#202 Village of the Damned

Watched: September 21 2018

Director: Wolf Rilla

Starring: George Sanders, Barbara Shelley, Michael Gwynn, Laurence Naismith, Martin Stephens

Year: 1960

Runtime: 1h 17min

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In a small British town, all the residents (and animals) simultaneously pass out one day. They wake up a few hours later, unharmed, but later find that all the fertile women in the village are pregnant. Which obviously leads to some uncomfortable questions and suspicions.

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Questions such as who was the sexy alien adonis who managed to impregnante a dozen women within the space of an hour? And what sort of pills was he on to keep it up?

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The children are born 5 months later (which hospital show-fans everywhere know is waaay too early), and they all have white blond hair and intense eyes. Among the new parents are Anthea (Shelley) and Gordon Zellaby (Sanders). The latter is a professor who enjoys a good relationship with British Intelligence, and he takes on the task of observing and possibly educating the strange children.

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As you can tell from his body language, he florishes in his new role as teacher and mentor for a bunch of creepy kids.

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The children develop quickly, and are supersmart and polite, which in itself is a warning sign for anyone who’s ever encountered an actual child. In addition, they seem to have a hive mind and powers of telepathy. If anyone from the village poses any sort of threat to them, they soon become suicidal and the threat is eliminated. But what is their purpose? And will humanity survive their coming?

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Ain’t nothing a rope and a gas mask can’t fix!

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Village of the Damned is such a classic horror movie we will just go ahead and assume that everyone has seen it. We love the final scene in which the kids tear apart Gordon’s mental wall, the chilling, creepy children themselves, and the unsettling atmosphere. The kids, and especially David Zellaby (Stephens), are calm, rational and emotionless, and very disquieting. Their reactions to any threat are relentless and brutal which works great coming from adorable little kids.

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By “adorable” we mean “ominous-as-fuck!”

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With Halloween coming up, you could do a lot worse – and it’s short enough to fit neatly into any sort of marathon you may be planning. Also, perfect low budget costume idea for those of you with children of your own! Just prepare yourself to be terrified of them.

What we learned: We’re definitely never having children. Never.

Next time: Zazie dans le Métro (1960)

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#199 The Little Shop of Horrors

Watched: September 21 2018

Director: Roger Corman

Starring: Jonathan Haze, Jackie Joseph, Mel Welles, Dick Miller, Myrtle Vail, Leola Wendorff, Jack Nicholson

Year: 1960

Runtime: 1h 12min

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Seymour Krelborn (Haze) is a simple employee at Mushnick’s (Welles) failing floral shop on Skid Row, along with his crush Audrey Fulquard (Joseph). Their few customers are mainly limited to the unluckiest woman in the universe, Mrs Shiva (Wendorff), whose relatives keep dropping dead on a daily basis, and flower eating Fouch (Miller).

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Mushnick suffering his third mental breakdown of the day. They opened ten minutes ago…

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When Seymour is threatened with unemployment after screwing up yet another order, he reveals to his boss that he has been cultivating a new plant which he has named “Audrey Jr” and is told he can keep his job if he manages to popularize the plant and grow more of them.

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“She’s a fascinating creature, not at all bloodthirsty and creepy!”

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However, Audrey Jr is dying and Seymour struggles to find a food source for it. That is, until he cuts himself and the plant greedily drinks his blood… Having found sustenance for his creation, Seymour turns the shop and his unusual plant into superstars. But Audrey Jr craves more. And Seymour must provide…

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“What? No! It eats shoes. Shoes. Not dead bodies – no siree!”

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The 1960 original Little Shop of Horrors may not be as well known as the musical remake from 1986, but oh my did we love it! The characters, the plot, the script and the humour are all hilarious and we laughed so much that we were in pain at the end.

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Also, Jack Nicholson has a fantastically creepy and funny, though somewhat hyped up, small part as a masochist seeking dental care

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Roger Corman seems to love him some murderous simpletons who profit from their kills, as the main character shares some clear similarities with Walter Paisley (also Miller) in A Bucket of Blood. However, while Walter becomes a douchebag with his newfound success, Seymour seems to be more aware that what he is doing is wrong, and many of Audrey Jr’s meals are products of accidents rather than cold blooded murder.

