#250 Darling

Watched: December 30 2019

Director: John Schlesinger

Starring: Julie Christie, Dirk Bogarde, Laurence Harvey, José Luis de Vilallonga, Roland Curram

Year: 1965

Runtime: 2h 08min

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Diana Scott (Christie) is being interviewed for “Ideal Woman,” telling the story of her life. And what a life! From a “normal” life and a normal marriage, she becomes friends, and later lovers, with reporter Robert Gold (Bogarde). The two of them move through in the London art scene in the swinging sixties, partying and being adored.

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“My career goals? Model, actress or princess. Yes, I’m a grown woman. Why do you ask..?”

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They both leave their spouses for each other and move in together. However, Diana becomes very jealous when Robert goes back to his ex to see his kids. In fact, she decides to have her own child, but changes her mind when it becomes a reality.

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“You know what they say – bringing a baby into a troubled relationship always saves the day.”

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Diana, bored with Robert who likes to stay home and write, continues to seduce and be seduced to further her own modelling and acting career. She moves up in the world one man at a time while not playing very well with other women at all, all of whom she sees as threats. But what does she really want from life?

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“Oh, I’m just like any modern woman trying to have it all. Loving husband, a family. It’s just, I wish I had more time to seek out the dark forces and join their hellish crusade.”

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Darling is fascinating and engaging, and the contrast between Diana’s words and actions is very interesting to watch. The stories we tell ourselves and others are clearly just a version of the truth.

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“Did I leave the iron on..?”

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We loved the clothes, the decadence and hypocrisy, the out and proud gay people, and all the fake books hiding vices throughout the movie. Julie Christie and Dirk Bogarde are wonderful as Diana and Robert, with both good and bad qualities.

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“Just think of all the ways we could eventually hurt and devastate each other!”

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Thematically, there are parallels to Bitter Harvest, but Diana is treated much better than Jennie. Jennie is pretty much a victim, while Diana is the author of her own destiny – for better or worse.

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“Bitch, I’m fabulous!”

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What we learned: If you can’t love yourself, how in the hell are you gonna love somebody else?

Next time: Faster, Pussycat! Kill! Kill! (1965)

#249 Bunny Lake is Missing

Watched: December 30 2019

Director: Otto Preminger

Starring: Carol Lynley, Laurence Olivier, Keir Dullea, Martita Hunt, Noël Coward

Year: 1965

Runtime: 1h 47min

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When Ann Lake (Lynley) comes to pick up 4 year old Bunny from preschool, the child is nowhere to be found. Not only that – she has not been seen by anyone the entire day.

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“Hi! It’s my daughter’s first day of school in a new country! I couldn’t find anyone, so I left her to her own devices in an empty room. I’m sure someone will come find her eventually. If not, maybe you can check in on her at some point during the day, random stranger. Gotta dash! Ladida, mother of the year!”

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As she desperately starts searching for her girl, Ann finds that she has trouble convincing people that Bunny really exists. Apart from her brother Steven (Dullea), no one in England has ever seen the girl since they came over from the USA – not even the audience.

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“Darling sister – are you sure you remembered to take her with you when you moved..?”

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Even Bunny’s things have gone missing from their new house, and supercreepy landlord Horacio Wilson (Coward) cannot remember seeing them despite being very invasive while Ann was unpacking her toys and clothes. And now we are no longer sure there ever was a girl. But fear not! Superintendent Newhouse (Olivier) is on the case and determined to get to the bottom of the mystery!

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“And when she said her daughter was missing, what did you do then?” “Well, I tried to dick her, of course!” “Ah yes, naturally. “

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We loved this SO much! The characters are amazing and the mystery is very well done. Carol Lynley is wonderful as the increasingly frustrated and desperate Ann (while looking very much like a 1960s Keri Russell. Or the other way around, we suppose). Noël Coward is Creepy McCreeperson, Keir Dullea is slightly sinister, and Laurence Olivier’s Newhouse is likable from his very first appearance.

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“I’m a motherfucking legend!”

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AND HERE THERE MAY BE SPOILERS:

Trying to figure out who to believe and what is really going on was fun and kept us guessing (although our suspicions were eventually confirmed. Yay us!) Despite her slow start, Ann turned out to have agency and cunning – she was not just a damsel in distress!

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Even surrounded by eerie dolls, she puts to shame all those men who question her sanity. Take that, woman-not-being-believed-by-authorities-when-she-worries-about-her-child-trope!

