#125 All That Heaven Allows

Watched: August 14 2017

Director: Douglas Sirk

Starring: Jane Wyman, Rock Hudson, Agnes Moorehead, Conrad Nagel, Virginia Grey, Gloria Talbott, William Reynolds, Jacqueline deWit

Year: 1955

Runtime: 1h 29min

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Cary Scott (Wyman) is a youngish widow (typecast much?) with two grown children in college. While her hoity-toity society friends want her to remarry within their social circle, Cary has her eye on gardener and nurseryman Ron Kirby (Hudson).

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And really, who can blame her?

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Luckily for Cary, her feelings are reciprocated, and the unlikely couple start dating. Ron introduces her to his kind and laid-back friends and shows her a whole new way of life – one where material possessions and status do not matter. It’s an appealing thought for a woman trapped within a boring and unfulfilling existence with bitchy women and horn-dog men.

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“But how can I possibly love someone of lower social standing? He’d better be some sort of Disney prince or something!”

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“Nevermind. He totally is!”

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As their relationship becomes gradually more serious, the couple meets with prejudice from Cary’s friends and children. Will they overcome these obstacles? Will love triumph over small-mindedness and social constructs?

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Will Cary be able to downgrade to these awful living conditions and this horrible living room view? Only time will tell.

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It’s only our second Sirk film, but already we’re seeing a pattern (apart from the obvious one of casting the same actors); at the root of everything there is a philosophy. In Magnificent Obsession the idea was that it is one’s duty to help those less fortunate. In All that Heaven Allows, one’s duty is to oneself – to live the way one wants to and not how society expects you to live, and to make choices for oneself and not always put others first.

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The philosophy could also be that rich men are judgmental, entitled, rapey douchebags. We’re not quite ready to rule that interpretation out yet.

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It’s an engaging and fun watch, beautifully shot, and in glorious technicolor. Romantic dramas aren’t really our favourite genre of films, but Sirk does them wonderfully, and we’re enjoying getting to know this director. Great lazy Sunday viewing (although we technically watched it on a Monday. But Monday before work started, so Monday-for-Sunday).

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What we learned: Society’s expectations should not stand in the way of love. Also, to thine own self be true.

Next time: Bad Day at Black Rock (1955)

#124 Them!

Watched: June 29 2017

Director: Gordon Douglas

Starring: James Whitmore, Edmund Gwenn, Joan Weldon, James Arness

Year: 1954

Runtime: 1h 34min

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Police pick up a shell-shocked little girl in the New Mexico desert. They also spot an abandoned car and trailer, and when they check them out they find a war zone sprinkled with sugar. What on earth could have happened?

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Nothing good, that’s what!

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As more similar crime scenes appear, Police Sergeant Ben Peterson (Whitmore) investigates with the help of his trooper, who quickly becomes another victim of the unseen threat. FBI Agent Robert Graham (Arness) replaces the dead trooper, and with their only clues being strange tracks, sugar, and huge amounts of formic acid in the victims’ bodies, the investigators call in some experts. Dr Harold Medford (Gwenn) arrives, accompanied by his daughter, Dr Patricia Medford (Weldon). The two of them have some crazy theories.

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Surprise! The crazy theories were spot on and there really are enormous killer ants running around in the desert!

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The culprits are giant ants, mutations made by radiation from nuclear bomb tests in New Mexico (see “Godzilla: Bombs are Bad“). The team manage to destroy the nest, but realise that three queens have managed to escape. Now they must track them down and destroy them before they destroy all of humanity.

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Pretty much the most fun you can have with nuclear mutation mistakes

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As mentioned, we watched this as a double feature with Godzilla, and they really are a perfect match. Atomic monsters threatening major cities who must be destroyed by scientists and the military working together, with a sprinkle of romance and humour. We loved them both, although Them! seems the slightly sillier version of the same general idea.

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Giant dinosaury sea monsters beat giant animatronic insects in terms of fright factor, in our opinion. The insects win for fun factor, though.

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A cult classic which is surprisingly tense given the premise, Them! is a great film if you’re a fan of creepy creature features with slightly dated effects but otherwise great performances and lots of eerie sounds. We loved both Doctors Medford, and had a great time watching this.

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Who you gonna call? Antbusters!

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What we learned: Get the antennae! Also, not all nuclear explosions lead to superheroes.