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Most of them…

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We loved the investigators (especially the one who lost his kid), Mrs Shiva and her accident prone family, Fouch and his handy salt/pepper shaker, the flower floozies and generally everything about this. It’s in many ways a funnier version of A Bucket of Blood, and we cannot recommend it enough. And while we love the musical version, this one is somehow more charming and has become our favourite of the two. Go watch it!

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Like Audrey, it is an utter delight!

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What we learned: If a lifeform of unknown origin craves human blood to thrive, just walk away!

Next time: The Running, Jumping and Standing Still Film (1960)

#193 Psycho

Watched: August 4 2018 (and many other times)

Director: Alfred Hitchcock

Starring: Anthony Perkins, Vera Miles, John Gavin, Janet Leigh, Martin Balsam

Year: 1960

Runtime: 1h 49min

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Man with mommy issues goes on killing spree. Loved by critics.

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“Mommy issues? Who has mommy issues? I’m just a normal, stable, sane boy.”

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Psycho probably needs no further introduction as it’s one of the most watched, loved and spoofed/homaged films of all time. Still, for those hermits who have been living secluded lives in the woods for the past 60 years but have also inexplicably stumbled upon this blog (hello, stranger! To be honest, you’re probably better off crawling back under that rock, given the current state of the world), we’ll give a very brief synopsis.

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In short, wood dwelling hermit: if you see this place, just keep driving. Or walking. Or riding your tame bear.

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Marion Crane (Leigh) is having an affair with Sam Loomis (Gavin) but they cannot afford to get married. When Marion gets her hands on $40 000 at work, she decides to steal the money and run away to elope with her beau. She is caught in a rainstorm and checks in for the night at the secluded Bates Motel.

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Bad, bad idea

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Marion is reported missing by her sister Lila (Miles) and wanted by the police for theft. Lila decides to investigate the disappearance herself with the help of Sam and private investigator Milton Arbogast (Balsam) who is also on the case. What they find is not what they expected…

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It’s not what anyone would expect, really

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There’s nothing not to love about Psycho. It lulls you into thinking that you’re watching just another crime movie, and then BLAM! Creepy horror film!

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Hitchcock also managed to insert a T-1000, but we feel that subplot is vastly underdeveloped.

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The shower scene is perhaps the most famous scene in cinematic history, and no matter how many times you’ve seen it or its various recreations, it still has impact. As does Norman Bates’ transformation from sweetly awkward and likable young man to creepy insane murderer.

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He actually seems quite charming at first, making Marion supper and all

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As mentioned in our last entry, this goes perfectly as a double feature with Peeping Tom, if you want a night filled with serial killers and crazy. And who doesn’t?

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“We’re off to see the killer! The wonderful killer of girls!”

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What we learned: We all go a little mad sometimes. Also, if it doesn’t jell it’s not aspics.

Next time: Saturday Night and Sunday Morning (1960)

#192 Peeping Tom

Watched: July 11 2018

Director: Michael Powell

Starring: Karlheinz Böhm, Anna Massey, Moira Shearer, Maxine Audley

Year: 1960

Runtime: 1h 41min

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Man with daddy-issues goes on killing spree. Hated by critics.

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“Oh, this pointy thing? I just use it to get the best possible angle for a portrait shot.”

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For those of you who want more context than the initial summary, Mark Lewis (Böhm) is an aspiring film maker who shoots soft porn during the day and murders at night. His neighbour Helen (Massey) takes an interest in the socially awkward weirdo, and we learn that Mark was used as a guinea pig by his psychiatrist father who studied fear.

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Daddy also filmed the child abuse. Father of the year!

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Peeping Tom was initially hated by critics and basically killed the career of its director, but time has worked in its favour and it is now a beloved classic. And we absolutely loved it!