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What we learned: Junket is junket. Also, trust no one.

Next time: Darling (1965)

#244 The Naked Kiss

Watched: October 22 2019

Director: Samuel Fuller

Starring: Constance Towers, Anthony Eisley, Michael Dante, Betty Bronson, Virginia Grey, Patsy Kelly, Marie Devereaux

Year: 1964

Runtime: 1h 30min

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Apologies for the long break – there have been some family stuff as well as day jobs which have required all our energy for a while. So our posts might be a tad sporadic for the time being, but we have not given up. Promise!

Kelly (Towers), a working girl, arrives in a new town. First off, she makes good (i.e. sleeps) with local law enforcement Griff (Eisley) who advises her to practise her profession in the neighbouring town, lest she destroy the reputation of this one. The men of this town only like to fuck harlots – not see them around when they go shopping!

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“Sure I’ll sample the goods, but then you have to leave”

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But Kelly is traumatised by and tired of her days as a prostitute and wants a different life for herself. She is also smart, strong and resourceful. So when she sees that the town has a children’s hospital, she applies for a job and is hired on the spot. Not only hired – she is a huge success!

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“If you’re happy and you know it, stomp your fe… Oh…”

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Through her work and her new friends, she is introduced to Grant (Dante), the richest man in town, and the two fall hard for each other. However, Grant’s best friend Griff is not too impressed by his friend’s choice of romantic interest…

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“I’ve done things. Things I’m not proud of.” “Like what? Wear white after Labour Day..?”

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From the jazzy opening scene onwards, we were thoroughly enthralled by The Naked Kiss. Melodramatic though it may be, it is also intensely watchable and engaging. It constantly goes off in unexpected directions and keeps you on your toes.

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You’ll never guess who she’ll end up with in the end!

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We loved Miss Josephine, Mac, Kelly – basically all the women in this. We also loved the noiry feel of the movie, and the sense of doom and destruction we felt throughout. It’s shocking and pulpy in just the right ways, but it also has great performances, gorgeous cinematography, a musical number, and a bald prostitute beating a man with a frying pan. So if that doesn’t make it a must-watch, we don’t know what will.

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“Honey, you know you wanna watch me kick some ass!”

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What we learned: Men are mostly assholes. But some of them eventually come through!

Next time: The Pawnbroker (1964)

#242 Seance on a Wet Afternoon

Watched: October 19 2019

Director: Bryan Forbes

Starring: Kim Stanley, Richard Attenborough

Year: 1964

Runtime: 2h 01min

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Myra Savage (Stanley) holds seances in her house for a living, but she feels very underappreciated. With her gift she should be more famous! Luckily her “spirit guide” has an excellent idea. Why not assist in a kidnapping case and get loads of publicity?

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“It is my right. I am a special snowflake. The spirits tell me so.”

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The unfortunate lack of local missing children will not stop this gal – if no children are willing to go missing for such a noble cause, she will just have to rope her submissive husband Bill (Attenborough) into taking care of it.

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“Don’t think of it as a felony. Think of it as a bonding exercise to save our marriage. 9 out of 10 therapists recommend trying new things together!”

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With little Amanda Clayton safely stashed in the nursery, Myra contacts the anguished parents to offer her services. For free, of course. She would never consider making money off of other people’s misery.

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“Why, officer, that would be completely immoral. I would not dream of charging this wealthy couple for helping them. But there’s nothing wrong with getting my name in the paper, is there?”

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This movie is so good! It’s an intriguing and engaging psychological thriller, and very atmospheric. Thematically (and atmospherically) it would go excellently with The Haunting and The Innocents for a creepy-and-suspenseful-with-possible-supernatural-elements British triple feature extravaganza. A little Halloween tip for all you non-party people out there.

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This is our perfect Halloween. Preferably with even fewer people.

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We loved the mysterious start and the gradual exposition. The relationship between Myra and Bill is fascinating, manipulative and very unhealthy, and it is extremely well portrayed by the two stars.

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“Look dear, when I said I wanted you to dress up in a nurse’s uniform this was NOT what I had in mind!”

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What we learned: The best laid plans… Also, does “The Swan and Edgar” still exist? ‘Cause that’s a name we can get behind! (Apologies if this is like a super-famous place that we Norwegians have somehow missed. Our cultural knowledge is vast yet limited.)

