The tiny Duchy of Grand Fenwick is in a financial crisis after their sole export, Pinot Grand Fenwick wine, is priced out of the market by a cheap American imitation. Their solution: declare war on the United States, lose, and collect aid from their former “enemy.”
Unfortunately, through a series of unlikely events they end up winning, and Prime Minister Count Mountjoy (Sellers), Grand Duchess Gloriana (Sellers), and Field Marshall Tully Bascomb (Sellers) must find a way out of their newfound power and notoriety.
The Mouse that Roared is no longer on the list, but we post this in our we-already-bought-the-fucking-DVD-so-we’re-watching-it-dammit category. It’s a very silly and very enjoyable comedy with an excellent Peter Sellers. We loved all the characters, especially the Duchess; the narration, the fox, the army uniforms, and the peace treaty. While no longer deemed good enough to occupy a precious space on the list, it’s still very much worth watching. Such fun!
A young woman is found murdered in Hampstead Heath with nothing to identify her but a monogrammed handkerchief. Investigators Hazard (Patrick) and Learoyd (Craig) identify her as Sapphire Robbins and start trying to find the truth behind her death.
They track down her devastated boyfriend, David Harris (Massie), and her big brother Dr Robbins (Cameron), but surprises keep coming. First off, the autopsy reveals that Sapphire was pregnant at the time of her death, and the investigators are then baffled when her brother comes in as he is black and Sapphire appeared to be white.
These new revelations lead to an investigation which encounters racism and prejudice, both from the white and black communities and even from within as not all investigators manage to stay neutral. But was her ethnic background motivation for murder? And if so, who was enraged enough by her “transition” from black to white to murder the young girl?
We love a good murder mystery, and we love it even more when it deals with real political and social issues. Sapphire may be from 1959 and deal with racism and prejudice in the wake of the first waves of Commonwealth immigration in Britain, but there are parallels to be drawn to recent debates considering Brexit.
We were also reminded of Sarah Jane although her and Sapphire’s stories are different and so are their societies. A great mystery movie with real social and political commentary, we can definitely recommend this.
What we learned: School teachers are very respectable and a bit above the rest. Thank you! Also, racism sucks and we need to stop this shit already!
On a busy beach, aspiring actress/model Lora Meredith (Turner) is looking for her daughter. She finds the girl in the company of an African-American lady, Annie Johnson (Moore), who she hires as a live-in babysitter after learning she and her daughter are homeless.
Lora goes to see a theatrical agent, Allen Loomis (Alda), who basically tells her that to succeed she must prostitute herself, something she’s not yet quite desperate enough to do. However, she gets a break when a playwright likes her honest critique of his play, and is soon catapulted to stardom, much to the chagrin of love interest Steve Archer (Gavin) who’d rather have her be a stay-at-home mom and his wife.
Lora and Annie stay friends for the next 10+ years, as the former finds success and the latter eventually gets paid for being her maid. Their daughters grow up, but while Lora’s daughter Susie (Dee) is a well-adjusted blonde with a private school education, Annie’s daughter Sarah Jane (Kohner) is light enough to pass for white and develops some serious identity issues.
As is tradition, we loved this Sirk film more than we thought we would. Sarah Jane, though an atrocious dancer and slightly annoying, is a tragically intriguing character, Annie is just the best, Susie is pluckily charming, and Lora is self-centred yet understandably ambitious. And there are also some men there, more often than not screwing up the women’s lives.
Lora and Annie’s friendship seems to be fairly mutual even though Annie works for Lora, but we learn that Lora knows absolutely nothing about her friend’s life outside of the house, which is very telling.
Imitation of Life is about friendship and family and heritage and sexism and racism and authority. And probably lots of other things as well. We loved it, and we’re now off to plan our funerals. Those things are not to be left to chance.
What we learned: If you love someone, apparently it gives you the right to decide for them. And control them. And be petulant if they make their own decisions. Also, racism sucks!
Commander Adams (Nielsen – before he became everyone’s favourite deadpan comedy actor) and his crew are travelling through space to a distant, Earth-like planet in order to rescue any survivors from a previous mission.
When they reach their destination they find only two survivors; the mysterious Dr Morbius (Pidgeon) and his young attractive daughter Altaira (Francis). They live alone with their robot Robby and a menagerie of wild animals while Dr Morbius explores the remains of an advanced ancient civilization which used to inhabit the planet. Also, there’s a killer monster roaming around, but the good doctor and his daughter seem somehow immune to it. Curiouser and curiouser.
The all-male crew start creeping on Altaira pretty quickly, leading to the commander berating her for her short dresses. ‘Cause, you know, it’s her own freaking fault. Naturally, the two then fall for each other, and Altaira decides to leave her home and father for Earth. This does not please Father, nor the monster…
Forbidden Planet is an awesome sci-fi adventure, based on Shakespeare’s The Tempest, but greatly influenced by Freud as well. For its time, and genre, it had a big budget and is presented in colour and Cinemascope – quite rare for ’50s sci-fi.
We’re suckers for old-timey sci-fi and so naturally we loved this film. Add to that Leslie Nielsen, mysterious monsters, ancient civilizations, action, a score of “electronic tonalities,” Freud, and incestuous undertones (again, Freud) and we have a winner.
Forbidden Planet has the honour of being the first film on the list where someone let us know when we started this project that they wanted to join us for the viewing, so we had a viewing party! Sort of… Well, three people and pizza constitute a party in our book. The next one which has sparked interest is Flash Gordon (1980), so we’re looking forward to that. In a few years. We don’t get out much.
What we learned: We’re all monsters in our subconscious, but we have laws and religion to keep us under control. Also, never trust the sole surviving member of an exploration party where everyone else died under mysterious circumstances.
The tiny town of Black Rock is amazed to see the train actually stop for the first time in four years. Even more puzzled, and suspicious, are they to find a stranger getting off in search of a hotel room and a cab to take him to Adobe Flats.
The stranger, John J. Macreedy (Tracy), is met with hostility from all sides, mainly led by Reno Smith (Ryan) who everyone seems to be afraid of. The hostility increases when Macreedy reveals he is looking for a Japanese-American farmer named Komoko, and he is served a story of Komoko being relocated in the wake of Pearl Harbor.
As Macreedy is trapped in the town for the night and all lines of communication with the outside world are sabotaged by local followers of Smith, vet/undertaker Doc (Brennan) is the only one willing to help him. Doc reveals that Komoko is dead, although the details of his death are still unknown to our hero.
Smith and his croonies, most notably Coley and Hector (Borgnine and Lee, respectively), no longer operate under any pretense of innocence, and the chances of Macreedy surviving the night grow smaller and smaller.
Bad Day at Black Rock is an exciting and tense murder-mystery-western with a crime at the centre of the plot which is strangely (and sadly) relevant to our own times and political climate. Macreedy is a stoic badass, yet you’re never sure things will go his way or who he can trust. The men in this one-woman-town must make some tough choices and decide whether or not to make up for the mistakes that were made four years ago.
There’s nothing not to love about this film. It’s shot in Eastman Color and Cinemascope, and beautifully so. There are car chases, shoot-outs, bar fights, Dames (well – just the one dame, actually), murder, mystery, and mayhem, and we loved everything about it. Loved it!
What we learned: This is a local town for local people. There’s nothing for you here! Alternatively, they don’t take kindly to strangers round these there parts.