#97 D.O.A.

Watched: April 17 2017

Director: Rudolph Maté

Starring: Edmond O’Brien, Pamela Britton, Luther Adler

Year: 1950

Runtime: 1h 23min

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Frank Bigelow (O’Brien) has a problem. He has been murdered. However, he is still alive, waiting for the poison in his system to do its job. As any sane man would, he takes it upon himself to investigate his own murder, which leads him into a world of conspiracies, ruthless men and, of course, Dames.

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Dames, shady businessmen and psycho henchmen are a must in Noir films. As are decorative lampshades, as pictured in the background.

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As he starts to uncover the events leading up to the murder, he becomes gradually more desperate as his expiration date is fast approaching. For an accountant he’s a pretty good investigator and he soon starts to find connections between his own untimely death and the apparent suicide of another man.

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As in all great films, sciency looking men with beakers of strange fluid also make an appearance.

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D.O.A. is another suspenseful Noir thriller told in flashbacks, complete with leggy blondes (our hero’s favourites), psychopathic henchmen and shootouts. And a nice girl, Paula (Britton), waiting at home not being told a thing about her boyfriend’s impending doom. Men…

Our favourite scene was a musical one – Bigelow goes to “The Fisherman”, a jive bar with amazing live music and “jive heads” being enlightened by the musical frenzy.

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We too felt the frenzy. Amazing guys!

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It’s interesting to watch a man when he has (almost) nothing left to lose. Bigelow, an accountant in “real life” seems to become more alive in his last 48 hour of life than he has been up until this point, and he also gets his priorities straight regarding his girl.

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No. The other one.

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Very tense, very thrilling, and very athmospheric, D.O.A. is definitely worth the watch. Excellent concept and an abundance of dames only add to the experience, and we recommend it to anyone interested in Film Noir. And/or decorative lampshades.

What we learned: Not everyone has the privilege of reporting or investigating their own murder. Also, ’50s dresses are the best dresses.

Next time: Gun Crazy (1950)

#95 White Heat

Watched: April 02 2017

Director: Raoul Walsh

Starring: James Cagney, Virginia Mayo, Edmond O’Brien, Margaret Wycherly

Year: 1949

Runtime: 1h 54min

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After ten years, and 48 entries, James Cagney is back, and we’re thrilled. Cody Jarrett (Cagney) leads a gang of hoodlums with the help of his Ma (Wycherly) with whom he has a relationship worthy of a Freudian study. After several deaths during a train robbery perpetrated by him and his gang, Cody decides to take the rap for another, less violent crime committed at the same time to avoid a life and/or death sentence.

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He seems sadder about leaving his Ma for two years than about leaving his hot wife. See “Freud” above.

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Meanwhile, the man in charge of investigating the train robbery decides to put one of his men, Hank (O’Brien), undercover in Cody’s prison cell to get to the bottom of the case since he knows it was Cody’s doing. Hank’s task is to gain Cody’s trust and get a confession. Or, as it turns out, join him in a prison break and become his right hand man after unfortunate events and treacherous gang members throw Cody’s world off balance.

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“It’s guy love between two guuuuys”

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White Heat is an action-packed noir-thriller-prison break-heist-crime-gangster-film with all the elements we still see in the genre(s). The Cagney Charisma makes you sort of root for him a bit no matter how amoral and unscrupulous his character may be, although in this case it could be partly because the people with which he surrounds himself are pretty much as bad as he is.

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Examples include, but are not limited to, his beautiful but duplicitous wife Verna (Mayo)

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Cagney’s undeniable charm aside, we found ourselves rooting more and more for Hank as the story progressed, and we were really impressed with the often sophisticated investigative and forensic tools employed by the police in this film – they felt very modern to us. We also kind of loved Ma Jarrett although, like her son, she’s a bit of a manipulative sociopath.

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Cody is deliciously insane though, so Ma may have been a stabilizing influence in his life

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It’s a dramatic film with a dramatic score. The storyline is one which would probably have been stretched into an entire season of a TV show nowadays, so with a run time of under two hours, it never gets dull. Very good indeed, and we loved being back in the company of James Cagney.

What we learned: We might all profit from a closer study of classic literature.

Next time: All About Eve (1950)

#93 Kind Hearts and Coronets

Watched: March 26 2017

Director: Robert Hamer

Starring: Dennis Price, Alec Guinness, Valerie Dobson, Joan Greenwood

Year: 1949

Runtime: 1h 46min

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Louis D’Ascoyne Mazzini, Duke of Chalfont (Price – looking very much like Gene Wilder), is awaiting his execution for murder. As he calmly enjoys some wine in his cell, he writes down his memoirs, and we are invited to watch how his life unfolded and what led him to his prison cell.