Next time: All That Heaven Allows (1955)

#123 Seven Samurai

Watched: July 26 2017

Director: Akira Kurosawa

Starring: Toshirô Mifune, Takashi Shimura, Isao Kimura, Daisuke Katô, Seiji Miyaguchi, Yoshio Inaba, Minoru Chiaki, Keiko Tsushima, Kamatari Fujiwara

Year: 1954

Runtime: 3h 27min

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Arguably Kurosawa’s most famous film, Seven Samurai, tells the story of a 16th century Japanese village on a deadline to be attacked by bandits. In order to save themselves and their crops, the villagers decide to hire samurai to protect them, and three of them go to a nearby town to find rōnin/samurai hungry enough to work for food.

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“Free rice, you say? Count me in!”

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While no easy task, the villagers eventually recruit old rōnin Kambei (Shimura) and he, with the help of his eager new apprentice Katsushirō (Kimura), manage to gather another four samurai. Their party of six now includes stoic but brutal warrior Kyūzō (Miyaguchi) as well as three (slightly more interchangeable) friendly samurai Shichirōji, Gorobei and Heihatchi (Katô, Inaba and Chiaki, respectively).

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“Come rain, come shine, we’ll fight all you bitches!”

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But wait, you say! Isn’t the title Seven Samurai? Not six? It is indeed, gentle reader. As they make their way towards the village, the samurai are followed by crazy drunk Kikuchiyo (Mifune), who also claims samurai credentials. After pulling a stunt in the village, the others include him in their numbers, and then there were seven. Together, they will train the villagers, fight the bandits, and some will fall in love in the process. Though, sadly, not with each other.

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About to drop the hottest record of 1586!

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If the plot sounds familiar but you’re sure you’ve never seen this film, it may be because of John Sturges’ 1960 Western remake The Magnificent Seven, which takes the premise and sets it in a Mexican village with gunslingers instead of samurai. If you’re a fan of that one, we recommend you watch this original – it has drama, action, romance, comedy, and a host of colourful characters.

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There’s also incredibly cool shots like this one.

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We have a weakness for samurai, so this was perfect for us. Even with a running time of well over 3 hours, it’s engaging and interesting and never feels too long. It’s a popular film to screen in film clubs and cinematheques, so if you get the chance, you should watch it on the big screen. You won’t be disappointed. Unless you’re a grumpy bastard who doesn’t like fun.

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In which case, this guy is coming for you!

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What we learned: A lot about old Japanese hair customs. Also, given the right circumstances, floral prints can be manly as fuck.

Next time: Them! (1954)

#122 Rear Window

Watched: June 30 2017

Director: Alfred Hitchcock

Starring: James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, Raymond Burr

Year: 1954

Runtime: 1h 52min

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It’s hot in the city and L.B. “Jeff” Jeffries (Stewart) has a broken leg. The increasingly bored and impatient photographer tries to amuse himself by entertaining his voyeuristic side – he spies on his neighbours.

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“Contrary to what you might think, I spy on my unattractive, male neighbours just as much as sexy Miss Torso the Dancer. So this is all morally sound!”

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From his wheelchair by the window, Jeff watches the romantic exploits of “Miss Torso;” the heartbreaking life of widow(?) “Miss Lonelyhearts” (whose sadness matches even that of Chaplin himself); and the bickering Thorwald couple across the yard.

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Conveniently, the Thorwalds both tend to be within sight of Jeff’s window simultaneously

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In addition to being the founding, and only, member of his local Neighbourhood Watch Alliance, Jeff is contemplating breaking up with his perfect (no, really!) girlfriend Lisa (Kelly), as he thinks she’s not cut out for his bohemian photographer lifestyle. However, when he sees suspicious activity at Thorwald’s (Burr) apartment, followed by the apparent disappearance of his wife, Lisa and housekeeper Stella (Ritter) are the only ones who believe his theory that Thorwald may have done something shady.

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“For this meeting of the NWA we’ll be spying on our curtain-less neighbours using this incredible powerful lens. Anyone have a moral problem with that?”

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Since Jeff’s police friend Doyle (Corey) can’t investigate without any sort of evidence that Thorwald is a killer, and he also doesn’t believe that a murder has happened, the three take it upon themselves to get the proof.

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“Murder, murder, murder! Change the fucking record!”

