#94 The Third Man

Watched: March 27 2017

Director: Carol Reed

Starring: Joseph Cotten, Orson Welles, Alida Valli, Trevor Howard

Year: 1949

Runtime: 1h 44min

The Third Man Poster

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Holly Martins (Cotten) arrives in post-war Vienna to start a job provided for him by Harry Lime (Welles) only to find that his friend has died. As Martins starts looking into the accidental death, things don’t add up. Conflicting witness statements and suspicious characters convince the mystery writer that there is something strange going on and he starts to investigate with the help of Harry’s (somewhat illegal) girlfriend, Anna Schmidt (Valli).

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It’s a long and winding road to get at the truth. And it’s almost as if there’s symbolism in the sets and cinematography.

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We cannot really say much more about the plot without spoiling the film. Suffice to say, Holly’s suspicions are not unfounded and his investigation takes him deep into the murky waters of war profiteering in post-war/early cold war era Vienna. There are twists and turns aplenty and it’s an exciting and engaging watch.

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It’s a wet dream for cobblestone aficionados everywhere!

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What stands out the most in The Third Man is the incredible use of shadows which reminded us a bit of the early German expressionist films we watched, just turned up to 11 (as did a lot of the angles). The beautiful architecture of Vienna with the juxtaposition of the gorgeous buildings and the rubble of the collapsed structures was beautiful, although we’re sure Austrians may disagree with that.

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For horror fans, there’s also a creepy balloon guy.

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Wet cobblestones, lots of arches, scary shadows, and a strangely beautiful sewer system make the film very visually appealing. There’s also a decorative lampshade – the very epitome of the Noir trope. The performances are great, with Welles being nicely menacing and slick.

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As we said, cobblestone aficionados need look no further for a fix.

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Neither do fans of Orson Welles’ strange charm

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Seriously though – very attractive sewer! We can see ourselves turning it into some sort of Gothic paradise.

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What we learned: War is the mother of invention. Also, sister the oldest is a little shadow slut. She loves her some good shadows!

Next time: White Heat (1949)

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#87 The Fallen Idol

Watched: February 16 2017

Director: Carol Reed

Starring: Ralph Richardson, Bobby Henrey, Michèle Morgan, Sonia Dresdel

Year: 1948

Runtime: 1h 35min

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A recent addition to the list, The Fallen Idol did not disappoint. French ambassador’s son Phillipe (Henrey) is left home alone with his good friend and idol butler Baines (Richardson) and his less pleasant wife (Dresdel) for a few days. Like his namesake (and also ambassador’s son?) in Venom (1981), Phillipe has a penchant for snakes which Mrs Baines is not particularly impressed with.

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For supper: fried snake!

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Mrs Baines quickly establishes herself as an antagonist by killing the boy’s snake, and it comes as no surprise then that her husband is having an affair (she may have killed his snake too, if you know what we mean). Phillipe comes across Baines and girlfriend Julie (Morgan) although he is too young to figure out what their relationship is and assumes that Julie is Baines’ niece.

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Phillipe crashes their secret rendez-vous in a scene very reminiscent of Brief Encounter

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After Mrs Baines denies her husband a divorce, the unhappy spouses each manipulate Phillipe to learn and/or hide secrets and the poor kid is caught in the middle of the sordid affairs of two grown people who should know better than to involve him. As their conflict escalates, so does the situation – Mrs Baines falls down the stairs and dies. Phillipe, having witnessed a fight immediately preceding the fall, runs away and right into the hands of a (very clever and kind) police officer.

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The boy also runs into the arms of a sweet prostitute, but again is too young to truly appreciate the experience.

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Police officers investigate the death of Mrs Baines, and Phillipe, trying to protect his friend, weaves a web of lies which does more damage than good, and the last half of the film is a tense investigative affair which we found almost unbearable. The relationship between Baines and Phillipe will most likely never be the same, and Phillipe’s innocence is also lost forever. And not because of the prostitute.

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Because of the dead-wife-who-Baines-kinda-hated thing

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The Fallen Idol is a great and tense drama, beautifully shot with a very dramatic score. Although we must admit, knowing that Mrs Baines would fall down the stairs (it says so right on the DVD cover), we spent the first half of the film betting on when it would happen. Every time she walked up or down the stairs, we were at the edge of our seats, waiting for her to die (you will not believe the amount of times that woman survives a trip up or down the stairs!). We loved it!

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That poor kid is traumatised for life, though

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What we learned: A great many things. Do not involve children in your sordid marital drama. Admitting to an affair is better than a murder charge. Also, WTF is “Nosegay”? And where can we get some?

Next time: The Red Shoes (1948)

#82 Odd Man Out

Watched: February 1 2017

Director: Carol Reed

Starring: James Mason, Kathleen Ryan, Robert Newton, Robert Beatty, F.J. McCormick, W.G. Fay, William Hartnell

Year: 1947

Runtime: 1h 56min

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In an unnamed Northern Irish city (our money’s on Belfast), Johnny McQueen (Mason), recently escaped from prison and hidden ever since, is planning a robbery/heist with his cohorts to raise funds for their (also unnamed) organisation. Despite not having been outside for years, Johnny is set on carrying out the plan himself, even when one of his mates offers to go in his place. However, during the heist, he suffers some sort of existential crisis (or perhaps agoraphobia) and things go wrong. Johnny shoots a man and is himself injured, and has to go on the lam.

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Is this some Omenesque foreshadowing? Stay tuned to find out!

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The now injured Johnny first hides in an air raid shelter and after Dennis (Beatty) helps him escape his hiding place he roams the city looking for safety and help with his injuries, meeting all sorts of interesting and colourful characters along the way.

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He also inexplicably poses for portraits

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With the authorities hot on his heels, the people he meets are sympathetic but afraid to help. Most of them give him a drink and send him on his way, scared to get involved but not willing to turn him in and collect the reward. Meanwhile, his girlfriend Kathleen (Ryan) is also looking for him and enlists the help of Father Tom (Fay) to save her love.

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She’s the light at the end of his tunnel. Bliss!

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As the backdrop of all this drama, we see the local kids hero worshipping and celebrating him, in many ways turning him into some sort of Messiah figure. Unfortunately, we all know what happened to Jesus, so this is not necessarily a good sign. Johnny spirals, deteriorating both physically and mentally, and he has to try to come to terms with what he has done and what will happen.

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The snow keeps falling heavier and heavier which, again, we find somewhat ominous

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Odd Man Out is a lot more slowly paced than the other Noirs we’ve watched lately, which was a nice departure. We loved the performances, the beautiful sets (the ravages of “conflict” are evident in the decrepit buildings), the lighting, the score, and particularly the visions in the beer foam and the moving portraits. It’s a long and slow watch, so you have to be in the right mood, but it is definitely worth it.

 

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Pro tip: once you start seeing this in your spilled beer, it’s time to go home

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What we learned: NO jitterbugging!

Next time: Dance, Girl, Dance (1940)