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We loved this movie almost as much as this guy loves his camera. Which is a bit of a love/hate-relationship to be honest.

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We were enthralled from the very beginning, with the camera point-of-view, and we were on the edge of our seats throughout. Mark is a complex and strange character; is the real him the awkward and timid man he is in social situations, or is it the dynamic take-charge man we see when he’s about to commit murder?

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We’re sure this woman was super-impressed by his sudden alfa-maleness just before she was brutally murdered

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As horrible as Mark is, we’re also forced to sympathise with him learning his backstory, and Helen (who we really liked) actually falls for the guy.

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Who wouldn’t fall for a guy with such an impressive set-up?

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It’s a must-see for horror fans (or movie fans in general), and it works fantastically as a double bill with the upcoming Psycho. Get out your blankets, wine (or tea – we don’t judge) and snacks, and enjoy!

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It’s also very pretty. Just saying.

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What we learned: First rule of serial killing: lock your damn door!

Next time: Psycho (1960)

#190 Eyes Without a Face/Les yeux sans visage

Watched: August 4 2018

Director: Georges Franju

Starring: Pierre Brasseur, Alida Valli, Edith Scob, Juliette Mayniel, Béatrice Altariba

Year: 1960

Runtime: 1h 30min

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A woman dumps a faceless body in the middle of the night. The body is found and identified as Christiane Génessier (Scob) by her father, Doctor Génessier. Her face was destroyed in a car accident caused by the doctor and she is presumed to have killed herself.

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“Yes, yes, definitely my daughter. I would recognize her lack of face anywhere.”

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The body is buried and no one questions its identity, but what is the deal with all the missing girls in the area? The ones who resemble the presumably dead girl? The one with the ruined face and the surgeon father..?

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They’re certainly not having their faces removed and transplanted to Christiane. No siree!

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Doctor Génessier is riddled with guilt and hubris, and despite his daughter’s protests he’s trying to repair the damage he’s done, leaving in his wake a trail of faceless bodies. With the help of former patient Louise (Valli), he kidnaps young women, removes their faces, and tries to transplant them onto his own daughter who he keeps locked up in the house like the stray dogs he experiments on.

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At least the prisoners can take comfort in each other’s company

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We love everything about this film! The circusy music, the surgery shown in excruciating detail, the haunting mask and outfits of Christiane which make her look like a doll, and the ending with the gorgeous final shots – there’s nothing here not to love.

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She’s like the adorable ghost of a life-sized doll wandering about the mansion, bonding with animals Gothic Disney-princess style.

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Daddy is a giant douche whose pride is more important than the happiness of his daughter, even if he tells himself he’s doing this for her. Also, there’s some seriously shoddy police work going on – we mean, why would they send in Paulette (Altariba) for a consultation with the doctor without keeping an eye on her or instructing her to report back when she was discharged? Amateurs.

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“Yeah, this is what you get for shoplifting!”

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Terribly unprofessional police work aside, Eyes Without a Face is a haunting horror movie which should be on everyone’s to-watch list. It’s terrible and beautiful, and it reminds us of a twisted and dark fairytale. Love it!

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We prophesize a Disney remake

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What we learned: Looks aren’t everything.

Next time: La Dolce Vita (1960)

#188 Black Sunday

Watched: July 19 2018

Director: Mario Bava

Starring: Barbara Steele, John Richardson, Andrea Checchi, Ivo Garrani, Arturo Dominici, Enrico Olivieri

Year: 1960

Runtime: 1h 27min

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In 17th century Moldavia, Princess Asa Vajda (Steele) is sentenced as a witch by her brother and executed after having the “mask of Satan” nailed to her face. But before she dies, she curses her brother and all his descendants.

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To be fair, if someone tried to nail this thing to our faces, we’d probably curse them too

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Fast forward 200 years and two travelling doctors stumble upon her grave. One of them, Kruvajan (Checchi), is attacked by a bat which he kills over Asa’s tomb smashing the cross guarding it in the process. He then proceeds to remove her mask and spill blood on her.