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No police involvement means that the two mobile women must risk their necks as Jeff is bound to his chair, which gives Lisa a chance to prove to her boyfriend that she is indeed wife material.

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Pictured: the kind of woman every man turns down. Disgusting hag.

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Rear Window is one of our favourite Hitchcock films, although that list is very long. Like Rope, the action takes place in one room, with just glimpses into the neighbouring apartments. It’s suspenseful with a good cast of characters (and actors), and for a long time you are not sure whether a crime really has been committed, or if Jeff is imagining everything. Miss Lonelyhearts is heartbreaking, and the scene where our protagonists ignore her clearly upcoming suicide attempt in order to focus on a potential murderer’s behaviour is probably the most uncomfortable scene in the entire picture.

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The most intriguing character by far. We’d be very interested in seeing her story on film.

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We loved the apartment complex and the mini-tableaux in the apartments, Stella the no-nonsense nurse, the couple sleeping on their balcony, and Lisa the socialite with a brain and guts. Also, the suspense was almost killing us even though we’d seen it before. We love ourselves a good murder mystery.

What we learned: Neighbours are dangerous. We’re never talking to ours again.

Next time: Seven Samurai (1954)

Bonus post: Baby Driver

Watched: July 15, August 4 (and several other times in the forseeable future) 2017

Director: Edgar Wright

Starring: Ansel Elgort, Lily James, Kevin Spacey, Jon Hamm, Eiza González, Jamie Foxx, CJ Jones, Jon Bernthal

Year: 2017

Runtime: 1h 52min

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In honour of Baby Driver‘s Norwegian première, we decided to skip the list for a day and bring you Edgar Wright’s latest masterpiece instead. As you’ve probably gathered, we are avid fans of Mr Wright’s work and so threw a bit of a temper tantrum when the Norwegian release date was not pushed forward along with the rest of the world. Luckily for Sister the Oldest, she was already going to London in July so managed to catch it there a few weeks ago, but now the Norwegian realease is finally upon us and we have gathered a crew to go see it (again) tonight. Yay!

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We got our iPods loaded and ready to go! True fact: we’ve never stopped using them.

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As this is a new film, we won’t spoil the plot (the less you know going in, the better), but in short, Baby (Elgort) is a getaway driver who uses music to get in the right frame of mind to drive, and to drown out his chronic tinnitus. It’s an incredible action film which uses music as well as any musical we’ve ever seen. As Guillermo del Toro tweeted: “This is An American In Paris on wheels and crack smoke” – a very apt description indeed.

This is more of a pure action film which has (somewhat) less comedy than the Cornetto Trilogy, but the film references which Wright does so well are definitely there along with his signature style, and it’s thrilling, exciting, original and fun. Definitely the must-see film of the summer. And we’re not at all biased. At all.

Go! See it! It’s an amazing cinematic experience, and we can’t wait for tonight!

While you wait, you can see the trailers here and here, and the first six minutes here. Now, if that doesn’t make you want to drive (somewhat recklessly) to your nearest cinema, we really can’t help you.

What we learned: All you need is one killer track.

Next time: Rear Window (1954)

#121 Magnificent Obsession

Watched: July 8 2017

Director: Douglas Sirk

Starring: Rock Hudson, Jane Wyman, Barbara Rush, Agnes Moorehead

Year: 1954

Runtime: 1h 48min

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Bob Merrick (Hudson) is a spoiled rich brat whose life is all about indulging his narcissistic personality. After throwing a tantrum when his advisors try to suggest that the weather isn’t really suited for speed racing on the lake, he gets himself into a completely avoidable and potentially fatal accident.

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“That bitch lake had better obey my financial power!”

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On their way to save him, the police pick up a resuscitator from a neighbour with a heart condition. As it is put to use saving the life of the self-centered playboy, the good doctor to whom it belongs succumbs to a heart attack.

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“My husband died from a heart condition while indirectly helping a man with no heart? How very symbolic of him!”

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When Merrick learns what happened, he tries to apologise to the doctor’s widow, Helen Phillips (Wyman) who naturally does not want to hear from the man who cost her husband his life. Merrick, the Phillips family’s jinx, then causes Helen to lose her sight in an accident. You’d think he’d learn to stay away by now, but he keeps pursuing her, taking advantage of her blindness to take on an assumed identity. At least the Phillips’ misfortune(s) bring about a change in Merrick, sending him down a very different path than the one on which he had started.

