#222 Billy Liar

Watched: March 02 2019

Director: John Schlesinger

Starring: Tom Courtenay, Julie Christie, Gwendolyn Watts, Helen Fraser, Wilfred Pickles, Mona Washbourne, Ethel Griffies, Finlay Currie

Year: 1963

Runtime: 1h 38min

Billy

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Meet Billy (Courtenay). Billy lives with his parents and works at an undertakers’. Billy juggles girlfriends/fiancées Barbara (Fraser) and Rita (Watts) while harbouring a secret crush on free spirit and original manic pixie dream girl Liz (Christie). He also lies through his teeth.

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Why on earth this lovely, innocent girl would let this man bring her to a cemetery is beyond us. Here, she clearly only has a few minutes left to live.

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Billy has an imaginary world where he is not only king, but pretty much every inhabitant, at least any person of note. This kingdom of Ambrosia is his escape from his boring, average life, as well as an outlet for his creativity. And a source of frustration for his fed up family.

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Who hasn’t dreamt of being a hero, loved and admired by men and women alike?

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Sexually frustrated ladies man, compulsive liar, rebellious teen and part time sociopath, Billy’s fantasies often end in him gunning down everyone around him, especially those who inconvenience him. He lies to protect himself and to seem more interesting. He’s not too good with criticism or confrontation, and he dreams of a more exciting life which he is too scared to actually pursue.

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We get it, Billy. It’s much easier to be the fictional ruler of Ambrosia than to actually go out and take chances with your life, risking defeat. Go Liz!

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Oh, did we mention he also tries to drug one his girlfriends to have sex with her? Which definitely ranks in the top three of “the worst thing that can happen when a man brings a woman to a cemetery”-list.

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Lucky for her he bought bad drugs. And also didn’t know which part of her to suck…

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You can probably tell that we’re not quite sold on the character of Billy… In fact, we found him somewhat sinister at times. However, there are still a lot of things to enjoy about this movie. As always, we loved Tom Courtenay’s face(s), we loved the banter in the funeral home, the twist dancing, and the flashes between reality and Billy’s fantasy world.

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For all his faults, it’s hard to completely hate a man who is so overly dramatic and extra.

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We also liked Liz. Where Billy had only his dreams, Liz had the guts and the follow-through. He talked a good game, but she actually went out and did things with her life. The only thing that confused us about her was why she would be interested in someone like him.

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“Shit! I just realized I’m Julie Motherfucking Christie! So long, sucker!”

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It’s an interesting movie and well worth watching. Apart from his treatment of the women in his life (this goes for girlfriends as well as his mother and grandmother), Billy is relatable in a lot of ways. Frustrated with his mundane working class existence, he retreats into his fantasy world where he can actually achieve and experience things. We can understand that. But like the demolition work going on all around him, he has a destructive streak, and it’s a dark one…

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Why can’t it be both..?

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What we learned: There’s a fine line between having an active imagination and being a compulsive liar.

Next time: Black Sabbath (1963)

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#221 8 1⁄2/Otto e mezzo

Watched: February 28 2019

Director: Federico Fellini

Starring: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo, Barbara Steele

Year: 1963

Runtime: 2h 18min

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Guido Anselmi (Mastroianni) is a famous film director in the middle of an existential crisis and artistic drought. His new project is going nowhere and neither is his love life.

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His flying lessons are going swimmingly however, so he’s got that going for him, which is nice

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Between balancing his mistress (Milo), wife (Aimée), producers, set designers, and potential starring actors, the director is buckling and cannot get himself to make any decisions about his next movie.

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“I need hands! Lots of hands! And frozen faces! And a certain Bergman quality to it all. Or, on second thought, I need a space ship and a bunch of aliens.”

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When confronted by the reality of his life (and his affair), he dreams himself away to a fantasy land where every woman he’s ever met worships the ground he walks on, get along with each other, and (more or less) voluntarily remove themselves from his view when they reach an undesirable age.

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And if they fail to comply, there’s always the whip

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Can religion help? The cardinal in the sauna? The dream woman he’s seen as the star of his movie? His (patient) wife, Luisa? Barbara Steele? The memory of his first sexually charged encounter as a child? In short, will Guido get his groove back?

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“Looking for fun and feeling groovy
Ba da-da da-da da-da, feeling groovy”

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8 12 is gorgeous to look at, and very deservedly won an Oscar for best costume design. The architecture is also outstanding, and there are loads of shots of small people in huge structures throughout the film.