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“Let’s open this tomb with the strangely preserved corpse and drip some blood on it” – a man who has never seen a horror film

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Kruvajan and his young companion Andre Gorobec (Richardson) then run into a mysterious young woman who bears a striking resemblance to the dead witch, Katia (Steele again) and Andre is smitten.

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It’s hard to resist a woman with two massive dogs

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After the meddling with the dead witch’s grave, the surviving members of the Vajda family start to experience strange phenomena, and it becomes clear that Asa and her companion Javuto (Dominici) are back for revenge.

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“Grrr rawr, I’m coming to get you, Barbara!”

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We’re back in our favourite genre with this horror film, and we have a bit of a thing for Mario Bava (especially Sister the Oldest), so naturally we loved Black Sunday. It’s an unsettling and atmospheric Gothic horror with gorgeous lighting and some very good effects. We loved Asa’s resurrection and Katia’s transformation, Barbara Steele’s eyes (emphasized by intense make-up) and the creepy castle.

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Not what most people associate with a “come hither look,” but strangely effective nonetheless

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Sure, there are some issues with this movie, such as the slightly iffy dialogue and the fact that everyone keeps treating Katia like an idiot child (even with everything going on and several corpses piled up, the men don’t really believe her when she claims to have seen someone in her room), but we still love it.

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In the men’s defence, Katia does tend to act a bit like an idiot child, so they may be justified

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Absolutely a must-see if you’re into Italian cult horrors. Which of course is everyone’s favourite genre, so why wouldn’t you watch it?

What we learned: Don’t remove all protective elements and then spill blood on cursed graves. Just don’t.

Next time: Breathless/À bout de souffle (1960)

#174 A Bucket of Blood

Watched: April 6 2018

Director: Roger Corman

Starring: Dick Miller, Barboura Morris, Antony Carbone, Julian Burton

Year: 1959

Runtime: 1h 06min

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In a beatnik café, pretentious poet Maxwell H. Brock (Burton) is performing his latest work, to the fascination of busboy Walter Paisley (Miller). Inspired by the artists he surrounds himself with, and also driven by their ridicule of him, Walter decides to try his hand at sculpting.

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“So, how did we do this in Arts and Crafts again..? I just knead it for a while and then it turns out amazing? Can’t be more to it than that!”

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Realising that sculpting is harder than it looks, he takes a break to save his landlady’s cat who’s stuck inside the wall. However, stabbing through it, he accidentally stabs the poor cat. Naturally, he proceeds to cover the dead animal in sculpting clay and the next day he turns up to work with his new sculpture.

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“Dead Cat” is an instant success, admired by art lovers and drug enthusiasts alike

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Walter’s newfound success leads to admiration from his crush Carla (Morris) and other patrons of the café, and a lady gives him some heroin as a gift, as one does. This in turn leads to an attempted arrest as an undercover cop follows Walter home and tries to book him for drug possession. Afraid, Walter hits him over the head with a frying pan, killing the cop instantly.

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What do you do when you accidentally kill a cop? Why, cover the body in clay and pass it off as a life sized sculpture, of course!

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Walter gradually goes from underestimated and accident-prone simpleton to calculating killer who lets every small slight become justification for murder. He is, however, not smart enough to avoid killing people he knows and is known to dislike.

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“It is so sweet that you made a sculpture of a strangled woman who looks exactly like the one who spent last night insulting you very publicly. I simply must kiss you!”

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Leonard (Carbone), the owner of the café, is the only one to see through his newly discovered talent, but he is making money off of Walter’s work and has a vested interest in keeping up the illusion. But how long can this go on? And who is next on Walter’s kill radar?

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“This severed head has been bothering me all week, so I clayed it!”

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A Bucket of Blood is the farcical version of House of Wax. The concepts are similar, but this one is more comedic and strangely also more sinister in many ways. Walter is the epitome of the stereotypical “good guy” – he sees himself as sweet, kind, underestimated and misunderstood, but if he’s rejected by someone, or made fun of, he becomes violent and murderous while simultaneously justifying his actions in his head.