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“This Bobby sounds like a real piece of work! Good thing I, ehm, Robby, am completely different from this rich bastard!”

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Despite its clear religious undertones and somewhat melodramatic style, we really enjoyed Magnificent Obsession. It is beautiful and sad with some unconventional (albeit at times almost farcical) twists and turns.

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We want all their clothes. Especially Jane Wyman’s.

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It’s always nice to watch the redemption of self-obsessed characters, and this one delivers. We loved Nancy (Moorehead) and the little girl Judy (Nugent), and we LOVED the costumes in glorious technicolor! We liked this more than we thought we would, although we realise that it’s one of those films you have to be in the right mood for. Luckily, we were, and we’re looking forward to more Sirk to come.

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Bask in the gloriousness of my fabulous style!

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What we learned: Given the right motivation, anyone can turn their life around. If they have buttloads of money, at least.

Next time: Bonus post: Baby Driver (2017)

Happy One Year Anniversary to Us!

Hello, the internet!

Today marks our one year anniversary for this project. Yay!

One year and 120 movies. It may take us some time to reach 1000… But we’re still going strong with no intentions of quitting – we’ve invested way too much time and money in this to give up now! Besides, The Great Edgar Wright himself has promised us a signed Baby Driver poster when we reach #1000. That in itself is motivation enough to keep going (although, to be honest, we think we might deserve a parade when the day arrives).

As we celebrate with alcoholic goodness and perhaps a film or two, we will introduce you to our film buddy – our lovely doggo Dewin who enjoys watching films with us, especially when there are animals on screen. Bask in his gloriousness, you magnificent bastards! We love you all!

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Watching House of Wax
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Wet dog burrito watching High Noon – with horses!
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Dogs are barking in the background of A Place in the Sun. Hecking fascinating
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Stole Sister the Oldest’s chair while we cheated and watched The Last of Sheila way too early. Cheeky!
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Here’s to us and the next year! Skål!

Stay tuned for Magnificent Obsession coming at you tomorrow!

 

#120 Godzilla/Gojira

Watched: June 29 2017

Director: Ishirô Honda

Starring: Akira Takarada, Momoko Kôchi, Takashi Shimura, Akihiko Hirata

Year: 1954

Runtime: 1h 36min

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Godzilla – King of the Monsters! Hydrogen bombs off the coast of Japan have awoken the mighty beast from its oceanic slumber and it is coming for Tokyo. Send in the army, sacrifice your daughters, and RUN!

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Not sure how a girl is supposed to placate this beast, but for a while that was the only viable plan

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As Godzilla, a dinosaury creature of local legend, wreaks havoc on the shores of Japan, scientists and military personnel work to pacify and/or kill the monster. Some, such as Dr. Yamane (Shimura), are convinced they should let the rare specimen live.

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It just wants to play! And it’s so cuuuuute!

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Others, particularly the military, but later also Yamane’s daughter Emiko (Kôchi) and her two boyfriends (it’s complicated) Hideto and Serizawa (Takarada and Hirata, respectively), begin to realise that their only course of action is to destroy it before it destroys all of Japan and possibly the world.

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“Kill it! Kill it with……oxygen..?”

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Godzilla is a legendary creature feature which has spawned countless sequels, remakes, and reboots. However, none of them have quite managed to capture the magic of the original. Sure, there have been more advanced special effects in some other Godzilla-films, but the original man (technically men; Haruo Nakajima and Katsumi Tezuka) in the monster suit is strangely effective.

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It might be an advantage to the overall effect that the movie is quite dark and a lot of details are slightly obscured

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It’s atmospheric and intense, with a dramatic score, great performances and real threats. We watched this as a part of 1000filmblog’s Atomic Double Creature Feature Night™ together with Gordon Douglas’ Them! (#124) from the same year, and it was a fantastic combination. As we’re going through the fifties and sixties, we’re looking forward to more atomic/space-agey horror and sci-fi – we love us a good monster movie and a good atomic scare!

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We’ll leave you with the poster for the American edition of this Japanese classic – now with added Americans!

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What we learned: Hydrogen bombs are bad. Also, when Godzilla emerges, we might have to give up a girl as sacrifice.