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Huge crumbling structures littered with tiny insignificant people. Or something.

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We’re still in love with Barbara Steele and her face, and we were intrigued by the opening (which reminded us of Bergman – our doggo would have loved it!), especially the arms on the bus and the frozen people. We loved the voice-over, the dream/memory-sequences, the sauna, and the dance in the end, which also brought us back to Bergman.

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“Come on, shake your body baby, do the conga, I know you can’t control yourself any longer” – Ingmar Bergman, 1957

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What we learned: Sometimes, a clown orchestra is what you need.

Next time: Billy Liar (1963)

#220 What Ever Happened to Baby Jane?

Watched: January 7 2019

Director: Robert Aldrich

Starring: Bette Davis, Joan Crawford, Victor Buono, Anna Lee, Maidie Norman

Year: 1962

Runtime: 2h 14min

Baby

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Oh, God, we love this movie! We’ve been looking forward to rewatching it ever since we first decided to let the list control the next ten years of our lives, and it was worth the wait.

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If we are to be truly honest with ourselves, this will be us by the end of this project. The only question that remains: who’s who…

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Jane (Davies) and Blanche (Crawford) are sisters, and as children Jane was a vaudeville star while Blanche lived in her sister’s shadow. Twenty years later, their roles have reversed, and Blanche has become a successful movie star while Jane has turned into an alcoholic, washed-up has-been.

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Personally, we blame the parents.

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Then, one fateful night, Blanche is paralyzed in an accident blamed on Jane, and the two start a reclusive life by themselves in a mansion where Jane takes care of the increasingly isolated Blanche.

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“My nursing experience includes singing strangely romantic duets with my dad as a child and dressing like a toddler even though I’m pushing 60.” “You’re hired!”

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Jane, resentful of her more successful sister, becomes obsessed with recapturing her glory days as a child star, and hires pianist Edwin Flagg (Buono) to help her revive her act. She cuts her sister completely off from the outside world by removing her telephone, and starves her by feeding her rats and dead pets.

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“Oh, I couldn’t possibly have another rat. I must watch my figure.”

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Both main performances in What Ever Happened to Baby Jane? are spectacular, and that’s probably the main reason this film is so incredibly engaging. Bette Davies as Jane is deliciously deranged and demented, and is just a joy to watch.

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It would be hilarious if it wasn’t so sad

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Joan Crawford is (almost) equally engaging as the victimized Blanche, a more toned down and possibly more challenging role. However, we grew increasingly frustrated by her uselessness. Seriously, woman! You know your sister has completely lost it! And that is as hard as you’re prepared to fight???

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Just scream bloody murder down the phone, you useless lady!

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Blanche is not the only frustratingly incompetent character in the movie – pretty much everyone, from neighbour Mrs Bates (Lee) who’s too polite to interfere, to maid Elvira Stitt (Norman) who underestimates Jane’s madness despite her knowledge of both sisters, fail to help Blanche and stop Jane due to being basically completely fucking useless.

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“I realise that you are batshit crazy and I suspect you are torturing and starving your sister, but instead of calling the police, I am going to snoop around a bit and confront you unarmed.”

 

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Watch it for the performances, the characters, the costumes, the hair and make-up, the story, the music and the tension. And to have a really good (if frustrated) time!

What we learned: It’s a good thing none of us are super successful…

Next time: 8 1/2 (1963)

#218 The Manchurian Candidate

Watched: January 22 2019

Director: John Frankenheimer

Starring: Frank Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury, Henry Silva, James Gregory, Leslie Parrish, John McGiver

Year: 1962

Runtime: 2h 06min

Manchurian

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Korea, 1952. A patrol is ambushed and taken prisoner. When they return to the US, generally despised Sergeant Raymond Shaw (Harvey), who’s cursed with a busybody mother (Lansbury) and a fanatic senator stepfather (Gregory), is awarded Medal of Honor. The medal is given to him based on the testimony of his fellow soldiers, who cannot say enough good things about him, although they are unsure why.

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“We just really respect the way he used to break up our parties with local prostitutes”

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Meanwhile, a few members of the same patrol, including Major Bennett Marco (Sinatra), are troubled by nightmares in which the celebrated Sergeant kills two fellow soldiers on the command of a bunch of ladies talking about agriculture and occasionally morphing into communist leaders.

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“Welcome to my talk on how to make blossoming gardens and sleeper agents. I’m very happy to see so many morphing faces here today.”