Next time: The Masque of the Red Death (1964)

#240 Onibaba

Watched: September 30 2019

Director: Kaneto Shindô

Starring: Nobuko Otowa, Jitsuko Yoshimura, Kei Satô, Taiji Tonoyama

Year: 1964

Runtime: 1h 43min

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Sometime in the fourteenth century (we think) a mother-and-daughter-in-law team kill stray samurai and sell their stuff for food. The bodies? Dumped in a convenient hole and left to rot.

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Our disbelief was not quite suspended yet five minutes into the film, so the only thing we could think of at this point was that the dry grass must have really cut into the actors’ backs! Tres uncomfortable!

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A neighbour returns with news of their son’s/husband’s death, and the two women dispair. For a few days. And then the new widow starts sneaking off in the night to get her rocks off with the neighbour.

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The Queen of Eyebrows does not approve

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Mother worries that her partner in crime will leave her to her own devices now that she has a new lover. But when she meets a strange samurai with an even stranger mask she hatches a devious plan.

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Her new hobby: hanging out in fields at night with an unknown light source popping up at just the right time!

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Onibaba was strangely unsettling and it stayed with us for a long time after the credits rolled. From the animalistic lives of the two women in the beginning, to the demonic mask and the creepy ending, we were completely engaged.

 

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Admittedly, we thought Sir Brags-a-lot kind of had it coming, the way he treated his guide

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We loved the contrasts of light and dark, the intense music, the non-sexualised nudity, the mask, the epic eyebrows, and the general disconcerting feel of the entire piece. This is one of those movies we would probably never have watched if it weren’t for the list, so thank you Edgar. We loved it!

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If you’re wondering, the sexually frustrated tree-humping women did not strike a cord as much as the horror elements of the demon mask. That’s our story and we’re sticking to it.

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What we learned: Don’t shame two single, consenting adults for enjoying a healthy sexual relationship.

Next time: Red Desert (1964)

#238 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

Watched: August 25 2019

Director: Stanley Kubrick

Starring: Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens, Peter Bull, James Earl Jones, Tracy Reed

Year: 1964

Runtime: 1h 35min

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General Jack D. Ripper (Hayden) has gone cray-cray trying to protect his precious bodily fluid from the commies, and orders an attack on the USSR.

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“No amount of phallic symbolism can protect me from their desecration of my precious bodily fluids!”

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Group Captain Lionel Mandrake (Sellers), on loan from the Royal Air Force, soon realises that the attack is Ripper’s doing and no orders have come from the President or Pentagon. He tries his best to stop the general before a full blown nuclear war breaks out, but this proves difficult as Ripper is the only one able to communicate with the attacking B-52 bombers.

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“Hello? I need to talk to the President! What do you mean he’s busy impersonating a British RAF officer?”

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Meanwhile at the Pentagon an emergency meeting is called, with President Muffley (Sellers) and General Buck Turgidson (Scott) in attendance. And also former nazi scientist Dr. Strangelove (Sellers). As if things aren’t complicated enough, the assembly learns that the Soviets have a “doomsday machine” which, if struck, will render the entire earth uninhabitable for close to 100 years.

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While this might be problematic for most people, some see the dismantling of society as a perfect dating opportunity

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This. This is the movie which sparked our love of classic movies back when we were young. It is just so damned entertaining, and strangely accessible, despite its serious subject matter (and black and white photography which will on occasion put people off).

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However, usually a bona fide war room will bring them right back in

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From the opening, to Vera Lynn, you will be completely engaged. It is beautifully and interestingly shot and the characters are utterly amazing – not just the ones played by Peter Sellers. Also, there’s a cowboy riding a bomb.

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Would we lie to you?

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Dr. Strangelove is frightening (the scenario was not entirely improbable and outlandish for a while), but also hilarious, sad and brilliant, and we love everything about it.

What we learned: Peace is our profession.

Next time: Goldfinger (1964)

#236 Band of Outsiders/Bande à part

Watched: June 26 2019

Director: Jean-Luc Godard

Starring: Anna Karina, Sami Frey, Claude Brasseur, Louisa Colpeyn

Year: 1964

Runtime: 1h 35min

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Odile (Karina) attends an English class where she meets would-be “American gangsters” Franz and Arthur (Frey and Brasseur, respectively). For some reason, she is charmed by these juvenile and annoying guys, and after being negged into submission she finds herself a key player in their “master plan” to rob her aunt’s employer.

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“And we’ll be like ‘Bang!’ and he’ll be like ‘Help!’ and we’ll be like ‘Give us all your money!’ and he’ll be like ‘Take it all!'” “Yeah, totally! We’re so cool.”

