#130 Kiss Me Deadly

Watched: August 27 2017

Director: Robert Aldrich

Starring: Ralph Meeker, Albert Dekker, Paul Stewart, Maxine Cooper, Juano Hernandez, Cloris Leachman, Marian Carr, Nick Dennis

Year: 1955

Runtime: 1h 46min

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A barefooted girl in a trench coat is running along a road, desperately trying to flag down a car. When one finally stops, she is admonished for almost wrecking the car by driver Mike Hammer (Meeker) before he lets her in. The girl, Christina (Leachman), is unable to speak at first but accepts a ride and gets in the stranger’s car.

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You know you’re in trouble when getting into a car with a grumpy stranger whilst naked is the safest choice

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Mike is not exactly the nicest guy in the world, but he does get Christina past a police blockade looking for an escaped mental patient, which is more than you can usually ask of a total stranger. It turns out he is a somewhat dodgy P.I. with a history of two-timing his clients. However, luckily for the desperate Christina, he’s also the kind of man who doesn’t give up once he’s onto something.

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Even if he’s up against people who like to torture and kill helpless girls

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We say luckily, but for poor Christina there was no luck. The two are captured, tortured and dumped in their car over a cliff. Mike makes it, but his female companion does not. Offended by these events, the Private Dick starts to investigate with the help of his lover/assistant/secretary/bait Velma (Cooper) and various colourful characters. What was Christina running from? Who was after her? And what is important enough to kill for?

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What’s in the box? Spoiler alert: it’s not the soul of Marsellus Wallace.

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Kiss Me Deadly is a Noir, but there are clear influences from horror and sci-fi, with the runaway mental patient and the mysterious glowing box everybody’s after. We went in completely blind on this one and were drawn in from the beginning – the opening scene is great! We loved Nick and Friday, the Gothic and sci-fi elements, Mike’s extreme badassness (though he might be a bit of a sociopath), and the importance of Christina Rossetti.

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A thorough knowledge of classic poetry is as important as a leggy dame, an attitude, a quick wit and a gun when it comes to investigating

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Poetry is important.

What we learned: Don’t pick up hitchhikers. Or, actually, do. Add some spice to your life! Also, breaking records is a surprisingly effective interrogation technique.

Next time: Rebel Without a Cause (1955)

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#126 Bad Day at Black Rock

Watched: August 19 2017

Director: John Sturges

Starring: Spencer Tracy, Robert Ryan, Anne Francis, Dean Jagger, Walter Brennan, Ernest Borgnine, Lee Marvin, John Ericson

Year: 1955

Runtime: 1h 21min

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The tiny town of Black Rock is amazed to see the train actually stop for the first time in four years. Even more puzzled, and suspicious, are they to find a stranger getting off in search of a hotel room and a cab to take him to Adobe Flats.

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“I vote we just kill him now and get it over with. There’s no way we can share our one female resident with yet another man.”

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The stranger, John J. Macreedy (Tracy), is met with hostility from all sides, mainly led by Reno Smith (Ryan) who everyone seems to be afraid of. The hostility increases when Macreedy reveals he is looking for a Japanese-American farmer named Komoko, and he is served a story of Komoko being relocated in the wake of  Pearl Harbor.

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Pictured: tension. And not the homoerotic cowboy movie kind.

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As Macreedy is trapped in the town for the night and all lines of communication with the outside world are sabotaged by local followers of Smith, vet/undertaker Doc (Brennan) is the only one willing to help him. Doc reveals that Komoko is dead, although the details of his death are still unknown to our hero.

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Hint: there’s racism and bigotry at work. Thank God the world is not plagued by those kinds of outdated ideas anymore!

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Smith and his croonies, most notably Coley and Hector (Borgnine and Lee, respectively), no longer operate under any pretense of innocence, and the chances of Macreedy surviving the night grow smaller and smaller.

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It doesn’t help that our hero is a one-armed man trying to fight a pissed off Ernest Borgnine

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Bad Day at Black Rock is an exciting and tense murder-mystery-western with a crime at the centre of the plot which is strangely (and sadly) relevant to our own times and political climate. Macreedy is a stoic badass, yet you’re never sure things will go his way or who he can trust. The men in this one-woman-town must make some tough choices and decide whether or not to make up for the mistakes that were made four years ago.