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Marco’s fears are dismissed by the military, and he is eventually placed on sick leave. He meets Eugenie (Leigh) on a train, and she becomes his support system as he tries to make sense of what actually happened in Korea.

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She is witty and fantastic, but also insanely reckless. Who talks to an unknown man who’s clearly having some sort of breakdown, and after three minutes decides to give him all her personal details?

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Marco’s suspicion is that Shaw, and the rest of the patrol, are all brainwashed and returned to the USA to carry out some sort of plot. But what exactly is Shaw’s mission? Who is his local handler? And will they have any chance of stopping whatever it is in time?

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And will Shaw ever get out from under the thumb of his controlling mother?

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The Manchurian Candidate is a tense and compelling thriller which keeps going off in unexpected directions. We loved the horticulture talk the soldiers imagined, and the cross cutting between their perception of it and the reality.

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Pictured: The Annual Women’s Society Lecture on Communist Leaders

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We also loved how the different soldiers saw this scene differently – the black soldier seeing a room filled with black women, etc. Now, the plot is perhaps a bit far-fetched, but in the time of the Cuban Missile Crisis and the aftermath of McCarthyism, we’re sure it hit all the right buttons.

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Right down to the fear-mongering senator

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We found Frank Sinatra to be a surprisingly good actor, and we loved Angela Lansbury: her character could have snatched the “World’s Greatest Mother” trophy right from the cold, dead hands of Mrs Bates

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Surprisingly good actor or not, Frank Sinatra’s card playing skills were clearly below par

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We’ll never play solitaire again! Or go to gardening meetings.

What we learned: Beware the red queen! Also, what’s with all these guys meeting cool, interesting, witty women on trains?

Next time: Vivre sa Vie (1962)

#217 The Man Who Shot Liberty Valance

Watched: January 11 2019

Director: John Ford

Starring: James Stewart, John Wayne, Vera Miles, Lee Marvin, Edmond O’Brien, Andy Devine, Woody Strode

Year: 1962

Runtime: 2h 03min

liberty

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Shinbone, somewhere in the Wild West. Senator Ransom Stoddard (Stewart) and his wife Hallie (Miles) arrive to attend the funeral of old friend and town loner Tom Doniphon (Wayne). Together with former sheriff Link Appleyard (Devine), they recount to reporters the reason they returned to pay their last respects to Doniphon.

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“That man could grow a cactus like no one I ever met.”

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Flash back 25 years, and Stoddard is an idealistic lawyer ready to start his practice in the then lawless Shinbone. On the way into town, his stagecoach is ambushed by local gang leader Liberty Valance (Marvin). After refusing to yield to the bully, Stoddard is brutally beaten and left to die in the desert. He’s found by Doniphon and nursed back to health by Hallie.

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“I have a good mind to throw this dish in your face, you dirty rotten scoundrel, you!”

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Once he recovers his strength, Stoddard decides to go ahead and open his law practice, as well as start a school to teach all the locals to read, something Valance is not happy with. Doniphon tries to tell Stoddard that he needs to use force in order to deal with the outlaw, but Stoddard is sure that the only way is the way of the law. Meanwhile, romance blossoms between “Ranse” and Hallie, although Doniphon is also in love with the only eligible woman in town.

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After all, Hallie is of Norwegian ancestry. We’re scientifically proven to be irresistable [citation needed].

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The Man Who Shot Liberty Valance is a wonderful and tense Western where philosophies collide with the transition from old to new ideals. On the one hand, we have the old west represented by the rugged, stoic and righteous gunslinger Doniphon, and on the other we have the new hero and male ideal: the educated, sensitive and refined Stoddard.

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The two have much to learn from each other…

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Stoddard woos the girl and wins over the townspeople by teaching them about history and politics, and how to better themselves. Meanwhile, badass macho man Doniphon protects them with force and his own form of love: he works hard to build his farm in order to have something to offer Hallie, but he never actually got around to asking her to marry him, or to ask her what she actually wanted from him.

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She might have married him ages ago if he ever actually thought to ask her

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There are some not-so-subtle references to all men being created equal, which would have been very timely in 1962 and, sadly, also in 2019, and which we absolutely loved. We also loved James Stewart, but then again, we always do…

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Even injured and in an apron, 10/10 would marry!

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This movie has it all: sassy women (mother more than daughter), bad criminals, intriguing politics, a stoic gunslinger, a young idealistic educated man, a love interest, and a bumbling town marshal. And once again, we find ourselves loving a Western classic. Fantastic stuff!