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Don’t get us wrong, there were things we liked about this movie. It’s very stylish, and there are fun and interesting bits such as the minute of (complete) silence. We really enjoyed the dance scene in the café (which you can watch here) and the record breaking tour of the Louvre as well.

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Heeeeey Macarena!

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We just could not deal with the characters. Odile is very simple, bland and easily manipulated, and Arthur is a negging dick, so they’re clearly meant to be. Franz is just boring, and both him and Arthur are playing at being American gangsters despite being far too old for that sort of behaviour (they both look about 40 but act like 15-year-olds). We’re at a loss to see how Odile would feel a need to impress these two and we fail to see her motivation.

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The only semi-charming thing they do with her is the Louvre run. Girl, you can do better!

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We just found them all really annoying and boring. Then again, this might be our own fault as we are probably expecting too much traditional character development from a French new wave classic.

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“OK guys, explain it to a simple Danish girl: what is the French fascination with love triangles?”

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We did love Mme Victoria (Colpeyn), the dog, the over-the-top death scene (won’t spoil it by saying whose), and the voice over – particularly at the end. It was just that the main characters irked us. A lot. And we found it difficult to see past that. Sorry, Godard (and Edgar)…

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No film with a random dance scene is a total waste though, so we’re glad we watched it.

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What we learned: Come on, Godard. Odile certainly was not thinking about her boobs all the time. Despite popular opinion, women spend very little time actually thinking about them. They’re just kind of there…

Next time: Blood and Black Lace (1964)

#234 A Hard Day’s Night

Watched: June 10 2019

Director: Richard Lester

Starring: The Beatles, Wilfrid Brambell, Norman Rossington, John Junkin

Year: 1964

Runtime: 1h 27min

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It’s been a hard day’s night, and I’ve been working like a dog
It’s been a hard day’s night, I should be sleeping like a log
But when I get home to you I find the things that you do
Will make me feel alright

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“Wait, why are we all running in the same direction if I’m going home to my girl..?”

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You know I work all day to get you money to buy you things
And it’s worth it just to hear you say you’re going to give me everything
So why on earth should I moan, ’cause when I get you alone
You know I feel ok

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“Finally. We’re alone…”

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When I’m home everything seems to be right
When I’m home feeling you holding me tight,

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“tight, yeah!”

 

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It’s been a hard day’s night, and I’ve been working like a dog
It’s been a hard day’s night, I should be sleeping like a log
But when I get home to you I find the things that you do
Will make me feel alright, oww!

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“So, turns out I have to find my own girl to go home to. I can’t share Ringo’s. Any takers?”

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So why on earth should I moan, ’cause when I get you alone
You know I feel ok

When I’m home everything seems to be right
When I’m home feeling you holding me tight, tight, yeah

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“Now pout for the camera, boys!”

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Oh, it’s been a hard day’s night, and I’ve been working like a dog
It’s been a hard day’s night, I should be sleeping like a log
But when I get home to you I find the things that you do
Will make me feel alright
You know I feel alright
You know I feel alright

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“So, we’re all happy with these lyrics?” “Sure!” “Yeah!” “Love ’em!” “I mean, they are a bit repetitive maybe…?” “Shut your filthy mouth! This is perfection!”

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Very silly and charming, and an inspiration for so many different genres. Definitely watch this. Such fun!

What we learned: The Spiceworld of its time was almost as good as Spiceworld! But of course, Paul, John, George and Ringo will never be as charismatic and popular as Ginger, Scary, Sporty, Baby, Curly, Moe, Larry, Huey, Louie, Dewey, Chico, Harpo, Groucho, Zeppo, Grumpy, Happy, Sleepy, Bashful, Sneezy, Dopey, Doc, Posh and all the other Spice Girls.

Next time: A Shot in the Dark (1964)

#232 The Small World of Sammy Lee

Watched: May 25 2019

Director: Ken Hughes

Starring: Anthony Newley, Julia Foster, Robert Stephens, Wilfrid Brambell, Warren Mitchell

Year: 1963

Runtime: 1h 47min

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No, we are not dead. We just had to take a small hiatus due to exams and related stress enducing activities which take a lot of time away from writing. But things are calming down (only two weeks until the summer break for some of us!) and we’re ready to get back into it. And we do so with classic British crime film The Small World of Sammy Lee.