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“I’m a famous and celebrated sculptor now, so you must date me. Unless you’re just a bitch and a whore!”

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We loved his first attempt at sculpting Carla’s face, the extremely pretentious Maxwell and the morbidity of the whole film. We also understand perfectly why Roger Corman made so many films based on the works of Edgar Allan Poe – it’s a match made in heaven! Or probably hell, to be quite frank.

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“If it’s hell, can I still be king..?” “Of course you can, Mr Futterman.”

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What we learned: It’s not easy being surrounded by (pretentious) artists if you’re not one yourself. And also a simpleton…

Next time: Ben-Hur (1959)

#165 The Fly

Watched: February 19 2018

Director: Kurt Neumann

Starring: David Hedison, Patricia Owens, Vincent Price, Herbert Marshall, Torben Meyer

Year: 1958

Runtime: 1h 34min

So, first of all, we must apologize (once again) for the sporadicness (is that a word..? We’ll say it is.) of the posts lately. We’ve both been very busy with moving, redecorating, and having paying day jobs. Hopefully, the worst is now behind us, and we can get back to more regular updates. On the bright side, we bring you a real treat for Easter! The Fly!

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Somewhere in Canada (the French part), Gaston (Meyer) is having a bad day. He thought he would just have another uneventful day janitoring, but instead he stumbles across the mutilated, crushed body of scientist André Delambre (Hedison) and witnesses Mrs Hélène Delambre (Owens) fleeing the crime scene. Probably not the day he was expecting.

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No one runs like Gaston, no one gasps like Gaston, no one finds mutilated dead guys like Gaston…

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Hélène contacts her brother-in-law François (Price) and while there’s no doubt she killed her husband, she is rich and respected enough to be interrogated by the police in her own bedroom. After a few days of bedrest, with a strange new obsession with flies, she confides in her brother-in-law and recounts the events leading up to her husband’s fatal encounter with the hydraulic press.

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“You’re not going to believe this, but in actual fact it was just like killing a fly! Though a bit more technically complicated. That press isn’t easy to operate.”

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André, a scientist, had been testing out his new invention, a “disintegrator-integrator” with various results (including one that turns their cat into a disembodied meowing phantom). Not content with just transporting things and animals, he decided to test it on himself, as all slightly megalomaniac scientists are prone to do.

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Things went slightly awry…

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As every moviegoer/reader could have predicted, things went very, very wrong, and André’s DNA got mixed up with that of a housefly. Everything pretty much went downhill from there.

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Hélène was not a fan of her husband’s new look

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The Fly from 1958 has a very different approach than Cronenberg’s 1986 version, but we love them both. The title even feels like it might refer to different things in the two versions. This has more of a murder-mystery feel, and there’s less focus on the transformation, although that is still very much present.

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Exhibit A

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We loved the flies buzzing around, the murder-mystery approach, and Vincent Price in all his glory. It’s a lovely, creepy horror film, and a must-see for every fan of the genre. Or of flies. We don’t judge.

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Or even fans of very thick spiderwebs. As we said – we don’t judge your fetish. You do you!

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What we learned: Don’t kill flies without checking thoroughly first.

Next time: Touch of Evil (1958)

#161 Dracula

Watched: January 7 2018

Director: Terence Fisher

Starring: Peter Cushing, Christopher Lee, Michael Gough, Melissa Stribling

Year: 1958

Runtime: 1h 22min

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The story of Dracula hardly needs another recap, but if you still have no idea what this is all about, check out our previous entries on the same story, Dracula (1931) or Nosferatu (1922). We’re pretty sure we summarized the story in at least one of those.

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Blood, fangs, crazy eyes and just a hint of sexy. Really all the info you need.

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That being said, Terence Fisher and screenwriter Jimmy Sangster took some liberties with their 1958 version, mainly concerning some characters and their relationships. Lucy, Mina and Jonathan Harker in particular have gone through some changes.