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He’s only an elected official – he can’t make decisions on his own!

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What we learned: That they used “dude” in the 1800s in the Wild West. Also, a beer is not drinking.

Next time: The Manchurian Candidate (1962)

#216 The Loneliness of the Long Distance Runner

Watched: January 05 2019

Director: Tony Richardson

Starring: Tom Courtenay, Michael Redgrave, Avis Bunnage, Alec McCowen, James Bolam, Topsy Jane

Year: 1962

Runtime: 1h 44min

Runner

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Colin Smith (Courtenay), a working class boy with anger issues, is sent to a borstal school (or reform school for those of us not in the know) for burgling a bakery. Once there, he is sorted into Drake House in a ritual we found disappointingly lacking in hats.

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Face says Slytherin. Actions say Gryffindor. Absolutely nothing says Ravenclaw…

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The school’s philosophy is that hard work, discipline, and exercise will put these young men on the right track in life. During training, the governor of the school (Redgrave) observes Colin’s brilliant running skills and takes a special interest in his new pupil.

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By “brilliant running skills” we refer to his speed and endurance. Not running style.

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Colin is given special permission to train outside the school’s fence for an upcoming race against a public school (or private school for those of us not in Britain), and in between training sessions, we get flashbacks to his life before this and the circumstances which led him to this point.

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Before his arrest, he led a happy, fulfilling life, filled with laughter and friends

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Like many of the old dramas we’ve watched in the past few years, we enjoyed this movie so much more than we thought we would. We loved the flashbacks, the smart-ass remarks of our (anti-)hero, Colin’s singular running style, and the clash of cultures in the changing rooms before the race.

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This innocent, outgoing public school kid had no idea about the world he walked into. Or the Quasimodo-looking criminal following him.

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At first, the governor seemed like quite a good guy, but we soon realised that this was mainly due to what we have dubbed the “Michael Redgrave-effect,” in which a character become instantly likable because the actor playing him/her just exudes kindness and benevolence. (See also: The Innocents, in which Redgrave plays the uncle who basically abandons his young relatives and sends a youngish governess in without warning her about the circumstances, but you still go “oh, what a charming chap! I’m sure he had his reasons!”)

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It is basically impossible to dislike a pipe smoker

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Without spoiling it too much (although light spoilers ahead), the ending was the sort of ending which would have very much appealed to our teenage, rebellious selves and which frustrates our old, security-concerned selves. This was your chance, kid! But also: yeah! Stick it to the man!

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We’re so torn…

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What we learned: Don’t let the bastards grind you down. But also don’t let your own stubbornness deprive you of a chance to make a better life for yourself. Man, we’re confused on this one…

Next time: The Man Who Shot Liberty Valance (1962)

#215 The Exterminating Angel/El ángel exterminador

Watched: January 05 2019

Director: Luis Buñuel

Starring: Silvia Pinal, Jacqueline Andere, José Baviera, Augusto Benedico, Luis Beristáin, Antonio Bravo, Claudio Brook, César del Campo, Rosa Elena Durgel, Lucy Gallardo, Enrique García Álvarez, Ofelia Guilmáin, Enrique Rambal, Patricia de Morelos, and just a bunch of others…

Year: 1962

Runtime: 1h 35min

Exterminating

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A dinner party is being thrown on Providence Street for twenty people. And some sheep. And a bear.

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Personally, we’d never even dream of attending a party without livestock

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As the party progresses, the servants keep leaving. But the guests eventually realise that they cannot do the same. They are stuck.

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Have you ever been to a party so good you cannot leave? Neither have these people. And yet…

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As the hours and days go by, the upper class dinner guests deteriorate and become more and more desperate, eventually contemplating murder to break their curse. But what is really going on?

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Honestly, we have no idea. This is above our pay grade.

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Like all of Buñuel’s movies, The Exterminating Angel requires some thought and interpretation. Which is not our forte. But we get the impression this is probably a comment on how high society deteriorates to the level of animals once the luxury and the societal structures they cling to are taken away.

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We’ll just insert this still of a herd of sheep without further comment.

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It’s a difficult movie to describe, but you should definitely watch it if you like any of the following:

  • Surrealism
  • Weird people
  • Herds of sheep
  • Strange conversations and non sequiturs
  • Chaos
  • Sacrifice
  • Baby bears
  • Impending doom
  • Comments on class, societal rules and human nature
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Or stupid people building a fire in the middle of a room with no openable windows

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We thoroughly enjoyed it! We understood absolutely nothing! You should watch it!

