#130 Kiss Me Deadly

Watched: August 27 2017

Director: Robert Aldrich

Starring: Ralph Meeker, Albert Dekker, Paul Stewart, Maxine Cooper, Juano Hernandez, Cloris Leachman, Marian Carr, Nick Dennis

Year: 1955

Runtime: 1h 46min

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A barefooted girl in a trench coat is running along a road, desperately trying to flag down a car. When one finally stops, she is admonished for almost wrecking the car by driver Mike Hammer (Meeker) before he lets her in. The girl, Christina (Leachman), is unable to speak at first but accepts a ride and gets in the stranger’s car.

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You know you’re in trouble when getting into a car with a grumpy stranger whilst naked is the safest choice

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Mike is not exactly the nicest guy in the world, but he does get Christina past a police blockade looking for an escaped mental patient, which is more than you can usually ask of a total stranger. It turns out he is a somewhat dodgy P.I. with a history of two-timing his clients. However, luckily for the desperate Christina, he’s also the kind of man who doesn’t give up once he’s onto something.

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Even if he’s up against people who like to torture and kill helpless girls

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We say luckily, but for poor Christina there was no luck. The two are captured, tortured and dumped in their car over a cliff. Mike makes it, but his female companion does not. Offended by these events, the Private Dick starts to investigate with the help of his lover/assistant/secretary/bait Velma (Cooper) and various colourful characters. What was Christina running from? Who was after her? And what is important enough to kill for?

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What’s in the box? Spoiler alert: it’s not the soul of Marsellus Wallace.

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Kiss Me Deadly is a Noir, but there are clear influences from horror and sci-fi, with the runaway mental patient and the mysterious glowing box everybody’s after. We went in completely blind on this one and were drawn in from the beginning – the opening scene is great! We loved Nick and Friday, the Gothic and sci-fi elements, Mike’s extreme badassness (though he might be a bit of a sociopath), and the importance of Christina Rossetti.

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A thorough knowledge of classic poetry is as important as a leggy dame, an attitude, a quick wit and a gun when it comes to investigating

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Poetry is important.

What we learned: Don’t pick up hitchhikers. Or, actually, do. Add some spice to your life! Also, breaking records is a surprisingly effective interrogation technique.

Next time: Rebel Without a Cause (1955)

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#124 Them!

Watched: June 29 2017

Director: Gordon Douglas

Starring: James Whitmore, Edmund Gwenn, Joan Weldon, James Arness

Year: 1954

Runtime: 1h 34min

Them

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Police pick up a shell-shocked little girl in the New Mexico desert. They also spot an abandoned car and trailer, and when they check them out they find a war zone sprinkled with sugar. What on earth could have happened?

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Nothing good, that’s what!

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As more similar crime scenes appear, Police Sergeant Ben Peterson (Whitmore) investigates with the help of his trooper, who quickly becomes another victim of the unseen threat. FBI Agent Robert Graham (Arness) replaces the dead trooper, and with their only clues being strange tracks, sugar, and huge amounts of formic acid in the victims’ bodies, the investigators call in some experts. Dr Harold Medford (Gwenn) arrives, accompanied by his daughter, Dr Patricia Medford (Weldon). The two of them have some crazy theories.

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Surprise! The crazy theories were spot on and there really are enormous killer ants running around in the desert!

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The culprits are giant ants, mutations made by radiation from nuclear bomb tests in New Mexico (see “Godzilla: Bombs are Bad“). The team manage to destroy the nest, but realise that three queens have managed to escape. Now they must track them down and destroy them before they destroy all of humanity.

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Pretty much the most fun you can have with nuclear mutation mistakes

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As mentioned, we watched this as a double feature with Godzilla, and they really are a perfect match. Atomic monsters threatening major cities who must be destroyed by scientists and the military working together, with a sprinkle of romance and humour. We loved them both, although Them! seems the slightly sillier version of the same general idea.

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Giant dinosaury sea monsters beat giant animatronic insects in terms of fright factor, in our opinion. The insects win for fun factor, though.

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A cult classic which is surprisingly tense given the premise, Them! is a great film if you’re a fan of creepy creature features with slightly dated effects but otherwise great performances and lots of eerie sounds. We loved both Doctors Medford, and had a great time watching this.