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A.k.a. The Loneliness of the Gambling Debt Runner

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Patsy (Foster) arrives at a Soho strip club looking for Sammy Lee (Newley), the compère at the club who she had a fling with, and a job. Unfortunately for her, he’s off gambling and getting further into debt with a local kingpin, so she’s left with his sleazy boss instead.

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Despite Sammy’s absence, Patsy gets an “interview” and is promptly hired.

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Returning to work, Sammy is not overly pleased to learn that Patsy has found a job there, but at least she’s hired as a waitress rather than a stripper. For the time being. Additionally, he receives a call informing him that his debt of £300 is to be collected immediately. Although he does manage to talk the debt collectors into giving him 5 hours to come up with the money.

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“Um, yeah, I totally have that amount of money lying around and will have absolutely no trouble getting my hands on them within the next five hours. Just you wait!”

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Sammy has to pull all his strings, exhaust all his contacts and juggle all his ideas to make the money in the allotted time in order to survive the night. As the night goes on, the deals get shadier and shadier, and he will pull all those who love him down with him.

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Including young, naïve Patsy

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Sammy Lee is charming and funny, but a selfish bastard. His contact with his brother is limited to asking for money, and he has lots of acquaintances and very few friends. He pleads with the men in his life for money, but dismisses all the women who want to help him, probably out of some false sense of chivalry. Poor Patsy deserves better.

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As does Sammy’s ever faithful and loyal friend/sidekick Harry

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The Small World of Sammy Lee is tense and engaging, and we enjoyed it a lot. We also secretly liked the gratuitous strip tease scenes with the elaborate scenarios, despite our lack of understanding of their sexual appeal (might be a gender thing). We loved the properly choreographed numbers, the clear themes, and the contrast between the show and everything happening backstage.

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Note to all: no man is worth participating in an Arabian Nights themed strip tease. If you’re gonna do that, do it for yourself.

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And while we weren’t necessarily fans of Sammy, we really enjoyed Newley’s performance and the character’s ingenuity in trying to raise the money. We watched this as a double feature with Bitter Harvest, and to us, this reads a bit like an alternate reality version of that (which we’ll come to in a few days) with Patsy as a less driven and less autonomous Jennie. But we’ll explore this further in the next blog post.

What we learned: What a compère is. And also, don’t gamble. Although we already knew that.

Next time: Bonus: Bitter Harvest (1963)

#231 The Servant

Watched: April 23 2019

Director: Joseph Losey

Starring: Dirk Bogarde, Sarah Miles, James Fox, Wendy Craig

Year: 1963

Runtime: 1h 56min

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Tony (Fox) has recently bought a house and like all houseowners he is now in dire need of a manservant. This need is met in the form of Hugo Barrett (Bogarde) and he is immediately hired. Tony seems content with his new employee and they fall into their roles quite naturally.

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One: the careless sleeper. The other: the sinister observer

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Despite playing his devoted servant-role to perfection, whenever Tony is not around, we see a different Barrett: he drinks, smokes and even moves differently. Tony’s girlfriend Susan (Craig) seems to be the only one who picks up on the more malevolent side of Barrett, and she soon becomes directly hostile towards him. We can’t blame her though – he goes out of his way to ignore her, even when she speaks directly to him.

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Personally, we tend to be careful about insulting the man in charge of the wine, but we admire her courage.

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Then, when Barrett moves his “sister” Vera (Miles) in, the tension in the household reaches new heights. Tony and Vera soon have an affair, then Tony catches Barrett with Vera (who, of course, is not actually his sister), and gradually the power in the relationship shifts from one man to another.

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“What does the fact that we have both slept with my ‘sister’ say about the nature of the tension between us..?”

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The Servant might start off like Jeeves and Wooster, but then it goes oh so dark. Bogarde is wonderfully creepy as Barrett, and there’s an air of malice and threat about him which we absolutely loved.

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Even his shadow is menacing

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The house is wonderful and practically a character in it self, and the dinner scene where we caught glimpses of people’s lives was amazing. We also loved the tension built by the dripping sink, as well as the Pinocchio nose shadow, the use of mirrors, and the score.

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We enjoyed this awkward seduction too. How many suggestive and impractical poses can one girl strike on a kitchen table before she is kissed?

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It’s a slow build, but exceedingly enjoyable, full of detail and hugely suspenseful. Just a beautifully successful union of writer, director and stars.

What we learned: It’s just as well we cannot afford servants… Also, deep focus was all the rage in the 1960s!

Next time: The Small World of Sammy Lee (1963)