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Death Row sure has changed since the early 1900s!

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Louis’ mother was a wealthy aristocrat until she ran off to marry an Italian opera singer and her family disowned her. When her husband died minutes after the birth of their son, the new mother is left destitute and forced to (gasp!) do manual labour. The horror! She feels this life is beneath her, and never misses a chance to remind her impressionable young son that he deserves better.

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Ain’t no one pointing their cane at Louis Mazzini. Ain’t no one!

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After his mother’s death, Louis becomes obsessed with reclaiming his place in her estranged family and becoming the next Duke of Chalfont – the family estate. Partly because of their awful treatment of his mother, but also partly because of his own ambition and his desire for Sibella (Greenwood), a silly girl he grew up with. However, unfortunately for him, there are eight other family members ahead of him in line for the Duke title. Something has to be done. So he goes on a hilarious murder spree.

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With this kind of family resemblance, tracking them all down should be a piece of cake

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We cannot begin to describe how much we loved this one, and we’re surprised and appalled that we have never heard of it before (a curse on whoever is supposed to be our cultural educators!). Louis is equal parts hilariously sarcastic and genuinely creepy. His systematic approach to trim the family tree is a joy to watch unfold, though his juggling of his two love interests is increasingly sociopathic. Especially as one of them, Edith (Hobson), is the widow of one of his earliest victims.

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The other interest is a silly girl with a penchant for lace and overly complicated hats.

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The visual and verbal humour made us laugh throughout the film, and we’re definitely watching this one again! Price’s stoic and sardonic Louis reminded us of Gene Wilder (they look alike too), and Alec Guinness is wonderful as all eight (unfortunate) members of the D’Ascoyne clan. Joan Greenwood’s Sibella is certainly a silly girl, but she too has a dark side – the two are perfect for each other. If you like sarcasm, murder and fancy dresses (and honestly, who doesn’t?) this is the film for you.

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If you want to make parricide fun, make a game of it!

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What we learned: 8 different ways to kill Alec Guinness. Also, the Latin word for killing family members is parricide. You’re welcome.

Next time: The Third Man (1949)

#83 Out of the Past

Watched: February 9 2017

Director: Jacques Tourneur

Starring: Robert Mitchum, Jane Greer, Kirk Douglas, Virginia Huston, Paul Valentine

Year: 1947

Runtime: 1h 37min

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Jacques Tourneur goes down a different route than in Cat People and I Walked with a Zombie with this film noir, but it still works.

Jeff Bailey (Mitchum) runs a gas station in a small California town, is moderately successful at it (he has at least one employee) and is dating a sweet girl, Ann (Huston). However, he has a past and there are those who won’t let him forget it. One day, Joe (Valentine) saunters into town to drag Jeff back into the world he left behind – a world of criminals and Private Dicks. And, of course, Dames.

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As we have established before, there are good girls (pictured above) and then there are Dames

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Jeff spills the beans to his girlfriend and tells her all about a romance he had back in his private detective days with a certified Dame, Kathie Moffat (Greer). He was hired by her ex boyfriend/stalker/victim Whit Sterling (Douglas) to track her down after she had shot him and run away with $40 000 of his hard earned and totally legitimate money. Jeff follows Kathie’s trail to Acapulco and strikes up a conversation with her, which turns into a whirlwind romance. He lies to Whit and takes Kathie with him to San Francisco to start a new life. Which doesn’t exactly go as planned.

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Turns out you can take the Dame away from Danger but you cannot take Danger away from the Dame

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This could have been the end of the story, but Joe’s appearance means Jeff’s past is about to catch up with him. Kathie has gone back to Whit and Jeff has no choice but to do one last job for him. A job which includes murder, frame-ups, tax evasion and even more double-crossing dames.

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As well as Kirk Douglas

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As we mentioned, this is quite the departure from the previous Tourneurs on the list, but there’s still something distinctly Tourneur about it. We’re just not film scholarly enough to point out exactly what that is… Suffice to say, we enjoyed Out of the Past (almost) as much as his earlier ventures into horror (“almost” because horror is our lifeblood). It is exciting and fun with the most duplicitous of Dames, but there’s also love and romance, heartbreak and sorrow. Extremely enjoyable!

What we learned: Drinks in Acapulco are too cheap. They keep leaving half empty (half full?) glasses in bars!

Next time: Bicycle Thieves (1948)