What we learned: You know, we would probably learn loads from this film on repeated viewings as it strikes us as the sort of movie you should really study. However, we still have 785 movies to go, so we’re gonna have to get back to you on this…

Next time: The Loneliness of the Long Distance Runner (1962)

#214 Knife in the Water

Watched: January 05 2019

Director: Roman Polanski

Starring: Leon Niemczyk, Jolanta Umecka, Zygmunt Malanowicz

Year: 1962

Runtime: 1h 34min

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After almost hitting a young man with their car, a couple angrily invite him to hitch a ride with them. They drive down to a lake, and the hitchhiker (Malanowicz) is invited to go sailing with the couple, Andrzej (Niemczyk) and Krystyna (Umecka), an offer he accepts for some reason.

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Clearly, none of these people had ever heard of a serial killer.

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Once out on the water, both men take turns being suddenly angry and/or insulted and aggressive towards each other while Krystyna lounges about, makes food and does a great job hiding anything which could be deemed a personality.

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There is really no trace of personality there until she gets wet… Which might be somewhat symbolic.

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Tension builds as the trio are exposed to harsh weather and alpha male competitions, and it culminates with the loss of the young man’s pocket knife in the water and his subsequent presumed drowning.

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“I just love a good game of hide and seek!”

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Now, the Norwegian translator for the DVD we watched apparently decided only half the lines were worth subtitling, so we may have missed a few things. Like major plot points. But the tension between the characters was clear even if the reason was not always so.

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We’re going to go out on a limb and assume that some of that tension might be because of the half naked woman whose attention the two men vie for.

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The entire movie is set in just two locations (albeit moving ones), a car and a boat, which we really enjoyed. We loved the crocodile, the tense start and the ambiguous ending. We also found the couple strangely adorable when they were in the water, despite their chilly relationship in the rest of the film.

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See? They look like a perfectly harmonious couple once they’ve been out swimming.

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Roman Polanski’s debut feature film is beautifully and interestingly shot, and the filming plays a huge part in building the tension. Especially for those of us who do not speak Polish and who are at the mercy of a translator who’s a really slow typist and who doesn’t have time to go back and fill in the blanks… We’re pretty sure we understood about two thirds of the dialogue though, so we’ll call that a win.

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No fun caption here. Just wanted to show you this cool shot.

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What we learned: It is a bit weird to invite a random hitchhiker to go sailing, right..? Also, don’t introduce a knife in the first act unless you’re going to use it by the third. And don’t introduce a woman in the first act unless you’re going to give her a personality by the third.

Next time: The Exterminating Angel (1962)

#213 Jules et Jim

Watched: January 11 2019

Director: François Truffaut

Starring: Jeanne Moreau, Oskar Werner, Henri Serre

Year: 1962

Runtime: 1h 45min

Jules

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Introvert Austrian Jules (Werner) and extrovert Frenchy Jim (Serre) meet as young men in 1912 and a lifelong friendship is born. While rocking their bohemian lifestyle and moving through relationships with various women, they meet free spirited Catherine (Moreau) who they both fall for in their own way.

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We’re sure there’s some symbolism in the fact that Catherine dresses up as a man when they first get to know her… But we’re not ones to speculate.

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Catherine is impulsive and fun, but also intelligent and charming. Jules loves her but is a misogynistic bastard at heart despite his ideas of himself as progressive (as demonstrated by his speech after the Strindberg play they go to see). Still, he convinces her to marry him for some strange reason, although she seems a bit luke warm towards the whole thing. As WWI breaks out, the two men are drafted on opposite sides with Catherine stuck in Austria by herself.

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Shouldn’t be a problem though. A statue doesn’t change just because you leave it alone for a few years.

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After the war, the men rekindle their relationship, and Catherine is once again stuck in the middle with both men wanting to marry her. And they do. But while she has a daughter with Jules, she is unable to conceive with Jim which causes a rift. In addition, the fact that Jim has another girlfriend might also contribute to some tension.

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“So, is this your night or mine?” “I’ve completely lost track. It’s an odd numbered weeknight starting with a T… I think maybe those are yours..?”