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Van Helsing is his old, charming self though

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Well-known story and some artistic liberties aside, Hammer’s Dracula (a.k.a. Horror of Dracula) is one of our favourite versions of Bram Stoker’s novel. Christopher Lee is sexy, suave and animalistic as the count, and Peter Cushing is magnetic and dynamic as his arch nemesis.

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We’re honestly not entirely sure how we would react if this guy showed up in our bedroom… Sure, he’s deadly, but what a way to go!

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We absolutely love this movie. There’s nothing like a good vampire story (emphasis on the “good”), and we appreciate that Jonathan Harker is as useless and boring as we’ve always thought he was even as they’ve tried to make his character a bit more interesting.

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Going from accountant to vampire-fighting librarian might sound cool on paper, but he can’t even resist one scantily clad woman. Giles he’s not!

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Now, our eternal love for Gary Oldman is well documented, but even we have to admit that Christopher Lee’s vampire count may be on par with Oldman’s. And despite the many changes to characters etc. made in this version, it stays true to the original story. There’s nothing not to love, and if you’re only going to watch one version of the ultimate vampire romance, you could do a lot worse than this.

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Pro tip: if you have no reflection in the mirror, take a full bath before bedtime. It’s so easy to miss a spot of blood.

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What we learned: If you’re trying to kill a powerful nemesis and his much weaker sidekick, perhaps it is a good idea to take out the main threat first..?

Next time: Elevator to the Gallows (1958)

Bonus: The Monolith Monsters

Watched: December 16 2017

Director: John Sherwood

Starring: Grant Williams, Lola Albright, Les Tremayne, Trevor Bardette, Phil Harvey, Linda Scheley

Year: 1957

Runtime: 1h 17min

NOTE: At the time of watching (and writing) this, it was #155, but we see now that it has been removed from Mr Wright’s list. Still, it’s been watched and written, so we’ll just call it a bonus post and include it anyway, dammit! For details on numbering, read this.

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Meteors have been crashing into the desert in California, and geologist Ben Gilbert (Harvey) brings home a sample of the newly arrived space rocks. There is a storm, and the next day Dave Miller (Williams) arrives only to find his colleague petrified and his lab smashed, with lots of black rocks strewn around everywhere.

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“What a mystery! This calls for a huge sciency pot of sciency coffee and much pondering.”

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Meanwhile, Dave’s girlfriend Cathy Barrett (Albright) takes her class on a field trip to the desert and sends little Ginny (Scheley) home with another sample of the same rock. It ends badly.

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If you think pet rocks are a nice and safe alternative to an actual animal for your child, think again!

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Ginny’s fascination with shiny things kills her family, ruins their farm, and starts to slowly turn her to stone. Dave and Cathy start to investigate, together with a journalist, the police, and several medical doctors. They find that the mysterious rocks start to grow when exposed to water, and suck the silicon out of everything it touches when “activated.” Thank God it never rains in southern California!

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Just kidding. Of course it starts raining.

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With huge rocks making their way slowly and steadily towards the town, smashing everything in their way, it is up to Dave, Cathy, and Dave’s old professor Arthur Flanders (Bardette) to stop the advancing threat, save the town, and save the girl.

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But where to start? Why, by looking at maps and exchanging worried glances, of course.

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The Monolith Monsters is a silly, weird and fun sci-fi. The growing rocks are actually way more sinister than we would have thought possible, and while the premise of the movie is very silly, it is played straight. And it actually works.

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Evil killer rocks. We would have loved to be in that pitch meeting.

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The growing rocks are cool, we loved the newspaper man Martin Cochrane (Tremayne), and the film is a great mix between stupid (dat premise tho!) and serious. Very campy fun – thoroughly recommended if you like strange ’50s science fiction.

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It’s proving hard to find stills from this film, so here’s another picture of the titular “Monolith Monsters.”

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What we learned: Between Them! and this, the desert is no place for little blonde girls. Also, rocks are petrifying. Pun intended.

Next time: The Seventh Seal (1957)