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Who you gonna call? Antbusters!

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What we learned: Get the antennae! Also, not all nuclear explosions lead to superheroes.

Next time: All That Heaven Allows (1955)

#120 Godzilla/Gojira

Watched: June 29 2017

Director: Ishirô Honda

Starring: Akira Takarada, Momoko Kôchi, Takashi Shimura, Akihiko Hirata

Year: 1954

Runtime: 1h 36min

Godzilla poster

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Godzilla – King of the Monsters! Hydrogen bombs off the coast of Japan have awoken the mighty beast from its oceanic slumber and it is coming for Tokyo. Send in the army, sacrifice your daughters, and RUN!

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Not sure how a girl is supposed to placate this beast, but for a while that was the only viable plan

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As Godzilla, a dinosaury creature of local legend, wreaks havoc on the shores of Japan, scientists and military personnel work to pacify and/or kill the monster. Some, such as Dr. Yamane (Shimura), are convinced they should let the rare specimen live.

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It just wants to play! And it’s so cuuuuute!

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Others, particularly the military, but later also Yamane’s daughter Emiko (Kôchi) and her two boyfriends (it’s complicated) Hideto and Serizawa (Takarada and Hirata, respectively), begin to realise that their only course of action is to destroy it before it destroys all of Japan and possibly the world.

Emiko (Momoko Kochi) witnesses the horrifying effects of the "At
“Kill it! Kill it with……oxygen..?”

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Godzilla is a legendary creature feature which has spawned countless sequels, remakes, and reboots. However, none of them have quite managed to capture the magic of the original. Sure, there have been more advanced special effects in some other Godzilla-films, but the original man (technically men; Haruo Nakajima and Katsumi Tezuka) in the monster suit is strangely effective.

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It might be an advantage to the overall effect that the movie is quite dark and a lot of details are slightly obscured

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It’s atmospheric and intense, with a dramatic score, great performances and real threats. We watched this as a part of 1000filmblog’s Atomic Double Creature Feature Night™ together with Gordon Douglas’ Them! (#124) from the same year, and it was a fantastic combination. As we’re going through the fifties and sixties, we’re looking forward to more atomic/space-agey horror and sci-fi – we love us a good monster movie and a good atomic scare!

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We’ll leave you with the poster for the American edition of this Japanese classic – now with added Americans!

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What we learned: Hydrogen bombs are bad. Also, when Godzilla emerges, we might have to give up a girl as sacrifice.

Next time: Magnificent Obsession (1954)

#6 Metropolis

Watched: August 2 2016

Director: Fritz Lang

Starring: Gustav Fröhlich, Alfred Abel, Brigitte Helm

Year: 1927

Runtime: 2h 33min (but it flies by – trust us!)

Metropolis

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Another classic we’ve seen before (also the second film so far that we actually own on DVD), but it’s been years and this is definitely a masterpiece worth rewatching. It’s a sort of dystopian biblical apocalypse story which follows this old, worn-out narrative:

Boy sees girl; boy follows girl; boy finds out father is an evil tyrant; boy goes undercover among the oppressed; boy presents as Messiah to girl; girl is replaced by evil robot; evil robot instigates murder and riot; girl tries to save the children; girl is accused of being a witch; and you know how this all goes. If you don’t, we don’t want to spoil it for you. Yes, the film is almost 90 years old, but a lot of people have not seen it and they should!

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Nothing could possibly go wrong if you build a huge tower and call it “The New Tower of Babel”

This is a stunning piece of cinema in every sense. It is epic in scope, beautifully shot, superbly acted, has amazing choreography (especially the sequence with the workers in the beginning) and incredible visual effects.

Much of the film seems an obvious source of inspiration for other works, and there are naturally many biblical allusions; to Babylon, the Great Flood, the seven cardinal sins, the Golden Calf and the Tower of Babel in particular.

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“What is this? A Tower of Babel for ANTS? It needs to be at least three times bigger!”

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One can spend months analysing this film, and perhaps one should, but we still have at least 994 films to go (damn you, fluctuating list!) so we’re going to have to wrap this up. If you haven’t seen this film, you should. Go watch it right now! It’s on YouTube – you have no excuse.

Next time: Sunrise: A Song of Two Humans (1927)