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It’s hard to see how anything at all could happen in a town this small, let alone something horrible

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There’s nothing not to love about this film. It’s shot in Eastman Color and Cinemascope, and beautifully so. There are car chases, shoot-outs, bar fights, Dames (well – just the one dame, actually), murder, mystery, and mayhem, and we loved everything about it. Loved it!

What we learned: This is a local town for local people. There’s nothing for you here! Alternatively, they don’t take kindly to strangers round these there parts.

Next time: Blackboard Jungle (1955)

#97 D.O.A.

Watched: April 17 2017

Director: Rudolph Maté

Starring: Edmond O’Brien, Pamela Britton, Luther Adler

Year: 1950

Runtime: 1h 23min

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Frank Bigelow (O’Brien) has a problem. He has been murdered. However, he is still alive, waiting for the poison in his system to do its job. As any sane man would, he takes it upon himself to investigate his own murder, which leads him into a world of conspiracies, ruthless men and, of course, Dames.

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Dames, shady businessmen and psycho henchmen are a must in Noir films. As are decorative lampshades, as pictured in the background.

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As he starts to uncover the events leading up to the murder, he becomes gradually more desperate as his expiration date is fast approaching. For an accountant he’s a pretty good investigator and he soon starts to find connections between his own untimely death and the apparent suicide of another man.

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As in all great films, sciency looking men with beakers of strange fluid also make an appearance.

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D.O.A. is another suspenseful Noir thriller told in flashbacks, complete with leggy blondes (our hero’s favourites), psychopathic henchmen and shootouts. And a nice girl, Paula (Britton), waiting at home not being told a thing about her boyfriend’s impending doom. Men…

Our favourite scene was a musical one – Bigelow goes to “The Fisherman”, a jive bar with amazing live music and “jive heads” being enlightened by the musical frenzy.

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We too felt the frenzy. Amazing guys!

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It’s interesting to watch a man when he has (almost) nothing left to lose. Bigelow, an accountant in “real life” seems to become more alive in his last 48 hour of life than he has been up until this point, and he also gets his priorities straight regarding his girl.

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No. The other one.

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Very tense, very thrilling, and very atmospheric, D.O.A. is definitely worth the watch. Excellent concept and an abundance of dames only add to the experience, and we recommend it to anyone interested in Film Noir. And/or decorative lampshades.

What we learned: Not everyone has the privilege of reporting or investigating their own murder. Also, ’50s dresses are the best dresses.

Next time: Gun Crazy (1950)

#94 The Third Man

Watched: March 27 2017

Director: Carol Reed

Starring: Joseph Cotten, Orson Welles, Alida Valli, Trevor Howard

Year: 1949

Runtime: 1h 44min

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Holly Martins (Cotten) arrives in post-war Vienna to start a job provided for him by Harry Lime (Welles) only to find that his friend has died. As Martins starts looking into the accidental death, things don’t add up. Conflicting witness statements and suspicious characters convince the mystery writer that there is something strange going on and he starts to investigate with the help of Harry’s (somewhat illegal) girlfriend, Anna Schmidt (Valli).

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It’s a long and winding road to get at the truth. And it’s almost as if there’s symbolism in the sets and cinematography.

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We cannot really say much more about the plot without spoiling the film. Suffice to say, Holly’s suspicions are not unfounded and his investigation takes him deep into the murky waters of war profiteering in post-war/early cold war era Vienna. There are twists and turns aplenty and it’s an exciting and engaging watch.

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It’s a wet dream for cobblestone aficionados everywhere!

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What stands out the most in The Third Man is the incredible use of shadows which reminded us a bit of the early German expressionist films we watched, just turned up to 11 (as did a lot of the angles). The beautiful architecture of Vienna with the juxtaposition of the gorgeous buildings and the rubble of the collapsed structures was beautiful, although we’re sure Austrians may disagree with that.

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For horror fans, there’s also a creepy balloon guy.

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Wet cobblestones, lots of arches, scary shadows, and a strangely beautiful sewer system make the film very visually appealing. There’s also a decorative lampshade – the very epitome of the Noir trope. The performances are great, with Welles being nicely menacing and slick.

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As we said, cobblestone aficionados need look no further for a fix.

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Neither do fans of Orson Welles’ strange charm

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Seriously though – very attractive sewer! We can see ourselves turning it into some sort of Gothic paradise.