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Jules et Jim is a very interesting movie for many reasons. It’s pretty much the epitome of French New Wave and Jeanne Moreau’s great international break out role. It’s also filled with very interesting characters. We cannot quite decide if they are all complex and realistic or just inconsistent and difficult to read. Despite the title, the film is really all about Catherine, but without ever revealing her thoughts and feelings.

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She is as mysterious and inscrutable as the statue the men were initially drawn to

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Because let’s face it: there’s a very strange relationship between Catherine and men. She is always surrounded by them, with no female friends. Nor does she have any friends who aren’t interested in sleeping with her. Yet none of the ones who consider themselves close to her are interested in listening to her. She is ignored whenever she tries to talk about something other than the men or her feelings towards them. Anything else is uninteresting to the men who claim to “love” her.

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“You just get on with your knitting and let us sit here and lust after you in silence.”

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This is no way excuses her final actions, but perhaps it goes some way towards explaining them. She is a nonconformist forced to conform to wife and mother, and an intellectual forced to only talk about men and relationships. It’s enough to make anyone snap.

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Life would have been easier if she was an actual man

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Jules et Jim is a technically interesting movie as well: we loved the voice-over; the “erratic” filming; the cuts and “fast-forward” feeling which felt like snapshots from their lives, and the distance this in many ways created; the costumes; and the complex and  unusual characters. There’s a reason this is considered a classic. And we’re sure there are a thousand ways to interpret the relationship between the characters. This was just our two cents.

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On a lighter note: it made us long for spring, summer and bicycle rides

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What we learned: Relationships are hard. But sometimes it might be a good idea to actually communicate with each other… Also, real friends don’t need to fuck you to stick around.

Next time: Knife in the Water (1962)

#212 Carnival of Souls

Watched: December 19 2018

Director: Herk Harvey

Starring: Candace Hilligoss, Frances Feist, Art Ellison, Sidney Berger, Stan Levitt

Year: 1962

Runtime: 1h 22min

Carnival

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Three friends accept a challenge to a drag race (though not the fun one with RuPaul) and their car ends up in the river. Only Mary Henry (Hilligoss) comes out of the water, but soon after the accident she starts to experience strange things.

Carnival of Souls (1962)Directed by Herk Harvey Shown: Candace Hilligoss
“What is this thing?? How do you even drive a car?!? Who on earth placed me behind a stearing wheel?”

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Newly moved to Salt Lake City, Mary finds herself slightly obsessed with an abandoned pavilion formerly used as a carnival. Even worse, she is haunted by the creepiest neighbour in the state of Utah. Oh, and also by a ghostly visage which pops up in windows, visions and dreams. But the neighbour is almost creepier than the spectre.

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Let us lay some wisdom on you: if your neighbour gives you the willies worse than this guy, it’s time to move. We don’t care how low your rent is.

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While Stalky McCreeperson, real name John (Berger), next door continuously tries to get in her pants, Mary tries to stay sane and perform well at her job as an organist. But she is troubled by her hallucinations (or are they?) and some unusual episodes in which all sounds disappear and people seem unable to see her. What is really going on with our heroine?

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She is tormented by confusion. How can a man simultaneously look so frightening and so amiable?

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Honestly, we went into this not expecting much. It’s part of a DVD box set we own with 50 horror films, and most of them are sub-par to say the least (with some notable exceptions). But we were pleasantly surprised by this atmospheric and unsettling cult classic.

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This single image will haunt our dreams for the rest of our lives. And now yours. You’re welcome. #sharethetrauma

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We loved the intense lighting and the reflections during Mary’s drive to Utah; the truly distressing ghosts; the main character (Mary is actually quite independent and don’t need no man!); the music; the make-up; and the dancing ghouls.

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This isn’t from the film, by the way. We just really wanted to share some pictures from our New Year’s party. ‘Twas a strange affair…

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Sadly, this was Herk Harvey’s only foray into the world of horror, although some of his other credits would suggest otherwise: “Dance, Little Children,” “To Touch a Child” and “Shake Hands with Danger” are all, unfortunately, enlightening and moralizing short films despite their evocative titles, and not the psychotic horror thrills we had envisioned. Our lack of research led to a very disappointing movie night indeed…

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All we’re saying is, when you settle in to watch a film called “Pork: The Meal with a Squeal” directed by this guy, you expect some Hannibal Lecter stuff.

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What we learned: We found 2019’s Halloween make-up. It’s a done deal now. Also, you should check out Herk Harvey’s credits as director. There are some real gems among these titles.

Next time: Jules et Jim (1962)