Next time: Magnificent Obsession (1954)

#119 The Wages of Fear/Le salaire de la peur

Watched: July 8 2017

Director: Henri-Georges Clouzot

Starring: Yves Montand, Charles Vanel, Folco Lulli, Peter van Eyck, Véra Clouzot

Year: 1953

Runtime: 2h 27min

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In a small village somewhere in South America, men of various nationalities are looking for work and a ticket out of extreme poverty and to more civilized places. After a horrible accident at a nearby oil field, the American owned “Southern Oil Company” needs to transport huge quantities of nitroglycerin to the field, but have no inclination to spend time and money putting security measures in place.

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“We made a sign. What more could we possibly do?”

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Not prepared to sacrifice proper American lives on this suicide mission, the company recruits drivers among the unemployed village vagabonds – desperate men ready to do anything for the $2000 offered as payment.

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“Just, you know, don’t shake the cargo. Or make loud noises. Or crash. Or have a nervous breakdown. Yeah, you’ll be fine.”

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The lucky(?) selected drivers (after some light corruption and implied violence) are Mario (Montand) and Señor Jo (Vanel) in one truck, and Luigi (Lulli) and Bimba (van Eyck) in the other. They are informed of what they are transporting as well as warned by another potential driver that even if they survive the impossible task, they will be mentally scarred for life. However, desperate people are willing to do desperate things, and the chosen men go on their way.

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What could possibly go wrong on these well-maintained roads?

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The ensuing road trip is one of the tensest we’ve ever seen. Every tiny obstacle, of which there are many, is potentially fatal, and the relationships between the characters grow very strained. It is a good film that can get us to care about characters who are intrinsically unlikable, and Clouzot manages that difficult task.

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Despite their (many) flaws and their treatment of each other and others in their lives (such as Mario’s girl Linda [Clouzot]), we really don’t want them to suffer a fiery death

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This is another film which we did not expect to enjoy as much as we did. It is excruciating to watch the four men attempt to get their deadly cargo to their destination, and the tension manages to stay high all the way to the final scene. Despite a slightly slow start, the 147 minutes fly by and leaves you a nervous wreck. We’d really love to see this on the big screen one day, so if the local film club ever does a screening, we’re first in line.

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Not what we had in mind when we saw there would be men covered in oil. The only slight disappointment in this film.

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What we learned: Oil companies are ruthless and evil. Also, money is not worth risking everything for.

Next time: Godzilla (1954)

#118 The Naked Spur

Watched: June 30 2017

Director: Anthony Mann

Starring: James Stewart, Janet Leigh, Robert Ryan, Ralph Meeker, Millard Mitchell

Year: 1953

Runtime: 1h 31min

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Howard Kemp (Stewart), a farmer turned bounty hunter, is tracking Ben Vandergroat (Ryan) through the Rocky Mountains. Along the way he runs into old prospector Jesse Tate (Mitchell) and “morally unstable” dishonorably discharged Army Lieutenant Roy Anderson (Meeker).

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There’s tension from the get-go

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The three join forces, sort of against Kemp’s wishes, and manage to capture the murderer. However, they are surprised to find him in the company of Lina Patch (Leigh) – the daughter of a dead criminal. As Kemp’s companions learn that he is no lawman but a bounty hunter set on collecting the $5000 reward for Vandergroat’s capture, they decide to accompany the party back to Kansas to get their share of the reward.

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#SquadGoals

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Vandergroat turns out to be a master manipulator who has his female companion convinced that he is innocent. As the five travelers make their long way towards Kansas, their captured killer works on turning them all against each other, which isn’t a hard task considering they don’t really trust each other to begin with. Will they all reach Kansas in one (five?) piece(s)?

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While the men do men stuff, the girl is tasked with womanly work such as tending the wounded, making coffee and falling for the protagonist

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The Naked Spur is a tense Western Thriller and we enjoyed it a lot more than we thought we would. It’s engaging and interesting, and it’s often hard to tell who the bad guys actually are – they all have their moments. It’s violent and suspenseful and we loved every minute of it. If you’re in the mood for a tense Western, you could do a lot worse than this Technicolor feature.

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Although the threat of rape lies heavily on poor Lina throughout…

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What we learned: It’s OK for strong, macho cowboys to cry. Also, are you willing to sell your soul for $5000?

Next time: The Wages of Fear (1953)