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What we learned: War is the mother of invention. Also, sister the oldest is a little shadow slut. She loves her some good shadows!

Next time: White Heat (1949)

#37b (or something) The Thin Man

Watched: January 16 2017

Director: W.S. Van Dyke

Starring: William Powell, Myrna Loy

Year: 1934

Runtime: 1h 31min

Disclaimer: This film was added at 37th place (chronologically) after we had already reached (the old) no. 71 (now no. 73) and as such we throw it in here. The next post will be #74 but that does not mean we’ve skipped #72 and #73. Confused? Read this disclaimer. We’re sure it’ll explain everything.

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We’re so glad this one made the list! Sister the Oldest has seen this one before and loved it then as she loves it now. It’s a boozy adventure of the best kind, with wonderful characters and banter.

Nick Charles (Powell) is a retired private detective, enjoying a life of leisure, and copious amounts of cocktails, with his charming and charmingly rich wife, Nora (Loy), and their terrier, Asta.

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“These are just my breakfast drinks!”

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An old acquaintance, Dorothy Wynant, approaches the former detective as she suspects her father is in trouble, but Nick refuses to take the case, on account of the retirement and all. However, soon after, Mr Wynant’s secretary is killed and the plot thickens considerably when Dorothy’s father, who’s missing, becomes the chief suspect. Nick, egged on by Nora who thinks all this detective business terribly exciting, takes time between cocktails to look into the matter.

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Clink!

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The Thin Man is one of the funnest, booziest mystery comedies you’ll ever see. There are eccentric characters, dysfunctional families and lots and lots of drinks. The quick banter between Nick and Nora is magical, and their relationship is something to aspire to (in its own way). In addition, Nora has the best fashion sense, and the the dog is adorable. This film should be everyone’s traditional Christmas viewing, along with Gremlins and Die Hard, of course. Enjoy!

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True love!

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What we learned: We need to purchase lots of stripy chiffon. Also, do NOT make this film into a drinking game where you try to keep up with Nick…

Next time: A Matter of Life and Death (1946)

#46 The Lady Vanishes

Watched: September 17 2016

Director: Alfred Hitchcock

Starring: Margaret Lockwood, Michael Redgrave, Dame May Whitty, Paul Lukas

Year: 1938

Runtime: 1h 36min

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In a remote European town, a train is delayed due to an avalanche. A random assortment of tourists are forced to spend the night in a hotel and interact with each other. We meet a gang of young women, one of whom is on her way home to England to get married; some cricket obsessed Brits, a judge and his mistress, an arrogant musician and an old retired governess.

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The nun comes later.

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After the (undiscovered) murder of a busker in the night, the tourists are sent on their merry way the next day. Iris Henderson (Lockwood), the lady about to be married, shares a compartment with Miss Froy (Whitty), the retired governess, and they spend the first part of the train ride in each other’s company. However, after a nap (brought on by a mild concussion from a mysterious accident at the train station), Iris wakes up to the old lady having vanished. In addition, everyone in her compartment denies her ever having been there, saying she must be a figment of Iris’ imagination (or brain injury). Cue mystery!

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“An old lady? We’ve never seen anything of the sort. And why would we lie? We’re not at all sinister foreign types in a xenophobic Europe!”

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Iris teams up with Gilbert (Redgrave), the annoying musician she had a less than pleasant run-in with the previous night and together they start investigating the missing lady, with the occasional help from fellow passenger Dr. Hartz (Lukas). Naturally, things are more complex than they seem at first, and the plot, as they say, thickens.

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“So, let me get this straight: the old lady vanishes, then she reappears but it’s not the same lady, then there’s a severe Italian lady who lies about it, then a judge and his mistress who also lie, as do a couple of Brits because of a cricket match and then there’s a creepy nun..?” “Yes. And there’s also an escape artist. But he escapes.” “I see… Makes prefect sense!”

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This is a good old-fashioned mystery film with intrigue, espionage and international politics (which was important in 1938 as you can imagine). There’s also romance, humour and a wonderful cast of characters, and there’s an action packed shootout towards the end (always fun!). Hitchcock films are always interesting to watch, both due to the contents as well as beautiful and inventive shots. We love and cherish it!

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Also, the lady is adorable!

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What we learned: There’s always a conspiracy.

Next time: The Roaring Twenties (1939)