper and all

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As mentioned in our last entry, this goes perfectly as a double feature with Peeping Tom, if you want a night filled with serial killers and crazy. And who doesn’t?

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“We’re off to see the killer! The wonderful killer of girls!”

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What we learned: We all go a little mad sometimes. Also, if it doesn’t jell it’s not aspics.

Next time: Saturday Night and Sunday Morning (1960)

#192 Peeping Tom

Watched: July 11 2018

Director: Michael Powell

Starring: Karlheinz Böhm, Anna Massey, Moira Shearer, Maxine Audley

Year: 1960

Runtime: 1h 41min

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Man with daddy-issues goes on killing spree. Hated by critics.

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“Oh, this pointy thing? I just use it to get the best possible angle for a portrait shot.”

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For those of you who want more context than the initial summary, Mark Lewis (Böhm) is an aspiring film maker who shoots soft porn during the day and murders at night. His neighbour Helen (Massey) takes an interest in the socially awkward weirdo, and we learn that Mark was used as a guinea pig by his psychiatrist father who studied fear.

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Daddy also filmed the child abuse. Father of the year!

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Peeping Tom was initially hated by critics and basically killed the career of its director, but time has worked in its favour and it is now a beloved classic. And we absolutely loved it!

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We loved this movie almost as much as this guy loves his camera. Which is a bit of a love/hate-relationship to be honest.

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We were enthralled from the very beginning, with the camera point-of-view, and we were on the edge of our seats throughout. Mark is a complex and strange character; is the real him the awkward and timid man he is in social situations, or is it the dynamic take-charge man we see when he’s about to commit murder?

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We’re sure this woman was super-impressed by his sudden alfa-maleness just before she was brutally murdered

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As horrible as Mark is, we’re also forced to sympathise with him learning his backstory, and Helen (who we really liked) actually falls for the guy.

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Who wouldn’t fall for a guy with such an impressive set-up?

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It’s a must-see for horror fans (or movie fans in general), and it works fantastically as a double bill with the upcoming Psycho. Get out your blankets, wine (or tea – we don’t judge) and snacks, and enjoy!

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It’s also very pretty. Just saying.

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What we learned: First rule of serial killing: lock your damn door!

Next time: Psycho (1960)